On Provide – Artwork Jewellery Discussion board

April 2025, Half 2

On this second, issues are … extremely bizarre (that’s placing it flippantly) … and all of us may use a deal with. It feels good to get a terrific piece of artwork jewellery for ourselves whereas celebrating and supporting artists and the galleries who present them!

Artwork Jewellery Discussion board’s worldwide gallery supporters have a good time and exhibit artwork jewellery. Our bi-monthly On Provide collection permits this in depth community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’re sure to discover a fabulous piece you merely can’t reside with out! (Please contact the gallery straight for inquiries.)

Elizabeth Garvin, Striped Arch Chain Earrings, in 18-karat yellow gold, sterling silver, diamonds, approximately 2 x ¾ inches (51 x 19 mm), photo: Pistachios — Elizabeth Garvin, *Striped Arch Chain Earrings,* in 18-karat yellow gold, sterling silver, diamonds, roughly 2 x ¾ inches (51 x 19 mm), photograph: Pistachios

Gallery: Pistachios Modern Artwork Jewellery, Chicago, IL, US (click on the gallery title to hyperlink to its web site)
Contact: The Pistachios Workforce (click on the crew title for e mail)
Artist: Elizabeth Garvin
Retail worth: US$2,645
These fashionable black and gold earrings crafted by Elizabeth Garvin have dazzling sparkle in a traditional black and gold coloration palette. Primarily based in New York Metropolis, Garvin produces designs as stylish as they’re wearable. Her meticulous consideration to element makes these fringe earrings actually superb!

Staffan Jonsson, Hay Fork, 2019, brooch in silver, steel, niello, 4 ⅜ x 1 x ¼ inches (110 x 25 x 5 mm), photo: Four — Staffan Jonsson, *Hay Fork,* 2019, brooch in silver, metal, niello, 4 ⅜ x 1 x ¼ inches (110 x 25 x 5 mm), photograph: 4

Gallery: 4 Gallery, Umeå, Sweden (click on the gallery title to hyperlink to its web site)
Contact: Karin Roy Andersson (click on the gallerist’s title for e mail)
Artist: Staffan Jonsson
Retail worth: €200
Staffan Jonsson’s summer time job as a cemetery gardener grew to become a place to begin for this challenge, which offers with the moments between life and dying. The works have associations to childlike toys, naiveté, darkness, and typically violence. This piece is constructed up from sheets and rods of sterling silver, lower, filed, and soldered. The darkish floor is niello, a steel alloy of silver copper, lead, and sulfur that offers a robust cowl and an expression that matches completely with the motif.

Ruudt Peters, Succato, from the Suctus collection, 2019, brooch in gilded silver, amber, polyester, photo courtesy of the artist — Ruudt Peters, *Succato,* from the *Suctus* assortment, 2019, brooch in gilded silver, amber, polyester, photograph courtesy of the artist

Gallery: Thereza Pedrosa Gallery, Asolo, Italy (click on the gallery title to hyperlink to its web site)
Contact: Thereza Pedrosa (click on the gallerist’s title for e mail)
Artist: Ruudt Peters
Retail worth: €5,320
Ruudt Peters’s Suctus assortment invitations viewers right into a world of thriller and transformation. These brooches discover the stress between vessel and void, gentle and shadow, evoking historical rituals and myths. Varieties paying homage to sacrificial objects and Charon’s boats recommend journeys into the unknown. Deep shadows and muted tones create a way of depth and introspection. Each bit is a poetic meditation on life, dying, and rebirth. Dive into the Suctus Succato brooch—an paintings that stirs the soul, inspiring profound reflection and contemplation.

Molly Shulman, iykykBravo 1, 2024, necklace in 14kgf chain, 24-karat gold-plated brass and copper, clear powder coat, 16 inches (40.6 cm) long, photo courtesy of the artist — Molly Shulman, *iykykBravo 1,* 2024, necklace in 14-karat gold-filled chain, Pure gold-plated brass and copper, clear powder coat, 16 inches (40.6 cm) lengthy, photograph courtesy of the artist

Gallery: Baltimore Jewellery Middle, Baltimore, MD, US (click on the gallery title to hyperlink to its web site)
Contact: Allison Gulick (click on the title for e mail)
Artist: Molly Shulman
Retail worth: US$1,640
That is the primary completed piece from Molly Shulman’s iykykBravo line. These items take quotes and pictures from emotionally intense moments in BravoTV’s present Vanderpump Guidelines. Shulman is a jewellery artist mixing modern and nice jewellery types. In 2017, she started instructing on the Baltimore Jewellery Middle, the place she additionally leads youth packages. Shulman’s work ranges from enjoyable designs to significant customized items, which regularly incorporate classic supplies. She lives in Baltimore along with her accomplice and pets, the place she continues to show and create.

Diane Egbert, Dieter Lorenz Carved Blue Calcedony Necklace, in Dieter Lorenz-carved blue chalcedony, tanzanite (1.01ct.), opal beads, reticulated 18-karat gold, photo courtesy of the artist — Diane Egbert, *Dieter Lorenz Carved Blue Calcedony Necklace,* in Dieter Lorenz-carved blue chalcedony, tanzanite (1.01ct.), opal beads, reticulated 18-karat gold, photograph courtesy of the artist

Gallery: Gravers Lane Gallery, Philadelphia, PA, US (click on the gallery title to hyperlink to its web site)
Contact: Kate Crankshaw (click on the gallerist’s title for e mail)
Artist: Diane Egbert
Retail worth: US$20,020
Diane Egbert has an unimaginable assortment of distinctive stones. The strands of opal beads body this blue chalcedony fantastically.

Hilde Folks, My Father's Garden, 2013, necklace in stainless steel, nylon, plastic, glass, 8 ⅝ x 10 ⅝ x ¾ inches (220 x 270 x 20 mm), photo: Galeria Reverso — Hilde Of us, *My Father’s Backyard,* 2013, necklace in stainless-steel, nylon, plastic, glass, 8 ⅝ x 10 ⅝ x ¾ inches (220 x 270 x 20 mm), photograph: Galeria Reverso

Gallery: Galeria Reverso, Lisbon, Portugal (click on the gallery title to hyperlink to its web site)
Contact: Paula Crespo (click on the gallerist’s title for e mail)
Artist: Hilde Of us
Retail worth: €700
Hilde Of us has been working for years with steel spiral springs in her spatial and versatile jewellery, making them her trademark. This delicate, distinctive piece, with geometric shapes that mildew undulating volumes sprinkled with tiny glass beads, takes us again to the panorama that its title evokes.

Tamia Dellinger, The Man, 2022, necklace in cotton, basalt, pigments, dragon blood, epoxy, 18 ½ x 8 ⅝ x 1 inches (470 x 220 x 25 mm), photo: artist — Tamia Dellinger, *The Man,* 2022, necklace in cotton, basalt, pigments, dragon blood, epoxy, 18 ½ x 8 ⅝ x 1 inches (470 x 220 x 25 mm), photograph: artist

Gallery: Galeria Tereza Seabra, Lisbon, Portugal (click on the gallery title to hyperlink to its web site)
Contact: Tereza Seabra (click on the gallerist’s title for e mail)
Artist: Tamia Dellinger
Retail worth: €1,530, plus delivery
“The thesis Poetics of Passage is about time, place, and storytelling, and the way these ideas are intertwined,” states Tamia Dellinger. “By exploring considered one of these ideas, you’ll in some way find yourself exploring one of many different two. The place to begin of the analysis was the e-book The Songlines, by Bruce Chatwin. Chatwin’s e-book explores the labyrinth of invisible pathways which cowl the entire Australian Nation, recognized to Europeans as song-lines or dreaming-tracks and to the aboriginals because the Footprints of the Ancestors or the Means of the Regulation. ‘One may see a songline as a set of instructions, however it is usually a buying and selling counter, a type of family tree, an inalienable possession, and a fraction of a complete mythic construction that takes completely different varieties throughout Australia.’ (Chatwin, 2012, p. xiv) The primary chapter, Time and time and time and time, explores completely different features of the passage of time, how we understand it (reminiscence), how we see it within the panorama, and the way it’s current in the way in which we discuss. The second chapter, Place (worlds of which means), is in regards to the land and the meanings we give to it, be it by attaching tales to landscapes or by the supplies we extract from it. The final chapter, In betweenness (poetics), is about strolling, and the way Robert Smithson, Ana Mendieta, and Richard Lengthy have used the concepts talked about beforehand of their work. The core of the textual content is the relation between man and land, by means of storytelling, utilizing the songlines as a conceptual place to begin.”

Lin Cheung, Delayed Reactions—Crystal Clear, 2018, brooch in rock crystal, 18-karat gold, 2 ¼ x ⅜ inches (56 x 9 mm), photo: artist — Lin Cheung, *Delayed Reactions—Crystal Clear,* 2018, brooch in rock crystal, 18-karat gold, 2 ¼ x ⅜ inches (56 x 9 mm), photograph: artist

Gallery: Within the Gallery at Brooklyn Steel Works, Brooklyn, NY, US (click on the gallery title to hyperlink to its web site)
Contact: Brian Weissman (click on the gallerist’s title for e mail)
Artist: Lin Cheung
Retail worth: US$3,245
Lin’s distinctive strategy to creating affords a witty and poignant response to the human situation. Jewellery is each inventive output and a degree of reference and inspiration, with the artist steadily making work because of a self-reference to jewellery. Lin quotes her underlying “love-hate” relationship with jewellery as a wholesome strategy to perceive and discover an enormous and various topic that loyally sticks near its archetypal roots but additionally has the spectacular skill to morph and transfer with the instances.

Caroline Broadhead, Neck and Neck I, 2023, necklace in vintage pearl necklace, glass beads, thread, 7 ½ x 7 ½ x ⅜ inches (190 x 190 x 10 mm), photo: Sofia Bjorkman — Caroline Broadhead, *Neck and Neck I,* 2023, necklace in classic pearl necklace, glass beads, thread, 7 ½ x 7 ½ x ⅜ inches (190 x 190 x 10 mm), photograph: Sofia Björkman

Gallery: Platina, Stockholm, Sweden (click on the gallery title to hyperlink to its web site)
Contact: Sofia Bjorkman (click on the gallerist’s title for e mail)
Artist: Caroline Broadhead
Retail worth: US$6,000
The latest works of Caroline Broadhead have confronted the picture and thought of a pearl necklace. Slipping off the neck, within the act of dropping and in want of one other necklace catching and holding it. A classic pearl necklace is wrapped between rigorously threaded white clear glass beads. Broadhead gave a lecture on the Pinakothek in Munich throughout Schmuck 2025 and is among the finalists of the Loewe Basis Craft Prize 2025.

Steven KP, Lean-to, 2024, brooch in hand-carved and ebonized black walnut, sterling silver, 6 x 1 ¾ x ¾ inches (152 x 46 x 18 mm), photo: Rob Chron — Steven KP, *Lean-to,* 2024, brooch in hand-carved and ebonized black walnut, sterling silver, 6 x 1 ¾ x ¾ inches (152 x 46 x 18 mm), photograph: Rob Chron

Gallery: Galerie Noel Guyomarc’h, bijoux et objets contemporains (click on the gallery title to hyperlink to its web site)
Contact: Noel Guyomarc’h (click on the gallerist’s title for e mail)
Artist: Steven KP
Retail worth: US$1,650
Gentle actions, light gestures, following line and leaning into the curves. Quiet and delicate, this work might be such a balm for this second. Unbelievable carved wooden items by Steven KP.

Gillian Rainer, Portent, 2024, necklace in oxidized sterling silver, North Sea horse mussel shell, mother-of-pearl shell, 3 ¾ x 1 x ⅛ inches (95 x 25 x 4 mm), chain 31 ½ inches (800 mm), photo: Yasmin Eghtesadii — Gillian Rainer, *Portent,* 2024, necklace in oxidized sterling silver, North Sea horse mussel shell, mother-of-pearl shell, 3 ¾ x 1 x ⅛ inches (95 x 25 x 4 mm), chain 31 ½ inches (800 mm), photograph: Yasmin Eghtesadii

Gallery: Zu design, Adelaide, NSW, Australia (click on the gallery title to hyperlink to its web site)
Contact: Jane Bowden (click on the gallerist’s title for e mail)
Artist: Gillian Rainer
Retail worth: AUS$810
Gillian Rainer is among the 5 established makers from Perth who shall be exhibiting at Zu design’s Syncopation exhibition, which opens Could 3, 2025. Rainer attracts day by day, observing pure varieties and home artefacts which inform her items. She transforms her line work into steel constructions, after which, by combining these with collected supplies referencing nature, creates her typically whimsical jewellery.

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