On Supply – Artwork Jewellery Discussion board

June 2025, Half 1

Lately, all of us may use a deal with. And it feels so good to get a terrific piece of artwork jewellery for ourselves whereas celebrating and supporting artists and the galleries who present them!

Artwork Jewellery Discussion board’s worldwide gallery supporters rejoice and exhibit artwork jewellery. Our bi-monthly On Supply sequence permits this intensive community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’re certain to discover a unbelievable piece you merely can’t reside with out! (Please contact the gallery straight for inquiries.)

Beppe Kessler, Three Season Brooch, 2016, in alpaca, wood, paper, acrylic, 2 ⅛ x 2 ⅛ x 1 ⅛ inches (55 x 55 x 28 mm), photo: artist — Beppe Kessler, *Three Season Brooch,* 2016, in alpaca, wooden, paper, acrylic, 2 ⅛ x 2 ⅛ x 1 ⅛ inches (55 x 55 x 28 mm), picture: artist

Gallery: Galeria Reverso, Lisbon, Portugal (click on the gallery identify to hyperlink to its web site)
Contact: Paula Crespo (click on the gallerist’s identify for e-mail)
Artist: Beppe Kessler
Retail value: 1,750€
“In 2016, through the local weather discuss in Paris,” states Beppe Kessler, “I began to work on a small assortment of brooches, manufactured from items of the climate forecast, minimize out of the paper, every day, by my father, and lined by acrylic, formed like a stone. I inherited his archive and gave it a second life. I devoted these brooches to my father, who died in 2016.“ The dates of the climate forecast are written on the again of the brooch. Climate: 1998 / 17/10, 18/6, 11/12, 23/1.

Tatjana Giorgadse, Untitled, 2025, earrings in wood, mother-of-pearl, silicone cable, foam, silver, paint, approximately 4 ⅜ x 4 x ⅜ inches (110 x 100 x 10 mm), photo courtesy of the artist and Galerie Door — Tatjana Giorgadse, Untitled, 2025, earrings in wooden, mother-of-pearl, silicone cable, foam, silver, paint, roughly 4 ⅜ x 4 x ⅜ inches (110 x 100 x 10 mm), picture courtesy of the artist and Galerie Door

Gallery: Galerie Door, Nijmegen, Netherlands (click on the gallery identify to hyperlink to its web site)
Contact: Doreen Timmers (click on the gallerist’s identify for e-mail)
Artist: Tatjana Giorgadse
Retail value: 885€
Tatjana Giorgadse was skilled by Theo Smeets and Ute Eitzenhöfer on the division of gemstone and jewellery design in Idar-Oberstein (Germany). Her great world of artwork has its roots in a free and carefree childhood within the Georgian countryside. To this she provides her modern desires, her fascination for nature, and the frisky playfulness of her personal kids. Her work is unconventional, stimulating, and a feast for the eyes.

Hanna Liljenberg, Big Blue, 2025, earrings in paper, seed cases from linden, acrylic paint, lacquer, blackened brass, silver, photo courtesy of Thereza Pedrosa Gallery — Hanna Liljenberg, *Massive Blue,* 2025, earrings in paper, seed instances from linden, acrylic paint, lacquer, blackened brass, silver, picture courtesy of Thereza Pedrosa Gallery

Gallery: Thereza Pedrosa Gallery, Asolo, Italy (click on the gallery identify to hyperlink to its web site)
Contact: Thereza Pedrosa (click on the gallerist’s identify for e-mail)
Artist: Hanna Liljenberg
Retail value: 635€
Impressed by Sweden’s west coast and the physique’s capability to each amaze and disturb, Hanna Liljenberg creates items that blur the road between pure and human-made varieties. Working with paper and skinny steel sheets, she builds light-weight, foldable buildings outlined by sharp, natural shapes, vibrant colours, and high-quality strains. Her summary floral varieties invite curiosity and reflection on the twin magnificence and brutality of nature.

Christel van der Laan, Medley (front and back), 2022, brooch in ceramic honeycomb, coral, agate geode, rubber, oxidized sterling silver, 4 ½ x 3 ⅛ x 1 inches (115 x 80 x 25 mm), photo: Jane Bowden — Christel van der Laan, *Medley* (back and front), 2022, brooch in ceramic honeycomb, coral, agate geode, rubber, oxidized sterling silver, 4 ½ x 3 ⅛ x 1 inches (115 x 80 x 25 mm), picture: Jane Bowden

Gallery: Zu design, Adelaide, SA, Australia (click on the gallery identify to hyperlink to its web site)
Contact: Jane Bowden (click on the gallerist’s identify for e-mail)
Artist: Christel van der Laan
Retail value: AUS$1,850
“The thought of preciousness in jewellery and the pursuit of magnificence within the discarded and ignored are enduring themes in my work,” states Christel van der Laan. “Since 2008, I’ve been experimenting with a refractory materials, ceramic honeycomb. Normally a soldering assist on 1000’s of jeweler’s benches across the globe, this unlikely stuff has turn into the important thing focus in my observe. The choice and group of supplies to offer kind to ideas and experiences is usually probably the most exhilarating and difficult side of the making course of. My need is to create poetic jewellery objects, the place every half is remodeled by its juxtaposition with one other and has a vital position to play within the ultimate composition.” And the again—van der Laan pays a lot consideration to the element on the again of the brooch! The artist takes care to make her items as attention-grabbing to view from the again because the entrance. Who can’t resist selecting up a brooch and turning it over?!

Janna Syvänoja, Greenpowerplant 4, 2023, necklace in recycled paper, nylon, 2023, 14 ½ x 4 ¾ x 2 ⅜ inches (370 x 120 x 60 mm), photo: Sofia Bjorkman — Janna Syvänoja, *Greenpowerplant 4,* 2023, necklace in recycled paper, nylon, 2023, 14 ½ x 4 ¾ x 2 ⅜ inches (370 x 120 x 60 mm), picture: Sofia Bjorkman

Gallery: Platina, Stockholm, Sweden (click on the gallery identify to hyperlink to its web site)
Contact: Sofia Bjorkman (click on the gallerist’s identify for e-mail)
Artist: Janna Syvänoja
Retail value: 2,500€
Janna Syvänoja is thought for her jewellery created from recycled printed paper, reminiscent of newspapers, maps, catalogs, and outdated books. They’re wealthy by their previous, carrying alongside sure locations and unintended meanings. This materials additionally provides the items their particular person exterior and inside ornament, their ornaments. The artist decides how the outcomes needs to be, however ultimately the piece take a form of its personal. When sure fashioned elements begin to comply with one another and discover their rhythm within the making, the miracle occurs. It’s a sluggish, meditative, and really pure course of.

Sofia Björkman, Light Night 4, 2025, necklace in PLA, silver, 16 ⅛ x 9 ½ x 3 ⅛ inches (410 x 240 x 80 mm), photo: artist — Sofia Björkman, *Gentle Night time 4,* 2025, necklace in PLA, silver, 16 ⅛ x 9 ½ x 3 ⅛ inches (410 x 240 x 80 mm), picture: artist

Gallery: Galeria Tereza Seabra, Lisbon, Portugal (click on the gallery identify to hyperlink to its web site)
Contact: Tereza Seabra (click on the gallerist’s identify for e-mail)
Artist: Sofia Björkman
Retail value: 1,968€, plus transport
“Gentle Night time is a sequence of jewellery items that discover what it means to be born below the zodiac signal Gemini,” states Sophia Björkman. “Duality, motion, and alter characterize this signal—Geminis are curious, ethereal, fast, and playful. Gemini holds contradictions: two sides, fixed shifts, an ongoing exploration. I’ve tried to seize this in each materials and kind. The items are black and white, altering relying on the background they’re worn towards. Towards black, the white emerges; towards white, the black turns into seen. On this means, a duality is created that always shifts, similar to the character of Gemini. The varieties are rapidly sketched, ethereal strains in movement. They’re constructed from interconnected components that comply with the physique’s actions. These will not be static objects; they’re versatile, adapting to the wearer, serving as a reminder that nothing is fixed—all the pieces is in perpetual movement. Within the circulation of on a regular basis life, within the murmur of the festive night time, within the assembly with a pal—or with the stranger who’s there, listening. Gentle Night time refers to Gemini’s time of yr, the brightest interval, when days are lengthy and nights are quick. Within the gentle, we discover shadows; within the night time, glimmers of sunshine seem—the seen and the hidden shift and transfer in parallel and duality.”

This necklace is a part of the Rings of Saturn cycle, curated by Halo (Catarina Silva and Marta Costa Reis) at Gallery Tereza Seabra. For millennia, the zodiac has been a mirror within the sky that displays human traits, our appeal, and our deep reference to the cosmos. Impressed by the 12 constellations that mark the astrological cycle, Halo is inviting artists introduced collectively by the possibility of being born below the identical zodiac signal for group exhibitions over 12 months. Between March 2025 and February 2026, every exhibition will discover the essence of an indication, translated by means of artwork, symbolism, and spirituality, making a dialogue between the astrological universe and human expressions. Astrological indicators have fascinated and impressed cultures all over the world, symbolizing the forces that join us to the universe and highly effective psychological archetypes that proceed to query us. In additional than superstition, we needed to make use of the language of astrology to impress inventive acts that join us to what transcends us, asking the visitor artists to replicate on the thriller of the human situation. We needed to create moments of exploration of the current time, a time of disaster during which it’s regular to hunt to know the inexplicable. A time of doubt during which we will aspire to poetry and sweetness. The sky has all the time had this impact of reconnecting us to the rhythm of the world and galvanizing us to go additional. We’re manufactured from stardust.

Marianne Schliwinski, Remember, 2018, pin in papier-maché, glue, paint, lacquer, 4 x 1 ⅛ x 1 inches (101 x 30 x 25 mm), photo: Four — Marianne Schliwinski, *Keep in mind,* 2018, pin in papier-maché, glue, paint, lacquer, 4 x 1 ⅛ x 1 inches (101 x 30 x 25 mm), picture: 4

Gallery: 4 Gallery, Umeå, Sweden (click on the gallery identify to hyperlink to its web site)
Contact: Karin Roy Andersson (click on the gallerist’s identify for e-mail)
Artist: Marianne Schliwinski
Retail value: 100€
In Marianne Schliwinski’s work, you see contrasts enjoying collectively. Her language consists of supplies and their totally different qualities. Issues won’t all the time be what they appear—gentle items with a heavy look and weighty works with a lightweight look. Schliwinski usually combines papier-mâché with discovered objects. Totally different paints and lacquers intensify the supplies and shapes. The composition, the supplies, and the colours inform smart, political, and typically humorous tales.

Chelsea Nanfelt Rowe, Nesting, 2024, brooch in reused rubber, vintage Lucite, reused beads, steel, sterling silver, 4 x 2 x 1 ⅛ inches (100 x 50 x 30 mm), photo courtesy of the artist — Chelsea Nanfelt Rowe, *Nesting,* 2024, brooch in reused rubber, classic Lucite, reused beads, metal, sterling silver, 4 x 2 x 1 ⅛ inches (100 x 50 x 30 mm), picture courtesy of the artist

Gallery: Baltimore Jewellery Middle, Baltimore, MD, US (click on the gallery identify to hyperlink to its web site)
Contact: Allison Gulick (click on the identify for e-mail)
Artist: Chelsea Nanfelt Rowe
Retail value: US$250
Based mostly within the US, Chelsea Nanfelt Rowe is an artist who transforms on a regular basis supplies and detritus into jewellery. She is motivated to focus on the tales infused in, and witnessed by, the issues we encompass ourselves with. She has her MFA in craft/materials research from Virginia Commonwealth College and works as an artist and educator. An advocate for sustainability in jewellery, Nanfelt Rowe serves on the Advisory Council and EM Schooling Committee for Moral Metalsmiths, and in addition chairs the So Recent + So Clear Exhibition. Her work has been exhibited at Dransfield Jewelers, the Metallic Museum, and Pratt Institute’s Steuben Gallery, and he or she was honored with NYCJW’s 2025 One for the Future award. She is at present an Rising Artist Resident on the Baltimore Jewellery Middle.

Ryungjae Jung, The Motion, brooch in sterling silver, 10-karat gold, polyamide, 5 ⅛ x 2 ¾ x 2 inches (130 x 70 x 50 mm), photo: artist — Ryungjae Jung, *The Movement,* brooch in sterling silver, 10-karat gold, polyamide, 5 ⅛ x 2 ¾ x 2 inches (130 x 70 x 50 mm), picture: artist

Gallery: Pistachios Up to date Artwork Jewellery, Chicago, IL, US (click on the gallery identify to hyperlink to its web site)
Contact: The Pistachios Group (click on the workforce identify for e-mail)
Artist: Ryungjae Jung
Retail value: US$850
An abundance of tangerine 3D-printed chains cascades down from this distinctive assertion brooch by Ryungjae Jung. With easy motion, this brooch will intensify any jacket or high whereas including a daring pop of shade.

Seth Papac, Chrysotile, 2025, brooch in dryer lint, plastic, sterling silver, stainless steel, photo: Rob Chron — Seth Papac, *Chrysotile,* 2025, brooch in dryer lint, plastic, sterling silver, stainless-steel, picture: Rob Chron

Gallery: Galerie Noel Guyomarc’h, bijoux et objets contemporains, Montreal, QC, Canada
Contact: Noel Guyomarc’h (click on the gallerist’s identify for e-mail)
Artist: Seth Papac
Retail value: US$2,000
Seth Papac’s Chrysotile brooch is a part of a physique of labor ensuing from a collaborative challenge with Maria Phillips, throughout which the 2 artists exchanged concepts and picked up or discovered supplies. By these jewellery items, they offer kind to an intimate and collective materials reminiscence. Their method evokes an emotional and relational geology.

Janine Decresenzo, Textured Link Bracelet with Mixed Gold Links, in white rose cut diamond, two white diamonds (1.15 carat), 18-karat gold, 14-karat gold, photo courtesy of Gravers Lane Gallery — Janine Decresenzo, *Textured Hyperlink Bracelet with Blended Gold Hyperlinks,* in white rose minimize diamond, two white diamonds (1.15 carat), 18-karat gold, 14-karat gold, picture courtesy of Gravers Lane Gallery

Gallery: Gravers Lane Gallery, Philadelphia, PA, US (click on the gallery identify to hyperlink to its web site)
Contact: Kate Crankshaw (click on the identify for e-mail)
Artist: Janine Decresenzo
Retail value: US$15,400
This piece is fantastically textured and distinctive. The kinetic side of the bracelet permits it to sit down comfortably on the wrist. Between the blended golds and the distinctive stone, this bracelet is a one-of-a-kind and versatile piece of jewellery.

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