On Supply – Artwork Jewellery Discussion board

June 2025, Half 2

Lately, all of us might use a deal with. And it feels so good to get a terrific piece of artwork jewellery for ourselves whereas celebrating and supporting artists and the galleries who present them!

Artwork Jewellery Discussion board’s worldwide gallery supporters have a good time and exhibit artwork jewellery. Our bi-monthly On Supply collection permits this intensive community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’re positive to discover a improbable piece you merely can’t reside with out! (Please contact the gallery straight for inquiries.)

Lynne MacLachlan, necklace in sterling silver, 3D-printed nylon, pigment, approximately 20 inches (508 mm) long, photo: artist — Lynne MacLachlan, necklace in sterling silver, 3D-printed nylon, pigment, roughly 20 inches (508 mm) lengthy, picture: artist

Gallery: Pistachios Up to date Artwork Jewellery, Chicago, IL, US (click on the gallery title to hyperlink to its web site)
Contact: The Pistachios Workforce (click on the group title for e-mail)
Artist: Lynne MacLachlan
Retail value: US$2,495
A big assertion necklace like no different, this wearable murals is made with 3D-printed nylon that has been dyed by hand. Primarily based on harmonic geometry, the shape provides a satisfying sense of rhythm and calls to thoughts patterns from the pure world. There’s a fluidity and suppleness to this piece, which stays light-weight regardless of its grand scale.

Chelsea Nanfelt Rowe, Nesting, 2024, brooch in reused rubber, vintage Lucite, reused beads, steel, sterling silver, 4 x 2 x 1 ⅛ inches (100 x 50 x 30 mm), photo courtesy of the artist — Chelsea Nanfelt Rowe, *Nesting,* 2024, brooch in reused rubber, classic Lucite, reused beads, metal, sterling silver, 4 x 2 x 1 ⅛ inches (100 x 50 x 30 mm), picture courtesy of the artist

Gallery: Baltimore Jewellery Heart, Baltimore, MD, US (click on the gallery title to hyperlink to its web site)
Contact: Allison Gulick (click on the title for e-mail)
Artist: Chelsea Nanfelt Rowe
Retail value: US$250
Primarily based within the US, Chelsea Nanfelt Rowe is an artist who transforms on a regular basis supplies and detritus into jewellery. She is motivated to spotlight the tales infused in, and witnessed by, the issues we encompass ourselves with. She has her MFA in craft/materials research from Virginia Commonwealth College and works as an artist and educator. An advocate for sustainability in jewellery, Nanfelt Rowe serves on the Advisory Council and EM Training Committee for Moral Metalsmiths, and in addition chairs the So Recent + So Clear Exhibition. Her work has been exhibited at Dransfield Jewelers, the Metallic Museum, and Pratt Institute’s Steuben Gallery, and she or he was honored with NYCJW’s 2025 One for the Future award. She is at the moment an Rising Artist Resident on the Baltimore Jewellery Heart.

Maria Phillips, Landfill Mineral 2, 2025, neckpiece in steel, paint, rubber, thread, paracord, 30 x 8 x 3 inches (762 x 203 x 76 mm), photo: Hank Drew — Maria Phillips, *Landfill Mineral 2,* 2025, neckpiece in metal, paint, rubber, thread, paracord, 30 x 8 x 3 inches (762 x 203 x 76 mm), picture: Hank Drew

Gallery: Galerie Noel Guyomarc’h, bijoux et objets contemporains, Montreal, QC, Canada
Contact: Noel Guyomarc’h (click on the gallerist’s title for e-mail)
Artist: Maria Phillips
Retail value: US$1,800
This pendant, Landfill Mineral 2, by Maria Phillips, is a part of a physique of labor ensuing from a collaborative undertaking with Seth Papac, throughout which the 2 artists exchanged concepts and picked up or discovered supplies. By means of these jewellery items, they provide kind to an intimate and collective materials reminiscence. Their strategy evokes an emotional and relational geology.

Marianne Schliwinski, Knots, 2018, in papier-maché, paint, lacquer, silver, each 3 ½ x 1 ⅜ x ¾ inches (90 x 35 x 20 mm), photo: Four — Marianne Schliwinski, *Knots,* 2018, in papier-maché, paint, lacquer, silver, every 3 ½ x 1 ⅜ x ¾ inches (90 x 35 x 20 mm), picture: 4

Gallery: 4 Gallery, Umeå, Sweden (click on the gallery title to hyperlink to its web site)
Contact: Karin Roy Andersson (click on the gallerist’s title for e-mail)
Artist: Marianne Schliwinski
Retail value: 110€
In Marianne Schliwinski’s work, you see contrasts taking part in collectively. Her language consists of supplies and their totally different qualities. Issues won’t all the time be what they appear—gentle items with a heavy look and weighty works with a lightweight look. Schliwinski usually combines papier-mâché with discovered objects. Totally different paints and lacquers intensify the supplies and shapes. The composition, the supplies, and the colours inform wise, political, and generally humorous tales.

Norman Weber, Juwel #4, 2021, brooch in 3D-printed hollow plastic, acrylic paint, stainless steel, silver 935, 5 x 4 ¾ x 1 ½ inches (127 x 121 x 37 mm), photo: artist — Norman Weber, *Juwel #4,* 2021, brooch in 3D-printed hole plastic, acrylic paint, chrome steel, silver 935, 5 x 4 ¾ x 1 ½ inches (127 x 121 x 37 mm), picture: artist

Gallery: Galeria Reverso, Lisbon, Portugal (click on the gallery title to hyperlink to its web site)
Contact: Paula Crespo (click on the gallerist’s title for e-mail)
Artist: Norman Weber
Retail value: 4,300€
The juxtaposition between the true and the imitated is a central theme in Norman Weber’s meticulous constructions. Juwel #4 is a part of a collection characterised by a deliberate embrace of digital precision in convergence with artisanal methods. Every element begins as a computer-generated, 3D-printed plastic component, which is then remodeled via handcrafted processes equivalent to airbrush portray, partial sanding that provides the piece the phantasm of traces or use, and the sluggish, intentional meeting of the modules, leading to a playful convergence of contrasts.

Janna Syvänoja, Map, 2014, necklace in recycled paper, steel wire, 4 x 4 x 1 ¾ inches (100 x 100 x 45 mm), photo: Sofia Bjorkman — Janna Syvänoja, *Map,* 2014, necklace in recycled paper, metal wire, 4 x 4 x 1 ¾ inches (100 x 100 x 45 mm), picture: Sofia Bjorkman

Gallery: Platina, Stockholm, Sweden (click on the gallery title to hyperlink to its web site)
Contact: Sofia Bjorkman (click on the gallerist’s title for e-mail)
Artist: Janna Syvänoja
Retail value: 1,500€
Janna Syvänoja is understood for her jewellery constructed from recycled printed paper, equivalent to newspapers, maps, catalogs, and outdated books. They’re wealthy by their previous, carrying alongside sure locations and unintentional meanings. This materials additionally provides the items their particular person exterior and inside ornament, their ornaments. The artist decides how the outcomes needs to be, however ultimately the piece take a form of its personal. When sure fashioned elements begin to observe one another and discover their rhythm within the making, the miracle occurs. It’s a sluggish, meditative, and really pure course of.

Jacqueline Ryan, Structure – Navettes Pyramid, 2025, earrings in 18-karat gold, enamel, photo courtesy of Thereza Pedrosa Gallery — Jacqueline Ryan, *Construction – Navettes Pyramid,* 2025, earrings in 18-karat gold, enamel, picture courtesy of Thereza Pedrosa Gallery

Gallery: Thereza Pedrosa Gallery, Asolo, Italy (click on the gallery title to hyperlink to its web site)
Contact: Thereza Pedrosa (click on the gallerist’s title for e-mail)
Artist: Jacqueline Ryan
Retail value: 3,600€
Jacqueline Ryan’s creations, impressed by the pure world, shock with the depth of their shapes and the richness of their colours, obtained by essentially the most conventional goldsmithing methods, tailored to the expressive wants of the artist.

Christel van der Laan, Remida Revival, 2019, brooch in recycled plastics, seashells, mother-of-pearl, button, cut steel, oxidized sterling silver, 3 ⅜ x 2 ⅜ x ¾ inches (85 x 60 x 20 mm), photo: Jane Bowden — Christel van der Laan, *Remida Revival,* 2019, brooch in recycled plastics, seashells, mother-of-pearl, button, reduce metal, oxidized sterling silver, 3 ⅜ x 2 ⅜ x ¾ inches (85 x 60 x 20 mm), picture: Jane Bowden

Gallery: Zu design, Adelaide, SA, Australia (click on the gallery title to hyperlink to its web site)
Contact: Jane Bowden (click on the gallerist’s title for e-mail)
Artist: Chrystel van der Laan
Retail value: $1,550 Aud
Christel van der Laan has a singular means of constructing the recycled look treasured, and it has so much to do with not solely her placement of supplies but in addition her consideration to element. Every work is as superbly detailed on the again as it’s on the entrance. Her items invite you to select them up and switch them over, serving to you to find what precisely every element is. I personally love brooches as a result of they are often so sculptural—they will look as nice on show as they do worn. Pin your brooches on the wall!

Tatjana Giorgadse, Untitled, 2025, earrings in balsa wood, enamel on copper, silver, approximately 4 x 1 ¾ x ⅝ inches (100 x 45 x 15 mm), photo courtesy of the artist and Galerie Door — Tatjana Giorgadse, Untitled, 2025, earrings in balsa wooden, enamel on copper, silver, roughly 4 x 1 ¾ x ⅝ inches (100 x 45 x 15 mm), picture courtesy of the artist and Galerie Door

Gallery: Galerie Door, Nijmegen, Netherlands (click on the gallery title to hyperlink to its web site)
Contact: Doreen Timmers (click on the gallerist’s title for e-mail)
Artist: Tatjana Giorgadse
Retail value: 850€
Tatjana Giorgadse was educated by Theo Smeets and Ute Eitzenhöfer on the division of gemstone and jewellery design in Idar-Oberstein (Germany). Her fantastic world of artwork has its roots in a free and carefree childhood within the Georgian countryside. To this she provides her up to date goals, her fascination for nature, and the frisky playfulness of her personal kids. Her work is unconventional, stimulating, and a feast for the eyes.

Iris Hummer, Shining through Change, 2025, bangle in porcelain, silver, rock crystal, 3 ⅛ x 3 ⅛ x 2 ⅜ inches (80 x 80 x 60 mm), photo: Nadja Spiegel — Iris Hummer, *Shining via Change,* 2025, bangle in porcelain, silver, rock crystal, 3 ⅛ x 3 ⅛ x 2 ⅜ inches (80 x 80 x 60 mm), picture: Nadja Spiegel

Gallery: Galeria Tereza Seabra, Lisbon, Portugal (click on the gallery title to hyperlink to its web site)
Contact: Tereza Seabra (click on the gallerist’s title for e-mail)
Artist: Iris Hummer
Retail value: 738€, plus transport
Iris Hummer simply graduated from Idar-Obertein and she or he presents right here a physique of labor made for the collection of exhibitions Rings of Saturn, curated by Halo (Marta Costa Reis and Catarina Silva) for the Gemini zodiacal signal. The work introduced right here is about relationship and friendship. The dialogues and tensions in intimate relations which can be translated by the distinction and steadiness of supplies and connections.

For millennia, the zodiac has been a mirror within the sky that displays human traits, our allure, and our deep reference to the cosmos. Impressed by the 12 constellations that mark the astrological cycle, Halo is inviting artists introduced collectively by the prospect of being born below the identical zodiac signal for group exhibitions over 12 months. Between March 2025 and February 2026, every exhibition will discover the essence of an indication, translated via artwork, symbolism, and spirituality, making a dialogue between the astrological universe and human expressions. Astrological indicators have fascinated and impressed cultures all over the world, symbolizing the forces that join us to the universe and highly effective psychological archetypes that proceed to query us. In additional than superstition, we needed to make use of the language of astrology to impress creative acts that join us to what transcends us, asking the visitor artists to mirror on the thriller of the human situation. We needed to create moments of exploration of the current time, a time of disaster wherein it’s regular to hunt to grasp the inexplicable. A time of doubt wherein we will aspire to poetry and wonder. The sky has all the time had this impact of reconnecting us to the rhythm of the world and galvanizing us to go additional. We’re manufactured from stardust.

Biba Schutz, Open Tube Hoop Earrings, in oxidized sterling silver, 2 inches (51 mm), photo courtesy of Gravers Lane Gallery — Biba Schutz, *Open Tube Hoop Earrings,* in oxidized sterling silver, 2 inches (51 mm), picture courtesy of Gravers Lane Gallery

Gallery: Gravers Lane Gallery, Philadelphia, PA, US (click on the gallery title to hyperlink to its web site)
Contact: Kate Crankshaw (click on the title for e-mail)
Artist: Biba Schutz
Retail value: US$465
These hoop earrings give large affect whereas remaining gentle on the ears because of their hole development.

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