On Supply – Artwork Jewellery Discussion board

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Could 2026, Half 2

Proper now, all of us might use a deal with. It feels good to get a terrific piece of artwork jewellery for ourselves whereas celebrating and supporting artists and the galleries who present them!

Artwork Jewellery Discussion board’s worldwide gallery supporters have fun and exhibit artwork jewellery. Our bi-monthly On Supply sequence permits this intensive community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’re sure to discover a superb piece you merely can’t stay with out! (Please contact the gallery immediately for inquiries.)

Sarah Holden, Dissent, 2025, collar in mild steel, sterling silver, 22 inches (559 mm) at neck, 2 inches (51 mm) wide, photo: artist
Sarah Holden, Dissent, 2025, collar in gentle metal, sterling silver, 22 inches (559 mm) at neck, 2 inches (51 mm) huge, photograph: artist

Gallery: Heidi Lowe Gallery, Lewes, DE, US (click on the gallery identify to hyperlink to its web site)
Contact: Kassadi Williams (click on for e mail)
Artist: Sarah Holden
Retail value: US$800

Sarah Holden is an academically educated jeweler within the language of decoration. Jewellery indicators energy, magnificence, affinity, and standing. Her sculpture and jewellery are made utilizing each technical jewellery abilities and industrial fabrication methods. On this piece, she has created a metal lace collar in a nod to the late US Supreme Courtroom choose Ruth Bader Ginsburg and her prolific profession.

Nicolas Christol, Instable (Unstable), 2026, ring in silver, rock crystal, gallium, photo: artist
Nicolas Christol, Instable (Unstable), 2026, ring in silver, rock crystal, gallium, photograph: artist

Gallery: Espace Borax, Vevey, Switzerland (click on the gallery identify to hyperlink to its web site)
Contact: Nicolas Christol (click on the gallerist’s identify for e mail)
Artist: Nicolas Christol
Retail value: 850€

Gallium rests inside a hole cabochon of frosted rock crystal, its presence revealed when the quartz is moist. Stable under 30 levels Celsius, it turns liquid with heat, shifting like a dwelling inclusion. In contrast to mercury, gallium just isn’t poisonous to people, but it aggressively weakens metals similar to aluminum. It’s utilized in electronics and sure protection functions, similar to nuclear weapons. Right here, it behaves as each materials and metaphor, doubtlessly interacting with the encircling silver. It’s also a small wink to Peter Skubic and Peter Bauhuis, who explored using this metallic.

Marta Costa Reis, Untitled, 2026, necklace in bronze, 12 ⅝ x 10 ⅝ x ⅝ inches (320 x 270 x 15 mm), photo courtesy of Four Gallery
Marta Costa Reis, Untitled, 2026, necklace in bronze, 12 ⅝ x 10 ⅝ x ⅝ inches (320 x 270 x 15 mm), photograph courtesy of 4 Gallery

Gallery: 4 Gallery, Umeå, Sweden (click on the gallery identify to hyperlink to its web site)
Contact: Karin Roy Andersson (click on the gallerist’s identify for e mail)
Artist: Marta Costa Reis
Retail value: 1,800€

Marta Costa Reis strikes between reflection and creation, attentive to the indicators and codes which have guided human which means throughout time. Her work meditates on the fading of symbols, on what’s remembered, and what’s forgotten, remodeling jewellery into an act of divination—an try and glimpse past the seen, to the touch the thriller that lies hidden.

Kate Cusack, Red/Black Loci Necklace, 2026, necklace in hand-shaped zippers, approximately 20 inches (508 mm) long, photo courtesy of InterFusion Art
Kate Cusack, Purple/Black Loci Necklace, 2026, necklace in hand-shaped zippers, roughly 20 inches (508 mm) lengthy, photograph courtesy of InterFusion Artwork

Gallery: InterFusion Artwork, Santa Fe, NM, US (click on the gallery identify to hyperlink to its web site)
Contact: The Workforce (click on for e mail)
Artist: Kate Cusack
Retail value: US$1,200

Kate Cusack’s Purple/Black Loci Necklace is a hanging assertion piece, hand-crafted from zippers that intertwine into daring, sculptural types with vivid red-and-black distinction. This ingenious design creates an surprising graphic rhythm that feels playful and collectible. Primarily based in Brooklyn, Cusack is famend for her zipper jewellery and wearable artwork.

Julia Obermaier, Glint, 2026, brooch in dyed agate, synthetic diamonds, stainless steel, 2 x 1 ¾ x ⅜ inches (52 x 44 x 11 mm), photo: artist
Julia Obermaier, Glint, 2026, brooch in dyed agate, artificial diamonds, stainless-steel, 2 x 1 ¾ x ⅜ inches (52 x 44 x 11 mm), photograph: artist

Gallery: Galerie Noel Guyomarc’h, bijoux et objets contemporains, Montreal, QC, Canada (click on the gallery identify to hyperlink to its web site)
Contact: Noel Guyomarc’h (click on the gallerist’s identify for e mail)
Artist: Julia Obermaier
Retail value: CAN$1,380

Julia Obermaier’s brooches are composed of minimize and layered stones, right here with a line of artificial diamonds. These small tableaux awaken our creativeness and invite meditation.

Jane Bowden, Circle and Square, 2025, stacking rings in (front) round Cowell jade, 18-karat yellow gold, size T1/2, 39 x 28 mm, top 20 mm in diameter, (back) square Cowell jade, 18-karat white gold, size S, 40 x 27 mm, top 17.5 x 17.5 mm, photo: artist
Jane Bowden, Circle and Sq., 2025, stacking rings in (entrance) spherical Cowell jade, 18-karat yellow gold, dimension T1/2, 39 x 28 mm, prime 20 mm in diameter, (again) sq. Cowell jade, 18-karat white gold, dimension S, 40 x 27 mm, prime 17.5 x 17.5 mm, photograph: artist

Gallery: Zu design, Adelaide, NSW, Australia (click on the gallery identify to hyperlink to its web site)
Contact: Jane (click on the gallerist’s identify for e mail)
Artist: Jane Bowden
Retail value: (Entrance) AUS$3,040, (again) AUS$3,610

These stacking rings by Jane Bowden discover stability by way of distinction—weight and lightness, geometry and contact. Composed of distinct, interchangeable parts, every holds a unique formal language: a sharply faceted, architectural block in dialogue with a softened, round kind. Worn alone, every is resolved; stacked, they turn out to be a small, evolving construction—quietly architectural, tactile, and aware of the hand that composes them.

Sarah Holden, Pearl Chain Collar, 2021, necklace in sterling silver, freshwater pearls, 16 inches (406 mm) in circumference, photo: artist
Sarah Holden, Pearl Chain Collar, 2021, necklace in sterling silver, freshwater pearls, 16 inches (406 mm) in circumference, photograph: artist

Gallery: Baltimore Jewellery Heart, Baltimore, MD, US (click on the gallery identify to hyperlink to its web site)
Contact: J Diamond (click on the identify for e mail)
Artist: Sarah Holden
Retail value: US$380

Sarah Holden acquired her MFA in studio artwork with a spotlight in jewellery and metalsmithing from the College of Wisconsin, Milwaukee, and her BFA in crafts/materials research and sculpture from Virginia Commonwealth College. Holden has introduced as a visiting artist on the College of the Artwork Institute of Chicago, and the College of Wisconsin, Whitewater, and taught as a metals teacher on the Penland College of Crafts. She at the moment teaches metal fabrication and metallic forming on the Chicago Industrial Arts and Design Heart. Her sculpture and limited-production jewellery will be discovered at galleries throughout the US. Holden at the moment lives in Chicago the place she works as a studio artist, metals teacher, and mother.

Gaëlle Lauriot Prévost, Untitled, 2025, in sterling silver, steel mesh, plated 18-karat yellow gold, black resin, edition of 30 for MiniMasterpiece, photo courtesy of Galerie MiniMasterpiece
Gaëlle Lauriot Prévost, Untitled, 2025, in sterling silver, metal mesh, plated 18-karat yellow gold, black resin, version of 30 for MiniMasterpiece, photograph courtesy of Galerie MiniMasterpiece

Gallery: Galerie MiniMasterpiece, Paris, France (click on the gallery identify to hyperlink to its web site)
Contact: Esther de Beaucé (click on the gallerist’s identify for e mail)
Artist: Gaëlle Lauriot-Prévost
Retail value: 2,400€ (excluding VAT)

Along with her Plis jewellery assortment and her first collaboration with MiniMasterpiece gallery, Gaëlle Lauriot-Prévost pursues a longstanding obsession: remodeling industrial objects into aesthetic, delicate, home, and wearable designs. On the coronary heart of this mission is a fabric that has turn out to be emblematic of her universe: pleated metallic mesh. Though it was designed for technical makes use of—filters or industrial assemblies—she invents different functions and types for it: a candle holder, a lamp, a tube, a lantern. And now, jewellery.

Claudia Endler, Vitrine Ring, 2021, in context-cut citrine, US size 6.75 (can be resized one size up or down), stone weight: 20.19 carat, ¾ x ¾ inch (20 x 20 mm) at top, ⅝ inch (15 mm) tall from finger, photo: artist
Claudia Endler, Vitrine Ring, 2021, in context-cut citrine, US dimension 6.75 (will be resized one dimension up or down), stone weight: 20.19 carat, ¾ x ¾ inch (20 x 20 mm) at prime, ⅝ inch (15 mm) tall from finger, photograph: artist

Gallery: Wearable Artwork Museum, US (click on the gallery identify to hyperlink to its web site)
Contact: Lisa M. Berman (click on the director’s identify for e mail)
Artist: Claudia Endler
Retail value: US$6,000

One-of-a-kind ring that includes a 20.19-carat context-cut citrine, minimize within the famend gemstone heart of Idar-Oberstein, Germany. Claudia Endler is a GIA licensed designer and a number of award winner for her architecturally-inspired jewellery designs. This ring was featured on the Paris Opera Home runway 2026 for designer Max Alexander, curated by Lisa M. Berman on behalf of the Wearable Artwork Museum. “My mom had a glass vitrine in her residence,” says the artist, “with gleaming chrome and brass, during which she displayed the attractive baubles she collected. My newest design is impressed by these reflections—the boldness of my mom’s selections, and the readability of magnificence on show. I’m proud to introduce the Vitrine Ring, a wedding of contrasts that showcases its stone from all sides within the type of a V-split shank. From each angle the stone shines and refracts the sunshine, reflecting from inside. Encased in treasured metals of gold or silver, every ring is as distinctive because the stone it holds.”

Karin Roy Andersson, Necklace, in leather, thread, approximately 20 inches (508 mm) long, photo courtesy of Pistachios
Karin Roy Andersson, Necklace, in leather-based, thread, roughly 20 inches (508 mm) lengthy, photograph courtesy of Pistachios

Gallery: Pistachios Modern Artwork Jewellery, Chicago, IL, US (click on the gallery identify to hyperlink to its web site)
Contact: Meg Nash (click on the identify for e mail)
Artist: Karin Roy Andersson
Retail value: US$4,595

Repetition is vital to Karin Roy Andersson’s creative follow. “The urge to repeat actions over and over, methodically and resolutely, is one thing that’s vital for each my character and my work,” she says. This daring necklace, made fully out of hand-cut and -dyed leather-based, is extremely tender and effortlessly types to the wearer.

Betsy Hershberg, Mixed Berries, 2025, necklace in silk fiber, Tencel fiber, metallic embroidery fiber, Japanese glass beads, vintage faceted Austrian glass beads, vintage matte swirled Austrian glass beads, sterling silver/amethyst closure, 14 x 6 x 1 inches (356 x 152 x 25 mm), photo courtesy of Gravers Lane Gallery
Betsy Hershberg, Combined Berries, 2025, necklace in silk fiber, Tencel fiber, metallic embroidery fiber, Japanese glass beads, classic faceted Austrian glass beads, classic matte swirled Austrian glass beads, sterling silver/amethyst closure, 14 x 6 x 1 inches (356 x 152 x 25 mm), photograph courtesy of Gravers Lane Gallery

Gallery: Gravers Lane Gallery, Philadelphia, PA, US (click on the gallery identify to hyperlink to its web site)
Contact: Mia Chen (click on the identify for e mail)
Artist: Betsy Hershberg
Retail value: US$1,045

Betsy Hershberg’s work showcases and celebrates the flexibility of hand knitting. Each bit options hand-knitting methods at its core. She makes use of conventional plain or bead-knitted stitch-making, in addition to a singular bead-knitting strategy of her personal invention, which she calls abacus bead knitting. She additionally employs off-loom bead weaving, embroidery, or different strategies of floor embellishment to reinforce the textural and architectural number of the work. Most frequently comprised of effective fibers and small beads, Hershberg’s work has substance with out weight, making a press release whereas remaining snug and simple to put on. All work is one-of-a-kind.

The opinions said right here don’t essentially categorical these of AJF.

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