On Provide – Artwork Jewellery Discussion board

January 2025, Half 1

All of us may use a deal with proper now. Apart from, it feels good to get a terrific piece of artwork jewellery for ourselves whereas celebrating and supporting artists and the galleries who present them!

Artwork Jewellery Discussion board’s worldwide gallery supporters rejoice and exhibit artwork jewellery. Our bi-monthly On Provide collection permits this intensive community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’re sure to discover a improbable piece you merely can’t dwell with out!

Contact the gallery instantly for inquiries.

Mary Hallam Pearse, Sugar and Spice, 2023, necklace in sterling silver, garnets, 1 ¼ x 8 ¾ x 6 inches (32 x 222 x 152 mm), photo: artist — Mary Hallam Pearse, *Sugar and Spice,* 2023, necklace in sterling silver, garnets, 1 ¼ x 8 ¾ x 6 inches (32 x 222 x 152 mm), picture: artist

Gallery: Within the Gallery at Brooklyn Steel Works, Brooklyn, NY, US (click on the gallery identify to hyperlink to its web site)
Contact: Brian Weissman (click on the gallerist’s identify for electronic mail)
Artist: Mary Hallam Pearse
Retail value: US$1,500
Mary Hallam Pearse’s work facilities across the symbolic and emotive resonance of knickknack, its supplies, and the intricate interaction of decoration and the way it resonates with the material of our shared tradition.

Angela Giuliani, S Hook, 2024, neckpiece in oxidized sterling silver, 9-karat pink and yellow gold, 60 ¼ inches (153 cm) long, individual links ⅝ x ⅝ inch (15 x 15 mm), photo: Michael Haines Photography — Angela Giuliani, *S Hook,* 2024, neckpiece in oxidized sterling silver, 9-karat pink and yellow gold, 60 ¼ inches (153 cm) lengthy, particular person hyperlinks ⅝ x ⅝ inch (15 x 15 mm), picture: Michael Haines Pictures

Gallery: Zu design, Adelaide, Australia (click on the gallery identify to hyperlink to its web site)
Contact: Jane Bowden (click on the gallerist’s identify for electronic mail)
Artist: Angela Giuliani
Retail value: AUS$16,800
The S Hook neckpiece, by Angela Giuliani, was created for Zu design & Jane Bowden, an exhibition celebrating Zu design and the individuals who work from its workshop. Giuliani has been working from Zu design since 2012. She is a process-driven maker, and this piece celebrates each materials and performance. Using repetitive parts, particularly lots of of S hooks, means this neckpiece can tackle many varieties.

Roy Mason, Pennies from Heaven (50th Anniversary Edition), 2024, brooches in found leaves, resin, stainless steel wire, various dimensions, photo: Focus NZ — Roy Mason, *Pennies from Heaven (fiftieth Anniversary Version),* 2024, brooches in discovered leaves, resin, stainless-steel wire, varied dimensions, picture: Focus NZ

Gallery: Fingers Gallery, Auckland, New Zealand (click on the gallery identify to hyperlink to its web site)
Contact: Lisa Higgins (click on the identify for electronic mail)
Artist: Roy Mason
Retail value: NZ$285–$300
Roy Mason is without doubt one of the founding companions of Fingers Gallery. “These leaves have been fastidiously chosen from those who have fallen and been collected off the earth,” states the artist. “They’ve been dried and stabilized over the past 10 years. About 97% revert to brown … these are the exception. I saved [them] over this lengthy interval to make sure they have been going to remain in the identical tone and texture as you see them now. The 50 brooches on this assortment, celebrating Fingers’ fiftieth anniversary, have been chosen from my saved assortment of over 2,500 leaves.” Leaves collected from Anzac Bay, Firth of Thames, Kaiaua, Kawau Island, Langs Seashore, Matarangi Seashore, Moturoa Island, Motutapu Island, Muriwai Seashore, Otama Bay, Rangitoto Island.

Vershali Jain, Dream-Scape Tile, 2024, brooch in silver, copper, enamel, mixed media, 2 ¼ x 3 ⅜ x ½ inches (56 x 86 x 13 mm), photo courtesy of the artist — Vershali Jain, *Dream-Scape Tile,* 2024, brooch in silver, copper, enamel, combined media, 2 ¼ x 3 ⅜ x ½ inches (56 x 86 x 13 mm), picture courtesy of the artist

Gallery: Baltimore Jewellery Middle, Baltimore, MD, US (click on the gallery identify to hyperlink to its web site)
Contact: Allison Gulick (click on the identify for electronic mail)
Artist: Vershali Jain
Retail value: US$900
Current BJC micro-resident Vershali Jain creates playful but delicate compositions. Coloration is a cornerstone of her creative language, and the usage of vitreous enamels lies on the middle of her apply. This piece is a part of a brand new physique of labor that revolves round nostalgia-inducing motifs and patterns. In Jain’s work, she explores the duality of her identification as an immigrant artist, and the way it shapes her perspective and influences her inventive course of. She believes that artwork has the ability to bridge gaps and facilitate understanding between cultures, and he or she hopes that her work serves as a catalyst for conversations round immigration, identification, and belonging.

Mirjam Hiller, Thalnimera Brooch in stainless steel, powder coating, approximately 5 x 5 ½ inches (127 x 140 mm), photo: Pistachios — Mirjam Hiller, *Thalnimera Brooch* in stainless-steel, powder coating, roughly 5 x 5 ½ inches (127 x 140 mm), picture: Pistachios

Gallery: Pistachios Modern Artwork Jewellery, Chicago, IL, US (click on the gallery identify to hyperlink to its web site)
Contact: The Pistachios Workforce (click on the group identify for electronic mail)
Artist: Mirjam Hiller
Retail value: US$4,295
This sizable brooch exemplifies how Mirjam Hiller expertly makes use of stainless-steel and powder coating. Hiller explains, “The sheet of stainless-steel is my clean web page, which I fill with my ideas and emotions, with my questions and solutions. The inventive course of itself is a vital a part of my work. The time and thus the depth of the interplay with the rising piece is my foundation for understanding issues and passing them on.”

Lena Olson, Sprout, 2015, brooch in pear wood, 5 ⅛ x ¾ x ⅝ inches (130 x 20 x 15 mm), photo: Four — Lena Olson, *Sprout,* 2015, brooch in pear wooden, 5 ⅛ x ¾ x ⅝ inches (130 x 20 x 15 mm), picture: 4

Gallery: 4 Gallery, Gothenburg/Umeå, Sweden (click on the gallery identify to hyperlink to its web site)
Contact: Karin Roy Andersson (click on the gallerist’s identify for electronic mail)
Artist: Lena Olson
Retail value: US$650
Lena Olson has been working with wooden for a few years. Her intensive data of the fabric permits her to create gentle, tactile shapes out of a tough and infrequently willful materials. The wooden challenges the artist each technically and intellectually, and the jewellery expresses concord and craft talent.

Ron Isaacs, Little Magnolia, 2023, brooch with wall display background, acrylic on birch plywood construction, ⅜ x 4 ⅝ inches (10 x 118 mm), background 6 ⅜ x 8 ⅛ x 1 ½ inches (162 x 206 x 38 mm), photo courtesy of Gravers Lane Gallery — Ron Isaacs, *Little Magnolia,* 2023, brooch with wall show background, acrylic on birch plywood development, ⅜ x 4 ⅝ inches (10 x 118 mm), background 6 ⅜ x 8 ⅛ x 1 ½ inches (162 x 206 x 38 mm), picture courtesy of Gravers Lane Gallery

Gallery: Gravers Lane Gallery, Philadelphia, PA, US (click on the gallery identify to hyperlink to its web site)
Contact: Chloe Le Pichon (click on the identify for electronic mail)
Artist: Ron Isaacs
Retail value: US$1,650
Ron Isaacs’s brooch is an ideal marriage of his art-making and a beautiful piece of knickknack. This brooch additionally options his signature hidden canine—look laborious sufficient and you’ll discover it. Isaacs continues his 30+ 12 months profession of developing and portray wooden to resemble architectural clothes and different vintage objects. Purposely devoid of figures, Isaacs’s work invitations viewers to query what they’re truly seeing. On this grasp’s fingers, wooden seems to be cloth, and leaves and branches are literally fastidiously constructed particulars. Combining trompe l’oeil portray with intricate wooden assembling, Isaacs presents new sculptures that quietly demand a cautious look to find out their true nature. “I’m nonetheless fascinated by the outdated easy thought of resemblance, the very first thought of artwork after instruments and shelter: That an object made of 1 materials can tackle the outward look and subsequently among the ‘actuality’ of one other,” explains Isaacs.

Sophie Hanagarth, Bretzel, 2021, pendant in pure wrought iron, gros grain ribbon, 4 ¾ x 4 x ⅜ inches (120 x 100 x 10 mm), photo: Yiumsiri Vantanapindu — Sophie Hanagarth, *Bretzel,* 2021, pendant in pure wrought iron, gros grain ribbon, 4 ¾ x 4 x ⅜ inches (120 x 100 x 10 mm), picture: Yiumsiri Vantanapindu

Gallery: Galerie Noel Guyomarc’h, bijoux et objets contemporains, Montreal, Canada (click on the gallery identify to hyperlink to its web site)
Contact: Noel Guyomarc’h (click on the gallerist’s identify for electronic mail)
Artist: Sophie Hanagarth
Retail value: CAN$1,375
A pure wrought-iron pretzel suspended by a twine used for medals! The world of artist Sophie Hanagarth refers to common tradition, classical mythology, and identification.

Ruudt Peters, Terram, 2015, necklace in silver, alabaster, 6 ¾ x 6 ¾ 1 ⅝ inches (170 x 170 x 40 mm), photo: artist — Ruudt Peters, *Terram,* 2015, necklace in silver, alabaster, 6 ¾ x 6 ¾ 1 ⅝ inches (170 x 170 x 40 mm), picture: artist

Gallery: Galeria Reverso, Lisbon, Portugal (click on the gallery identify to hyperlink to its web site)
Contact: Paula Crespo (click on the gallerist’s identify for electronic mail)
Artist: Ruudt Peters
Retail value: €3,030–3,790
“Stroll with concern.” [Ruudt] Peters hopes that as others put on Terram, they’ll really feel the vitality of jewelry-turned-talisman. The vitality that he works into each bit is transferred to the wearer. Emboldened by the ability of their adornment, they discover braveness, freedom from concern. He says, “jewellery will not be solely a ornament, however it is rather private. It has a powerful that means, a daring character, it touches you. It says one thing emotional, it provides you energy.” As we completed our dialog, Peters shared his best studying second in life: “You need to stroll with concern.” To simply accept the concern is to have freedom to maintain transferring ahead. (Textual content by Luiza deCamargo.)

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