On Provide – Artwork Jewellery Discussion board

August 2025, Half 2

Today, all of us might use a deal with. It feels good to have a good time and assist artists and the galleries who present them whereas getting a terrific piece of artwork jewellery for ourselves!

Artwork Jewellery Discussion board’s worldwide gallery supporters have a good time and exhibit artwork jewellery. Our bi-monthly On Provide collection permits this in depth community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’re certain to discover a improbable piece you merely can’t reside with out! (Please contact the gallery straight for inquiries.)

Yeena Yoon, Autumn Leaf, 2020, brooch in white jade, red jasper, 14-karat gold, one-of-a-kind, 2 ⅝ x 1 ⅝ x ¼ inches (68 x 40 x 6 mm), photo courtesy of Salotto SPJ — Yeena Yoon, *Autumn Leaf,* 2020, brooch in white jade, pink jasper, 14-karat gold, one-of-a-kind, 2 ⅝ x 1 ⅝ x ¼ inches (68 x 40 x 6 mm), picture courtesy of Salotto SPJ

Gallery: Salotto SPJ, Milan, Italy (click on the gallery title to hyperlink to its web site)
Contact: Josefine Spjeldnaes (click on the gallerist’s title for electronic mail)
Artist: Yeena Yoon
Retail worth: £8,160
With Autumn Leaf, Yeena Yoon continues her exploration of modularity and transformation. This distinctive piece shifts between brooch and pendant, inviting a number of methods of carrying. Carved from white jade, the shape is guided by a pure brown inclusion within the stone, which turns into the compositional framework for a geometrical ingredient of pink jasper. Set in 14-karat gold, the piece is a quiet research in material-led apply and structural readability. Rooted in her background as an architect, Yoon brings a spatial and materials sensibility to every piece she creates. Her jewellery is each sculptural and intimate, formed by deep technical ability and a dedication to conventional goldsmithing and lapidary arts.

Christine Collins, Pieta (After Voitre Marek), 2025, neckpiece in sterling silver with folded layers of riveted zinc, hand-made sterling silver chain, central element 5 ¼ x 1 ¾ x ¾ inches (135 x 45 x 18 mm), chain 19–21 ⅝ inches (485–555 mm), photo: artist — Christine Collins, *Pieta (After Voitre Marek),* 2025, neckpiece in sterling silver with folded layers of riveted zinc, hand-made sterling silver chain, central ingredient 5 ¼ x 1 ¾ x ¾ inches (135 x 45 x 18 mm), chain 19–21 ⅝ inches (485–555 mm), picture: artist

Gallery: Zu design, Adelaide, Australia (click on the gallery title to hyperlink to its web site)
Contact: Jane Bowden (click on the gallerist’s title for electronic mail)
Artist: Christine Collins
Retail worth: AUS$1,390
Christine Collins’s Pieta neckpiece is an summary interpretation of Voitre Marek’s lead Pieta, housed within the Artwork Gallery of South Australia. Created for the Sacred exhibition at Zu design, the piece merges sacred themes with a tribute to South Australian artwork. Collins, who’s recognized for exploring materials transformation, incorporates silver and zinc mined from Damaged Hill. The mining increase in Damaged Hill, although wealth-generating, additionally left a legacy of environmental hurt, loss, and dispossession. Collins makes use of the Pieta kind to represent this sacrifice and the enduring results of business exploitation.

Sara Barbanti, Ridge, 2022, ring in palo santo, silver, gold, 1 ⅝ x ⅜ x 3 inches (40 x 10 x 75 mm), photo courtesy of Thereza Pedrosa Gallery — Sara Barbanti, *Ridge,* 2022, ring in palo santo, silver, gold, 1 ⅝ x ⅜ x 3 inches (40 x 10 x 75 mm), picture courtesy of Thereza Pedrosa Gallery

Gallery: Thereza Pedrosa Gallery, Asolo, Italy (click on the gallery title to hyperlink to its web site)
Contact: Thereza Pedrosa (click on the gallerist’s title for electronic mail)
Artist: Sara Barbanti
Retail worth: €510
This ring by Sara Barbanti, who was born in Italy in 1991, embodies her poetic exploration of transformation and distinction. Designed to be worn with or with out its wood ingredient, it shifts in kind and that means—inviting private interpretation. The union of steel and pure materials displays Barbanti’s fascination with dialogue between opposites: strong and fragile, refined and uncooked. Rooted in her intuitive course of, the ring turns into a quiet meditation on impermanence, adaptability, and the great thing about change.

Carina Shoshtary, Nudi (White-Pink), 2025, earrings in PLA (bio-plastic), crushed stone, lacquer, recycled silver, photo courtesy of Gallery Loupe — Carina Shoshtary, *Nudi (White-Pink),* 2025, earrings in PLA (bio-plastic), crushed stone, lacquer, recycled silver, picture courtesy of Gallery Loupe

Gallery: Gallery Loupe, Montclair, NJ, US (click on the gallery title to hyperlink to its web site)
Contact: Patti Bleicher (click on the gallerist’s title for electronic mail)
Artist: Carina Shoshtary
Retail worth: US$460
This collection was created for the moments after we start to blossom once more after darkness. It started throughout a time when the artist discovered herself eager for coloration, for the brighter sides of life, very like one longs for mild after an extended winter. The early items felt like provisions for higher days: colourful guarantees, little escapes, wearable goals. The works which have since emerged belong to a world formed by floral and fungal fantasies, impressed by nature’s quiet resilience, its capability to collect power in hidden locations and bloom anew. We give flowers when phrases are usually not sufficient, and the artist seeks to create flower-like types that may be worn, symbols of hope, pleasure, and aliveness. Not reserved for particular events, however for these on a regular basis moments after we do not forget that life is gorgeous and value feeling totally.

Kristine Bolhuis, Mesh Lace Drop Earrings, 2025, in oxidized sterling silver, 2 ½ inches (64 mm) long, 1 inch (25 mm) wide, photo courtesy of Gravers Lane Gallery — Kristine Bolhuis, *Mesh Lace Drop Earrings,* 2025, in oxidized sterling silver, 2 ½ inches (64 mm) lengthy, 1 inch (25 mm) large, picture courtesy of Gravers Lane Gallery

Gallery: Gravers Lane Gallery, Philadelphia, PA, US (click on the gallery title to hyperlink to its web site)
Contact: Kate Crankshaw (click on the title for electronic mail)
Artist: Kristine Bolhuis
Retail worth: US$330
These earrings have a number of joints that enable them to maneuver. They shift quite a bit in form, so it’s like you may have a brand new pair of earrings every single day, and you’ll even put on them collectively in several positioning!

Margo Csipő, Green Tri Eye Drip Studs, 2025, earrings in mother-of-pearl, sterling silver, pigmented ink, ¾ x ¾ inches (20 x 20 mm), photo: J. Diamond — Margo Csipő, *Inexperienced Tri Eye Drip Studs,* 2025, earrings in mother-of-pearl, sterling silver, pigmented ink, ¾ x ¾ inches (20 x 20 mm), picture: J. Diamond

Gallery: Baltimore Jewellery Heart, Baltimore, MD, US (click on the gallery title to hyperlink to its web site)
Contact: Allison Gulick (click on the title for electronic mail)
Artist: Margo Csipő
Retail worth: US$150
Margo Csipő (US) is a jeweler, illustrator, and educator primarily based in Baltimore, the place she teaches on the Baltimore Jewellery Heart. Her apply investigates jewellery and masks as vessels to be emptied and stuffed by each creator and wearer, bodily and metaphorically. Csipő’s work is fabrication-intensive and extremely illustrative, using the traditional scrimshaw method, wherein photographs are meticulously scribed or engraved into supplies reminiscent of mother-of-pearl, bone, and amber. Motifs of cups, fingers, bugs, rocks, mazes, and drips regularly seem in Csipő’s work, and the artist notes that these symbols “recommend one thing held or acts of achieve and loss.” By means of sequential imagery, Csipő explores themes of non-public delusion and transformation.

Ana Margarida Carvalho, In Paradisum #69, 2018, necklace in titanium, 10 ⅝ inches (270 mm), photo: artist — Ana Margarida Carvalho, *In Paradisum #69,* 2018, necklace in titanium, 10 ⅝ inches (270 mm), picture: artist

Gallery: Galeria Reverso, Lisbon, Portugal (click on the gallery title to hyperlink to its web site)
Contact: Paula Crespo (click on the gallerist’s title for electronic mail)
Artist: Ana Margarida Carvalho
Retail worth: €6,000
Impressed by Baroque music—significantly the operas Ana Margarida Carvalho was performing on the time she was making the work—each bit begins with the repetition and mixture of a single unit: a folded titanium ingredient. Like origami, these models are assembled to kind natural buildings, with their underlying geometry hid via the forging course of. The natural high quality is additional enhanced by the hammer marks, the mobility of the non-welded parts, and the distinctive anodized coloration of every piece.

Rebecca Tanda, Necklace, in glass (borosilicate), sterling silver, chain approximately 15 inches (381 mm) long, pendant approximately 6 ½ x 4 inches (265 x 102 mm), photo courtesy of Pistachios — Rebecca Tanda, *Necklace,* in glass (borosilicate), sterling silver, chain roughly 15 inches (381 mm) lengthy, pendant roughly 6 ½ x 4 inches (265 x 102 mm), picture courtesy of Pistachios

Gallery: Pistachios Up to date Artwork Jewellery, Chicago, IL, US (click on the gallery title to hyperlink to its web site)
Contact: The Pistachios Workforce (click on the group title for electronic mail)
Artist: Rebecca Tanda
Retail worth: US$2,200
The artist Rebecca Tanda, who’s primarily based in Germany, makes use of laboratory glass and sterling silver to create bespoke assertion items. Combining conventional flameworking and pâte-de-verre glass methods, Tanda is ready to reimagine glass as “one thing that may maintain tales and concepts … the place they will relaxation till they’re able to be totally expressed … providing this transitional, liminal house.” Tanda might be featured in Pistachios’s upcoming exhibition, Issues Unsaid, which might be on show on the gallery August 14–October 26, 2025, earlier than touring to Munich Jewelry Week in 2026.

Ruudt Peters, SEFIROTH—Thanos, 2007, brooch in silver, glass, inches (160 x 62 x 75 mm), photo courtesy of the artist — Ruudt Peters, *SEFIROTH—Thanos,* 2007, brooch in silver, glass, inches (160 x 62 x 75 mm), picture courtesy of the artist

Gallery: Galerie Door, Nijmegen, Netherlands (click on the gallery title to hyperlink to its web site)
Contact: Doreen Timmers (click on the gallerist’s title for electronic mail)
Artist: Ruudt Peters
Retail worth: 4,360€
Ruudt Peters is likely one of the protagonists of artwork jewellery, and his work might be present in quite a few non-public and public collections. With every new collection of labor, Peters seeks to unravel the mysteries of the world. On this marvelous brooch, SEFIROTH—Thanos, we are able to discern his curiosity in Kabbalah within the silver construction representing the Tree of Life. The glasswork bulbs curl round it just like the alembics of an alchemist discovering the legal guidelines of Mom Nature. This brooch actually is a masterpiece of expertise entwined with historic information and mystic beliefs. Now on the market at Galerie Door.

Julia Obermaier, From Above, 2025, brooch in rock crystal, onyx, stainless steel, pigment, 2 ⅜ x 1 ⅝ x ⅜ inches (60 x 40 x 10 mm), photo courtesy of the artist — Julia Obermaier, *From Above,* 2025, brooch in rock crystal, onyx, stainless-steel, pigment, 2 ⅜ x 1 ⅝ x ⅜ inches (60 x 40 x 10 mm), picture courtesy of the artist

Gallery: Galeria Tereza Seabra, Lisbon, Portugal (click on the gallery title to hyperlink to its web site)
Contact: Tereza Seabra (click on the gallerist’s title for electronic mail)
Artist: Julia Obermaier
Retail worth: €1230€, plus transport
Julia Obermaier presents a brand new physique of labor made particularly for the exhibition Rings of Saturn 5/12 (Leo).

Eyes up the sky
The presence fades away
Flowing between heaven and dream
Dropping their ideas
However a reminiscence of lengthy forgotten
Drifting in a quiet whisper of sunshine
Silence zooming out – right here and now – from above.
_—J.Ob.

Esteban Erosky, Somos Una Familia/We Are a Family, 2024, brooch in enamel, copper, brass, steel wire, 3 x 2 ⅜ x ¾ inches (75 x 60 x 20 mm), photo: artist — Esteban Erosky, *Somos Una Familia/We Are a Household,* 2024, brooch in enamel, copper, brass, metal wire, 3 x 2 ⅜ x ¾ inches (75 x 60 x 20 mm), picture: artist

Gallery: 4 Gallery, Umeå, Sweden (click on the gallery title to hyperlink to its web site)
Contact: Karin Roy Andersson (click on the gallerist’s title for electronic mail)
Artist: Esteban Erosky
Retail worth: €800
The works of Esteban Erosky are lined with motifs balancing between discomfort and humor, the perverse and the infantile, sweets and intestines. They take care of conflicts linked to gender, faith, pleasure, and concern. The jewellery is product of steel and enamel, however Erosky’s glass drawings have a spontaneous, emotional expression, in stark distinction to the time-consuming craftsmanship.

Eric Loubser, Same Shit Different Day, 2025, necklace in oxidized silver, carnelian, photo: artist — Eric Loubser, *Similar Shit Totally different Day,* 2025, necklace in oxidized silver, carnelian, picture: artist

Gallery: Platina, Stockholm, Sweden (click on the gallery title to hyperlink to its web site)
Contact: Sofia Bjorkman (click on the gallerist’s title for electronic mail)
Artist: Eric Loubser
Retail worth: €1,700
Eric Loubsers’ work is principally about exploring a few of the fundamentals of our on a regular basis existence in a playful method: the artistic and technical course of of constructing, our relationship to things that encompass us, preoccupations of the zeitgeist. He makes use of a number of themes from standard tradition. Absurdities of speech and amusing ironies within the up to date social local weather typically underpin the items, and he enjoys it when folks smile in response to them. Loubser works and reside in Johannesburg, South Africa, and is likely one of the two administrators of Tinsel Gallery.

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