On Provide – Artwork Jewellery Discussion board

October 2025, Half 2

These instances really feel unsettling, so we might all use a deal with. It feels good to get a terrific piece of artwork jewellery for ourselves whereas celebrating and supporting artists and the galleries who present them!

Artwork Jewellery Discussion board’s worldwide gallery supporters have a good time and exhibit artwork jewellery. Our bi-monthly On Provide sequence permits this in depth community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’re certain to discover a incredible piece you merely can’t dwell with out! (Please contact the gallery straight for inquiries.)

Hartog & Henneman, Building Block Set, 2025, jewelry set (two bracelets, a pair of earrings, a necklace) in industrial clay, wood, brass, silver, photo: courtesy of the artists and Galerie Door — Hartog & Henneman, *Constructing Block Set,* 2025, jewellery set (two bracelets, a pair of earrings, a necklace) in industrial clay, wooden, brass, silver, picture: courtesy of the artists and Galerie Door

Gallery: Galerie Door, Nijmegen, Netherlands (click on the gallery title to hyperlink to its web site)
Contact: Doreen Timmers (click on the gallerist’s title for e mail)
Artists: Hartog & Henneman
Retail worth: 1,900€

The brand new exhibition by Hartog & Henneman—opening October 18, 2025, at Galerie Door—builds on the concept of form. The chances of shapes are countless. However everybody is aware of the fundamentals: triangle, sphere, dice. With these and different primary shapes, you’ll be able to create new varieties—one thing we be taught early on with constructing blocks or tic tac toc (an early training toy with which gamers create varied figures with wood shapes). The gathering is made up of particular person primary parts, each flat and three-dimensional: squares and cubes, triangles and pyramids, circles and cylinders, but additionally spheres, arches, and beams—in all sizes and shapes. These particular person items are made to be performed with: stacked or organized, tied or constructed. The weather are deliberately imperfect. Their tough texture emphasizes the sculptural high quality of every kind. With this new sequence, Hartog & Henneman invite you to translate your creativeness into your individual monumental, wearable kind.

Linda van Niekerk, Melting Weathered Clouds, 2024, neckpiece in oxidized sterling silver, silk, 17 ¼ inches (440 mm) long when worn, tube ¼ inch (8 mm) in diameter, photo: Peter Whyte Photography — Linda van Niekerk, *Melting Weathered Clouds,* 2024, neckpiece in oxidized sterling silver, silk, 17 ¼ inches (440 mm) lengthy when worn, tube ¼ inch (8 mm) in diameter, picture: Peter Whyte Images

Gallery: Zu design, Adelaide, NSW, Australia (click on the gallery title to hyperlink to its web site)
Contact: Jane Bowden (click on the gallerist’s title for e mail)
Artist: Linda van Niekerk
Retail worth: AUS$1,920

An evolution of Linda van Niekerk’s earlier Cloud sequence, Melting Weathered Clouds captures the drama of a storm cloud caught in transition. The warmth-oxidized silver introduces a placing depth of tone, whereas the cascading parts recommend clouds dissolving into rain. Versatile in design, the piece isn’t fastened to a single orientation—the wearer is invited to experiment with how the falling varieties are organized on the physique, providing a novel expertise every time it’s worn.

Esther Brinkmann, The Brightest (Constellation Libra series), 2025 in subfossil oak with colored pencil drawing, freshwater pearls, silver, copper, 4 ⅜ x 3 ¾ x ⅜ inches (110 x 95 x 10 mm), photo: artist — Esther Brinkmann, *The Brightest (Constellation Libra* sequence), 2025 in subfossil oak with coloured pencil drawing, freshwater pearls, silver, copper, 4 ⅜ x 3 ¾ x ⅜ inches (110 x 95 x 10 mm), picture: artist

Gallery: Galeria Tereza Seabra, Lisbon, Portugal (click on the gallery title to hyperlink to its web site)
Contact: Tereza Seabra (click on the gallerist’s title for e mail)
Artist: Esther Brinkmann
Retail worth: 2,214€, plus delivery

Internationally famend Swiss artist Esther Brinkmann is without doubt one of the artists collaborating within the seventh exhibition of the Rings of Saturn cycle at Galeria Tereza Seabra, curated by HALO (Catarina Silva and Marta Costa Reis). Taking part artists made new work across the Libra constellation particularly for this exhibition. Some phrases from Brinkmann: “Timelessness. The constellations evoke a temporality past the human scale. Excited about this dimension past my every day life, I selected to make 4 brooches with fossil oak wooden mixed with mother-of-pearl and pearls. Oak stilts have been underground for a whole bunch and even hundreds of years earlier than being unearthed, pearls and mother-of-pearl have been patiently secreted in fresh- or salt water. The great thing about a starry evening sky echoes with the thriller of darkish underground.”

Huimin Zhang, Mammary Gland Finger Ring 03, 2024, photo courtesy of Objects Beautiful — Huimin Zhang, *Mammary Gland Finger Ring 03,* 2024, picture courtesy of Objects Lovely

Gallery: Objects Lovely, London, UK (click on the gallery title to hyperlink to its web site)
Contact: Yael Reisner (click on the gallerist’s title for e mail)
Artist: Huimin Zhang
Retail worth: GBP£11,320, at a particular diminished worth provide till the tip of October, by £700, plus VAT

This ring is without doubt one of the highlights of Zhang’s Mammary Gland sequence, which promotes the concept even transient lives ought to bloom like summer season flowers, radiating magnificence and power. Zhang developed her personal wire-drawing instruments to effectively craft 22-karat gold threads as skinny as 0.07 mm, believing the fusion of strategies similar to Chinese language filigree and European gold embroidery is essential for preserving conventional craftsmanship.

A capturing star in London, Zhang retains gathering awards—the Gold Medal for Wire Innovation, in 2025, and the Goldsmith’s honest winner, in 2024, pointing at this lovely sequence. Zhang lives in Beijing and London.

Rachelle Thiewes, Slice Bracelets, in steel, silver, auto paint, photo courtesy of Gallery Loupe — Rachelle Thiewes, *Slice Bracelets,* in metal, silver, auto paint, picture courtesy of Gallery Loupe

Gallery: Gallery Loupe, Montclair, NJ, US (click on the gallery title to hyperlink to its web site)
Contact: Patti Bleicher (click on the gallerist’s title for e mail)
Artist: Rachelle Thiewes
Retail worth: Every US$1,200

The shimmering jewellery of Rachelle Thiewes evokes the grandeur of the human kind, together with the pure wonders of her dwelling, positioned close to the Chihuahuan Desert, in western Texas. Whether or not assembled from a number of elements that really transfer, or crafted from steady parts that just about sweep one’s field of regard alongside vibrantly coloured surfaces, her partaking jewellery addresses the physique, the atmosphere, and the viewer. PAINT: Rachelle Thiewes, her current exhibition on the El Paso Museum of Artwork, showcased a physique of labor impressed by the good hues of lowrider automotive paint that enliven the Chihuahuan Desert panorama.

Sanna Wallgren, Red 1, 2024, pendant in aluminum, nylon, 12 ½ x 4 x 2 inches (320 x 100 x 50 mm), photo: Sofia Björkman — Sanna Wallgren, *Crimson 1,* 2024, pendant in aluminum, nylon, 12 ½ x 4 x 2 inches (320 x 100 x 50 mm), picture: Sofia Björkman

Gallery: Platina, Stockholm, Sweden (click on the gallery title to hyperlink to its web site)
Contact: Sofia Bjorkman (click on the gallerist’s title for e mail)
Artist: Sanna Wallgren
Retail worth: US$750

This pendant belongs to the sequence Crimson and is formed like a flower. The fabric is aluminum coloured with anodization and mixed with nylon, with robust connections to out of doors actions and sporting gear. The shape and floor are formed with a hammer in an expression near vegetation with inspiration from the repetition of varieties in foliage and flowers, however with a transparent imprint of the human hand.

Ketli Tiitsar, from the series Nature Morte IX, 2015, brooch in plum wood, paint, silver, 4 ½ inches (115 mm) tall, photo: Dénes Farkas — Ketli Tiitsar, from the sequence *Nature Morte IX,* 2015, brooch in plum wooden, paint, silver, 4 ½ inches (115 mm) tall, picture: Dénes Farkas

Gallery: 4 Gallery, Umeå, Sweden (click on the gallery title to hyperlink to its web site)
Contact: Karin Roy Andersson (click on the gallerist’s title for e mail)
Artist: Ketli Tiitsar
Retail worth: 2,900€

Longing is linked to melancholy, nostalgia, loneliness, and possibly naive romance. Eager for one thing unattainable absorbs our ideas, however it will possibly additionally get us nearer to ourselves and to others. Longing might be one thing recognizable, connecting, and current. The work of Ketli Tiitsar is made up of private layers of historical past, however it invitations us to participate and to attach.

Eunhee Cho, My Nature Necklace, in hanji paper, pearl, volcanic stone, approximately 25 inches (635 mm) long, center circle approximately 2 ½ inches (64 mm) in circumference, photo courtesy of Pistachios — Eunhee Cho, *My Nature Necklace,* in hanji paper, pearl, volcanic stone, roughly 25 inches (635 mm) lengthy, middle circle roughly 2 ½ inches (64 mm) in circumference, picture courtesy of Pistachios

Gallery: Pistachios Modern Artwork Jewellery, Chicago, IL, US (click on the gallery title to hyperlink to its web site)
Contact: The Pistachios Group (click on the title for e mail)
Artist: Eunhee Cho
Retail worth: US$7,495

“‘Issues unsaid’ represents my internal nature, my true essence, a quiet state of merely being,” states Eunhee Cho. “By means of my nature, I want to create a silent resonance with the character of others.”

This unbelievable assertion necklace is made fully from hanji paper, accented with a pearl on the closure. Cho’s work explores conventional Korean craft strategies and supplies, mixed with modern experimentation. Hanji paper is twisted and woven—a course of referred to as Jiseung—reworking the fabric into poetic, sculptural varieties. You actually should see it in three dimensions—the approach is wonderful! Watch a video right here. This piece is within the exhibition Issues Unsaid, at the moment on view at Pistachios.

Leslie Shershow, Halo, 2022, necklace in aluminum, luminescent film, resin, 11 x 8 x ¼ inches (279 x 203 x 6 mm), photo: J Taran Diamond — Leslie Shershow, *Halo,* 2022, necklace in aluminum, luminescent movie, resin, 11 x 8 x ¼ inches (279 x 203 x 6 mm), picture: J Taran Diamond

Gallery: Baltimore Jewellery Heart, Baltimore, MD, US (click on the gallery title to hyperlink to its web site)
Contact: J Taran Diamond (click on the gallerist’s title for e mail)
Artist: Leslie Shershow
Retail worth: US$300

Initially from midcoast Maine, Leslie Shershow has lived everywhere in the nation pursuing her ardour as an artist, jeweler, trainer, and scholar. She acquired her BFA from the Massachusetts Faculty of Artwork and Design, and her MFA from San Diego State College. Most just lately, she has written for Metalsmith journal, and her work was chosen for the 2021/2022 Schmuck exhibition. She is at the moment a lecturer at San Diego State College. By means of experimental strategies, shiny colours, luminescence, and iconic varieties, Shershow’s’s wearable work explores themes of nostalgia, longing, kitsch, reminiscence, and the memento.

Emily Rogstad, Floral Earrings, in oxidized sterling silver, each 1 ½ x 1 inches (38 x 25 mm), photo courtesy of the artist — Emily Rogstad, *Floral Earrings,* in oxidized sterling silver, every 1 ½ x 1 inches (38 x 25 mm), picture courtesy of the artist

Gallery: Gravers Lane Gallery, Philadelphia, PA, US (click on the gallery title to hyperlink to its web site)
Contact: Kate Crankshaw (click on the title for e mail)
Artist: Emily Rogstad
Retail worth: US$200

Regardless of being static studs, these earrings seem to have nice motion. They appear nice on anybody and are a novel and easy earring that can absolutely turn out to be a staple in your jewellery field.

Jolynn Santiago, Field Clippings Earrings I, 2025, in hand-cut sterling silver wire and fine silver sheet, ¾ x ¾ x ⅛ inches (19 x 19 x 3 mm), photo: artist — Jolynn Santiago, *Subject Clippings Earrings I,* 2025, in hand-cut sterling silver wire and high quality silver sheet, ¾ x ¾ x ⅛ inches (19 x 19 x 3 mm), picture: artist

Gallery: Within the Gallery at Brooklyn Metalworks, Brooklyn, NY, US (click on the gallery title to hyperlink to its web site)
Contact: Zoe Ariyama (click on the title for e mail)
Artist: Jolynn Santiago
Retail worth: US$600

Impressed by piles of grass clippings, artist Jolynn Santiago fuses silver wire fragments inside a hand-carved graphite mould to create a visual cycle of renewal from the particles. This distinctive course of units Santiago aside as she experiments with new supplies and strategies in her ongoing investigations of the settling mud and the accumulations which mark the mild passage of time. Santiago holds an MFA in metallic from the State College of New York at New Paltz, and her work has been exhibited internationally. This sequence is featured in her present solo exhibition, at Brooklyn Metallic Works.

Alexander Blank, Smiley, since 2007, brooch in stainless steel, paint, 1 ⅝ x 1 ⅝ x ¾ inches (40 x 40 x 20 mm), photo: artist — Alexander Clean, *Smiley,* since 2007, brooch in chrome steel, paint, 1 ⅝ x 1 ⅝ x ¾ inches (40 x 40 x 20 mm), picture: artist

Gallery: Galerie Noel Guyomarc’h, bijoux et objets contemporains, Montreal, QC, Canada (click on the gallery title to hyperlink to its web site)
Contact: Noel Guyomarc’h (click on the gallerist’s title for e mail)
Artist: Alexander Clean
Retail worth: CAN$745

Begun in 2007, the Smiley sequence—Alexander Clean’s iconic brooches in dented metal, but with eyes and smiles as vigorous as ever—questions the origin of this image and its present overused but consistently renewed presence.

Iris Bodemer, Untitled, 2006, brooch in Paraiba tourmaline, pearls, wool, 2 ⅜ x 2 ¾ x ¾ inches (60 x 70 x 20 mm), photo: artist — Iris Bodemer, Untitled, 2006, brooch in Paraiba tourmaline, pearls, wool, 2 ⅜ x 2 ¾ x ¾ inches (60 x 70 x 20 mm), picture: artist

Gallery: Galeria Reverso, Lisbon, Portugal (click on the gallery title to hyperlink to its web site)
Contact: Paula Crespo (click on the gallerist’s title for e mail)
Artist: Iris Bodemer
Retail worth: 1,685€

Iris Bodemer constructed her 2006 sequence of works like an image story. Over 50 brooches mounted on small boards kind an general image, but every unit can be unbiased. When the brooch is worn, the empty area stays on the board hanging on the wall. The brooches are made completely from stones, wool, and various supplies. No distinction is made between the supplies by way of worth. The shapes, colours, and buildings of the supplies come collectively within the brooches to kind a drawing, in dialogue with basic graphic parts on the board.

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