On Provide – Artwork Jewellery Discussion board

November 2025, Half 1

All of us may use a deal with proper now. It feels nice to get a terrific piece of artwork jewellery for ourselves whereas additionally celebrating and supporting artists and the galleries who present them!

Artwork Jewellery Discussion board’s worldwide gallery supporters have a good time and exhibit artwork jewellery. Our bi-monthly On Provide sequence permits them to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’ll absolutely discover a superb piece you merely can’t dwell with out! (Please contact the gallery instantly for inquiries.)

Cindy Cheng, Here and There, 2025, necklace in lavender quartz (faceted in-studio), synthetic emerald, fire opal with intaglio carving and 22-karat gold foil, fine silver, sterling silver, 27 ½ inches (700 mm) in circumference, photo: J Taran Diamond — Cindy Cheng, *Right here and There,* 2025, necklace in lavender quartz (faceted in-studio), artificial emerald, fireplace opal with intaglio carving and 22-karat gold foil, nice silver, sterling silver, 27 ½ inches (700 mm) in circumference, picture: J Taran Diamond

Gallery: Baltimore Jewellery Middle, Baltimore, MD, US (click on the gallery title to hyperlink to its web site)
Contact: J Diamond (click on the title for e-mail)
Artist: Cindy Cheng
Retail value: US$2,000

Cindy Cheng is a sculptor and jeweler based mostly in Baltimore, and a present three-month resident artist on the Baltimore Jewellery Middle. This necklace options an ant that may be worn as a brooch or pinned onto the necklace as a part of the pendant. A precision-faceted lavender quartz is about into the ant and a hearth opal set additional up the chain is intaglio carved with the phrase “right here”—maybe as a sign of the bug’s vacation spot or impulse.

Ela Bauer, Blanco, 2025, bracelet in resin and pigments, 3 ⅛ x 3 ½ x ⅜ inches (80 x 90 x 10 mm), photo: artist — Ela Bauer, *Blanco,* 2025, bracelet in resin and pigments, 3 ⅛ x 3 ½ x ⅜ inches (80 x 90 x 10 mm), picture: artist

Gallery: Galerie Noel Guyomarc’h, bijoux et objets contemporains, Montreal, QC, Canada (click on the gallery title to hyperlink to its web site)
Contact: Noel Guyomarc’h (click on the gallerist’s title for e-mail)
Artist: Ela Bauer
Retail value: CAN$925

Coloration performs an important position and has not too long ago develop into a central theme in Ela Bauer’s work. Coloration is the primary sensation we understand—one thing we really feel earlier than we perceive. It’s a highly effective language, able to shaping moods and evoking total atmospheres.

Yookyung Song, Time Flows in Sequence, brooch in gallium, acrylic, resin, sterling silver, surgical stainless steel, 4 ¼ x 3 ¾ inches (108 x 95 mm), photo: artist — Yookyung Tune, *Time Flows in Sequence,* brooch in gallium, acrylic, resin, sterling silver, surgical stainless-steel, 4 ¼ x 3 ¾ inches (108 x 95 mm), picture: artist

Gallery: Pistachios Modern Artwork Jewellery, Chicago, IL, US (click on the gallery title to hyperlink to its web site)
Contact: The Pistachios Group (click on the title for e-mail)
Artist: Yookyung Tune
Retail value: US$750

Seoul-based artist Yookyung Tune makes use of gallium to create jewellery impressed by photographs that emerge from the floor of calm water. Surrounding landscapes mirrored in puddles of water after the rain are reinterpreted with this distinctive reflective liquid steel. That enables this one-of-a-kind brooch to be each opaque and clear. This brooch is featured in Issues Unsaid, a collaborative exhibition with Treasured Collective that can journey to Munich Jewelry Week in 2026.

Simon Williams, Commodity, 2020, bangles in 9mm round sterling silver, front 3 ⅜ x 3 ⅜ x ¾ inches (86 x 86 x 18 mm) and 275 g, back 3 ⅛ x 3 ⅛ x ¾ inches (78 x 78 x 18 mm) and 250 g, photo: Jane Bowden — Simon Williams, *Commodity,* 2020, bangles in 9mm spherical sterling silver, entrance 3 ⅜ x 3 ⅜ x ¾ inches (86 x 86 x 18 mm) and 275 g, again 3 ⅛ x 3 ⅛ x ¾ inches (78 x 78 x 18 mm) and 250 g, picture: Jane Bowden

Gallery: Zu design, Adelaide, NSW, Australia (click on the gallery title to hyperlink to its web site)
Contact: Jane (click on the gallerist’s title for e-mail)
Artist: Simon Williams
Retail value: Bigger (at entrance) AUS$4,670; smaller AUS$4,290

The Commodity bangles had been made in 2020, when Simon Williams obtained a COVID-19 Arts Grant help, which he used to create new work and to arrange his residence studio. These items are a commentary on the rise in value of valuable metals when folks spend money on occasions of uncertainty. Additionally they pose the query of the value of the maker. With the present political local weather and the frenzy of individuals investing in steel once more, the Commodity bangle has actually confirmed its title.

Moniek Schreijer, Rings of Saturn, 2016, bangle in chrome-plated bronze, 4 x 4 x 1 ⅜ inches (100 x 100 x 35 mm), photo: Catarina Silva — Moniek Schreijer, *Rings of Saturn,* 2016, bangle in chrome-plated bronze, 4 x 4 x 1 ⅜ inches (100 x 100 x 35 mm), picture: Catarina Silva

Gallery: Galeria Tereza Seabra, Lisbon, Portugal (click on the gallery title to hyperlink to its web site)
Contact: Tereza Seabra (click on the gallerist’s title for e-mail)
Artist: Moniek Schreijer
Retail value: 1,300€, plus transport

The Rings of Saturn bangle for the exhibition cycle curated by HALO (Catarina Silva and Marta Costa Reis) seems on view within the Scorpio present at Thereza Seabra’s gallery till November 15, 2025.

Karin Johansson, Passage, from the series Colors, 2024, necklace in silver tubes, enamel, gold, thread, 30 ¾ inches (780 mm) long, photo: elStudio — Karin Johansson, *Passage,* from the *Colours* sequence, 2024, necklace in silver tubes, enamel, gold, thread, 30 ¾ inches (780 mm) lengthy, picture: elStudio

Gallery: Platina, Stockholm, Sweden (click on the gallery title to hyperlink to its web site)
Contact: Sofia Bjorkman (click on the gallerist’s title for e-mail)
Artist: Karin Johansson
Retail value: US$1,250

Karin Johansson works with impressions from locations which were particular to her. This necklace is impressed by the colours of Capri, the place she went as an artist in residence. Lengthy day by day walks, alongside steep coastlines and thru slim passages, had been blended with silent moments. Images, views, smells, sounds, colours supplied a treasure field of impressions that grew to become the information for the work. Enamel on silver tubes, fired in a number of layers, has been assembled into distinctive works with titles pointing again to the inspiration from the island.

Kathleen King, Tumbling Tourmaline Ring, 2018, in sterling silver, liver-of-sulfur patina, emerald-cut indicolite, green baguette tourmaline, pink tourmaline, size 8.25, photo courtesy of Gravers Lane Gallery — Kathleen King, *Tumbling Tourmaline Ring,* 2018, in sterling silver, liver-of-sulfur patina, emerald-cut indicolite, inexperienced baguette tourmaline, pink tourmaline, dimension 8.25, picture courtesy of Gravers Lane Gallery

Gallery: Gravers Lane Gallery, Philadelphia, PA, US (click on the gallery title to hyperlink to its web site)
Contact: Kate Crankshaw (click on the title for e-mail)
Artist: Kathleen King
Retail value: US$2,852

It is a lovely ring with a singular multi-stone setting. Positively an announcement piece that’s one in every of a sort.

Melinda Young, Future Relic #1 and #2 (Pukatja, APY Lands/Shady & Sunny Beach, Yirrkala, NT/Dharawal Country, NSW), 2015/2017/2024/2025, necklaces in plastic marine debris, translucent and black sunglasses arm, orange car blinker light, red car brake light, coral, sterling silver coral imprint charm, driftwood imprint charm, bush string, 15 ¾ and 17 ¾ inches (400 and 450 mm) long, photo: Michael Couper — Melinda Younger, *Future Relic #1* and *#2 (Pukatja, APY Lands/Shady & Sunny Seashore, Yirrkala, NT/Dharawal Nation, NSW),* 2015/2017/2024/2025, necklaces in plastic marine particles, translucent and black sun shades arm, orange automobile blinker mild, pink automobile brake mild, coral, sterling silver coral imprint allure, driftwood imprint allure, bush string, 15 ¾ and 17 ¾ inches (400 and 450 mm) lengthy, picture: Michael Couper

Gallery: Fingers Gallery, Auckland, New Zealand (click on the gallery title to hyperlink to its web site)
Contact: Lisa Higgins (click on the title for e-mail)
Artist: Melinda Younger
Retail value: Every NZ$360

“An inveterate gleaner, the re-use and re-working of discovered supplies is central to my observe,” says Melinda Younger. “Some supplies deliver an current narrative to the work, offering some extent of connection for viewers, wearers, and continuously for myself because the maker. My work displays the sensations inherent in making and carrying—the feel, colour, and sound of supplies are necessary and [they’re] chosen with care. I’m motivated by the transformative energy of decoration and its means to make an announcement by the sharing of tales as a type of quiet activism. Works within the ongoing Future Relic sequence are made out of marine plastics collected close to my residence on Dharawal Nation, NSW, and at Yirrkala, in Arnhem Land, which drift on the currents from faraway locations to pollute the seashores, together with automobile particles collected on the APY Lands, in South Australia. The work displays the distinction between the pure supplies and historical cultures certain up with this land and the imposition of different locations upon it by way of the motion of particles and folks throughout the oceans.”

Michal Oren, Hair-pin (The Thick Option), 2025, hair jewelry in silver, 18-karat gold, pearl, photo: Roni Cnaani — Michal Oren, *Hair-pin (The Thick Possibility),* 2025, hair jewellery in silver, 18-karat gold, pearl, picture: Roni Cnaani

Gallery: Objects Lovely, London, UK (click on the gallery title to hyperlink to its web site)
Contact: Yael Reisner (click on the gallerist’s title for e-mail)
Artist: Michal Oren
Retail value: £500 GBP, plus VAT

Michal Oren’s Hair-pin is kind of minimalist, like a lot of her different items of jewellery, that are all so very delicate and chic, with an important impact the place an summary concept transforms into a ravishing construction. On this case, a silver tube with one pearl seated firmly, skillfully, on one facet, and a contact of 18-karat gold on the opposite. So poetic.

Ketli Tiitsar, Untitled, 2023, earrings in apple wood, paint, silver, 3 ½ x ¾ x 1 ⅛ inches (90 x 20 x 30 mm), photo: Four — Ketli Tiitsar, Untitled, 2023, earrings in apple wooden, paint, silver, 3 ½ x ¾ x 1 ⅛ inches (90 x 20 x 30 mm), picture: 4

Gallery: 4 Gallery, Umeå, Sweden (click on the gallery title to hyperlink to its web site)
Contact: Karin Roy Andersson (click on the gallerist’s title for e-mail)
Artist: Ketli Tiitsar
Retail value: 520€

Longing is related to melancholy, nostalgia, loneliness, and possibly naive romance. Eager for one thing unattainable absorbs our ideas, however it could possibly additionally get us nearer to ourselves and to others. Longing could be one thing recognizable, connecting, and current. The work of Ketli Tiitsar is made up of private layers of historical past, nevertheless it invitations us to participate and to attach.

Carla Castiajo, Sperare, 2020, necklace in human hair, silver, leather, silk+polyester thread, photo: artist — Carla Castiajo, *Sperare,* 2020, necklace in human hair, silver, leather-based, silk+polyester thread, picture: artist

Gallery: Galeria Reverso, Lisbon, Portugal (click on the gallery title to hyperlink to its web site)
Contact: Paula Crespo (click on the gallerist’s title for e-mail)
Artist: Carla Castiajo
Retail value: 1,970€

The title of this piece, Sperare, means “to have hope.” It’s a time period derived from the Latin root spes, that means “to hope,” “to attend.” Having hope is necessary, as this sense is often related to an optimistic expectation—the idea that what one hopes for can certainly be achieved. White hair (one of many supplies used) is a mirrored image on the passage of time and serves as a metaphor for this ready. And in such an erratic time because the one we dwell in, hope stands out as the solely mild that guides us; therefore the importance of this piece, as a reminder of the necessity to protect hope in an age of uncertainty.

Jolynn Santiago, White Pollen Ring, 2023, in hand-cut sterling silver wire, size 7.5, photo: artist — Jolynn Santiago, *White Pollen Ring,* 2023, in hand-cut sterling silver wire, dimension 7.5, picture: artist

Gallery: Within the Gallery at Brooklyn Metalworks, Brooklyn, NY, US (click on the gallery title to hyperlink to its web site)
Contact: Zoe Ariyama (click on the title for e-mail)
Artist: Jolynn Santiago
Retail value: US$900

Impressed by dustings of pollen, artist Jolynn Santiago fuses silver wire fragments inside a hand-carved graphite mildew to create a visual cycle of renewal from the particles. This distinctive course of units the artist aside as she experiments with new supplies and strategies in her ongoing investigations of the settling mud and the accumulations which mark the mild passage of time. Santiago holds an MFA in steel from the State College of New York at New Paltz, and her work has been exhibited internationally. This sequence is presently featured in her solo exhibition at Brooklyn Metallic Works.

The opinions expressed listed here are the galleries’ alone, and don’t essentially specific these of AJF.

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