On Provide – Artwork Jewellery Discussion board

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February 2026, Half 1
In these worrisome instances, all of us may use a deal with. It feels good to get a terrific piece of artwork jewellery for ourselves whereas celebrating and supporting artists and the galleries who present them!

Artwork Jewellery Discussion board’s worldwide gallery supporters rejoice and exhibit artwork jewellery. Our bi-monthly On Provide sequence permits this intensive community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’re certain to discover a incredible piece you merely can’t dwell with out! (Please contact the gallery straight for inquiries.)

Sigurd Bronger, Sustainable Construction No. 071, 2023, brooch in cardboard box, silver, steel, 2 ¾ x 3 ¼ x 1 ¼ inches (70 x 83 x 32 mm), photo: Galerie Door
Sigurd Bronger, Sustainable Development No. 071, 2023, brooch in cardboard field, silver, metal, 2 ¾ x 3 ¼ x 1 ¼ inches (70 x 83 x 32 mm), photograph: Galerie Door

Gallery: Galerie Door, Nijmegen, Netherlands (click on the gallery identify to hyperlink to its web site)
Contact: Doreen Timmers (click on the gallerist’s identify for electronic mail)
Artist: Sigurd Bronger
Retail value: 2,650€

Galerie Door proudly presents a nuptial bond of mathematical precision, the absurd and the quotidian. How Sigurd Bronger turns every day objects and pins into nice enjoyable. Galerie Door challenges you: Are you sporting all you’ll be able to maintain? Bronger creates Wearables and Carrying Gadgets with a technical perfection many engineers would envy. His compositions, with their clear traces and clear kinds, betray his love for De Stijl. His topics, corresponding to cardboard bins, rest room paper rolls, and different ready-mades, join him to Pop Artwork. What makes his work so distinctive is that Bronger imbues his wearables with exactly the sort of expression that challenges our eyes and minds. He’s a grasp at composing steadiness, type, and creativeness. Bronger makes us imagine we will carry all we will maintain.

Emma Brooke, Garnet Pipeline Studs, 2025, earrings in 14-karat gold, rhodolite garnet, approximately ½ inch (12 mm), photo courtesy of the artist
Emma Brooke, Garnet Pipeline Studs, 2025, earrings in 14-karat gold, rhodolite garnet, roughly ½ inch (12 mm), photograph courtesy of the artist

Gallery: Gravers Lane Gallery, Philadelphia, PA, US (click on the gallery identify to hyperlink to its web site)
Contact: Kate Crankshaw (click on the identify for electronic mail)
Artist: Emma Brooke
Retail value: US$715

These earrings are each an exquisite piece of high quality jewellery and a enjoyable kinetic piece. The garnets transfer alongside the channel—so enjoyable!

Piret Hirv, Beginning and End, 2026, brooch in cast iron, 4 ¾ x 1 ⅝ x ⅝ inches (120 x 42 x 15 mm), photo: artist
Piret Hirv, Starting and Finish, 2026, brooch in forged iron, 4 ¾ x 1 ⅝ x ⅝ inches (120 x 42 x 15 mm), photograph: artist

Gallery: Galeria Tereza Seabra, Lisbon, Portugal (click on the gallery identify to hyperlink to its web site)
Contact: Tereza Seabra (click on the gallerist’s identify for electronic mail)
Artist: Piret Hirv
Retail value: 1,800€, plus delivery

Forged iron is robust and, like all iron, a heavy steel. But it is extremely brittle. A line carved from a slipshod chunk has reached the boundaries of its fragility by means of the gradual elimination of fabric. It could break beneath a powerful grip or if pulled from the tip. The start and finish lie shut collectively, proper in your arms. This piece was particularly made for the exhibition Rings of Saturn 11/12 (Aquarius).

Sandra Salaices, Cylinder Necklace, in steel mesh, enamel, sterling silver, approximately 41 inches (104.1 cm) long, photo: Pistachios
Sandra Salaices, Cylinder Necklace, in metal mesh, enamel, sterling silver, roughly 41 inches (104.1 cm) lengthy, photograph: Pistachios

Gallery: Pistachios Modern Artwork Jewellery, Chicago, IL, US (click on the gallery identify to hyperlink to its web site)
Contact: Megan Nash (click on the identify for electronic mail)
Artist: Sandra Salaices
Retail value: US$2,450

A outstanding necklace that may be worn two methods! Every element is laboriously made with metal mesh and liquid enamel brushed onto the floor. Every hyperlink in between can be handmade, however maybe probably the most spectacular a part of this necklace is the clasp. Sandra Salaices has created the threaded screw mechanism by hand with sterling silver. Salaices’s structural items are featured within the Pistachios exhibition Constructed for the Physique: The Intersection of Structure & Jewellery.

Simon Williams, Brutalism, 2026, ring in 9-karat yellow gold, oxidized sterling silver, 1.86-carat tourmaline cut by Mitchell Rogers, 1 x 1 ¼ x ⅜ inches (27 x 33 x 8.5 mm), T1/2, photo: Jane Bowden
Simon Williams, Brutalism, 2026, ring in 9-karat yellow gold, oxidized sterling silver, 1.86-carat tourmaline lower by Mitchell Rogers, 1 x 1 ¼ x ⅜ inches (27 x 33 x 8.5 mm), T1/2, photograph: Jane Bowden

Gallery: Zu design, Adelaide, NSW, Australia (click on the gallery identify to hyperlink to its web site)
Contact: Jane (click on the gallerist’s identify for electronic mail)
Artist: Simon Williams
Retail value: AUS$3,395

Impressed by the Brutalist architectural motion, this ring by Simon Williams pairs a richly coloured tourmaline—fantastically lower by Mitchell Rogers—with a structured gold encompass. The oxidized sterling silver band offers a deliberate distinction, giving the piece each power and steadiness. Designed to sit down comfortably on the hand, the ring transforms right into a miniature sculpture when not worn.

Mariana Gorga, Infinita Misericordia, 2024, necklace in sterling silver and baroque pearl, 8 ¼ x 6 ¼ x 1 ⅛ inches (210 x 160 x 30 mm), photo: artist
Mariana Gorga, Infinita Misericordia, 2024, necklace in sterling silver and baroque pearl, 8 ¼ x 6 ¼ x 1 ⅛ inches (210 x 160 x 30 mm), photograph: artist

Gallery: Wearable Artwork Museum (click on the gallery identify to hyperlink to its web site)
Contact: Lisa M. Berman (click on the director’s identify for electronic mail)
Artist: Mariana Gorga
Retail value: 88,000€

Mariana Gorga earned the Excellence of Craftsmanship Award – Third Prize, from Alessio Bosch throughout Roma Jewellery Week, curated by Monica Cecchini, promoted by Incinque Jewels, held on the prestigious archaeological website of the Markets of Trajan – Museum of the Imperial For a. The again of the wing is as masterfully sculpted because the entrance. The necklace was impressed by the theme “Infinite Baroque,” and by the angelic figures in Caravaggio’s Our Woman of Mercy or The Seven Acts of Mercy (1606–1607) portray, thus the necklace Infinita Misericordia (Infinite Mercy). Originated from a wax core that was later solid in steel and accomplished with a luminous pearl. The necklace captures the dramatic depth of the Baroque, displays human vulnerability, and expresses the aspiration to imagine in a celestial universe, reworking the jewel into an emblem of safety and spirituality. Notice: 50% of the promoting value is a 100% tax-deductible donation to WAM’s non-profit museum which helps the prices of its jewellery presentation with Max Alexander’s runway present on the Paris Opera Home on March 3, 2026.

Luzia Vogt, Animado, 2025, brooch in Plexiglas, steel wire, 2 x 5 ⅛ x 1 inches (50 x 130 x 26 mm), photo: artist
Luzia Vogt, Animado, 2025, brooch in Plexiglas, metal wire, 2 x 5 ⅛ x 1 inches (50 x 130 x 26 mm), photograph: artist

Gallery: Galeria Reverso, Lisbon, Portugal (click on the gallery identify to hyperlink to its web site)
Contact: Paula Crespo (click on the gallerist’s identify for electronic mail)
Artist: Luzia Vogt
Retail value: 840€

In Animado, stylized butterfly wings come collectively gracefully. Their play of colours symbolizes pleasure of life and hope. Generally the wings are brighter and extra radiant, typically extra muted, however all the time colourful. They’re held collectively solely by a wire, which additionally kinds the brooch. Some wings playfully level upward, others downward. Overlaps create new areas of shade. Because the wings level in numerous instructions, they resemble historic depictions of angels. Considerably cellular and colourful, these gentle brooches present wings and, in a figurative sense, hope in unsure instances.

Xiaozhe Huang, Particles of Freedom, 2024, ring in Murano glass, sterling silver, 1 ⅜ x 1 ⅛ x 1 ⅛ inches (35 x 30 x 30 mm), photo: Wenyin Jiang
Xiaozhe Huang, Particles of Freedom, 2024, ring in Murano glass, sterling silver, 1 ⅜ x 1 ⅛ x 1 ⅛ inches (35 x 30 x 30 mm), photograph: Wenyin Jiang

Gallery: Objects Lovely, London, UK (click on the gallery identify to hyperlink to its web site)
Contact: Yael Reisner (click on the gallerist’s identify for electronic mail)
Artist: Xiaozhe Huang
Retail value: £400 (excluding VAT)

A good looking ring with celebrated with these cheerful colours, which the Murano glass excels at, and that the artwork jeweler XiaoZhe Huang, who lives in Venice, Italy, is an professional at working with.

Jorge Manilla, Brooch 4, 2025, in aluminum, various oxidation techniques, stainless steel, 3 ⅜ x 2 ¼ x ⅜ inches (85 x 58 x 10 mm), photo: artist
Jorge Manilla, Brooch 4, 2025, in aluminum, varied oxidation methods, chrome steel, 3 ⅜ x 2 ¼ x ⅜ inches (85 x 58 x 10 mm), photograph: artist

Gallery: 4 Gallery, Umeå, Sweden (click on the gallery identify to hyperlink to its web site)
Contact: Karin Roy Andersson (click on the gallerist’s identify for electronic mail)
Artist: Jorge Manilla
Retail value: 1,600€

Jorge Manilla’s newest physique of labor is impressed by cave work. Typically they’re related to illustrations of on a regular basis life, they convey concepts, and so they specific religious or magical beliefs, typically associated to looking or fertility rituals. Within the work Reflexion, Manilla makes use of casting and patina methods to convey viewers nearer to an understanding of the origins of humanity. Born and raised in Mexico however now dwelling in Belgium, Manilla in his work conveys one thing uncooked and typically brutal with a delicate sensitivity.

Orsolya Karman, Pablo Earrings, 2025, in recycled acrylic glass, Czech glass beads, gold-plated copper wire, 18-karat gold-plated upper element, photo: artist
Orsolya Karman, Pablo Earrings, 2025, in recycled acrylic glass, Czech glass beads, gold-plated copper wire, 18-karat gold-plated higher component, photograph: artist

Gallery: Heidi Lowe Gallery, Lewes, DE, US (click on the gallery identify to hyperlink to its web site)
Contact: Kassadi Williams (click on the identify for electronic mail)
Artist: Orsolya Karman
Retail value: US$140

Orsolya Karman’s earrings are included within the annual Earrings Galore juried exhibition, a wealthy and various array of earrings made by 60 rising and established studio jewelers. The exhibition is meant to create extra entry for the general public to interact with artwork jewellery, domesticate connections with the group, and supply alternatives for folks so as to add to their jewellery collections.

Shani Richards, Power to the People, 2026, brooch in brass, nickel, 2 ½ x 2 x ¹⁄₁₆ inches (64 x 51 x 2 mm), photo: artist
Shani Richards, Energy to the Folks, 2026, brooch in brass, nickel, 2 ½ x 2 x ¹⁄₁₆ inches (64 x 51 x 2 mm), photograph: artist

Gallery: Baltimore Jewellery Heart, Baltimore, MD, US (click on the gallery identify to hyperlink to its web site)
Contact: J Diamond (click on the identify for electronic mail)
Artist: Shani Richards
Retail value: US$199

Shani Richards creates objects that deal with problems with racism, sexism, and stereotypes to impress the viewer to crucial engagement. Energy to the Folks is a brooch for the wearer to make an announcement and hopefully spark much-needed conversations of their group. The origin of this slogan was within the Nineteen Sixties, from the Black Panther Social gathering. Strange residents maintain the last word authority and may actively form society, difficult elites and demanding change by means of grassroots motion reasonably than ready for leaders.

Tove Knuts, Necklace, My Blue/White Yarniverse, 2019, in perle cotton, wool, white agate, 21 ¼ x 6 ¾ x 2 ¾ inches (540 x 170 x 70 mm), photo: Sara Danielsson
Tove Knuts, My Blue/White Yarniverse, 2019, necklace in perle cotton, wool, white agate, 21 ¼ x 6 ¾ x 2 ¾ inches (540 x 170 x 70 mm), photograph: Sara Danielsson

Gallery: Platina, Stockholm, Sweden (click on the gallery identify to hyperlink to its web site)
Contact: Sofia Bjorkman (click on the gallerist’s identify for electronic mail)
Artist: Tove Knuts
Retail value: US$1,200

When an excessive amount of is occurring outdoors, there generally is a want to escape inward. Working with the arms, discovering rhythm, can supply a brief respiration area. Crocheting is, for the Sweden-based jewellery artist Tove Knuts, a manner of stepping apart from the noise and getting into a meditative state through which time slows down and thought is allowed to relaxation. The crochet hook turns into a modest but resilient instrument. It requires no electrical energy, no hearth, solely arms, time, and yarn. This very heat feeling is conveyed to the wearer.

Suzanne Schwartz, Tri Layered River Cuff, 2025, in Argentium silver and 22-karat gold, 1 ½ inches (38 mm) wide, photo courtesy of InterFusion Art
Suzanne Schwartz, Tri Layered River Cuff, 2025, in Argentium silver and 22-karat gold, 1 ½ inches (38 mm) broad, photograph courtesy of InterFusion Artwork

Gallery: InterFusion Artwork, Santa Fe, NM, US (click on the gallery identify to hyperlink to its web site)
Contact: The Workforce (click on the workforce identify for electronic mail)
Artist: Suzanne Schwartz
Retail value: US$750

The Tri Layered River Cuff, by Suzanne Schwartz, is a daring, three-layered bracelet shaped from an Argentium silver cuff and articulated squares of Argentium silver and 22-karat gold bi-metal stitched along with high quality silver wire. Its flowing, river-like construction makes it a particular assertion piece. Schwartz developed this distinctive stitching strategy from her background in textiles and a fascination with translating fiber methods into steel, giving the piece its signature woven-metal character.

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