On Provide – Artwork Jewellery Discussion board

November 2024, Half 1

There are such a lot of causes to buy artwork jewellery…

Rejoice that hard-earned promotion
Honor a once-in-a-lifetime event
Pay tribute to a serious accomplishment
Commemorate the start of a brand new relationship or the tip of 1
Pounce on the proper piece to spherical out a facet of your assortment
Or spend money on a deal with for your self—simply because

Artwork Jewellery Discussion board’s worldwide gallery supporters have a good time and exhibit artwork jewellery. Our bi-monthly On Provide sequence permits this in depth community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’re sure to discover a improbable piece you merely can’t stay with out! (Please contact the gallery straight for inquiries.)

Verena Sieber-Fuchs, Lovely, 2024, shawl in old beads and sequins, stainless steel wire, approximately 41 x 6 ¾ x ⅜ inches (104 x 17 x 1 cm), photo: Sebastien Sieber — Verena Sieber-Fuchs, *Pretty,* 2024, scarf in outdated beads and sequins, stainless-steel wire, roughly 41 x 6 ¾ x ⅜ inches (104 x 17 x 1 cm), picture: Sebastien Sieber

Gallery: Galeria Tereza Seabra, Lisbon, Portugal (click on the gallery title to hyperlink to its web site)
Contact: Tereza Seabra (click on the gallerist’s title for e-mail)
Artist: Verena Sieber-Fuchs
Retail value: €3,000, plus delivery
Verena Sieber-Fuchs is an artist from Switzerland, primarily based in Zurich. She is a grasp of crocheting her on a regular basis life. She is a livid collector of all the pieces that surrounds her, from drugs blister packs to orange paper, stamps, beads, and many others. Every thing is ritualistically saved with care to discuss pleasure, sorrows, or politics. It’s a sport with all types of supplies and above all with no treasured ones to make them treasured. This piece is a part of her solo exhibition at Galeria Tereza Seabra, The Yr of the Revolution, which runs till November 23, 2024.

Jutta Kallfelz, William, 2024, brooch in carved pear wood, stainless steel, 2 x 1 ¼ x 2 ⅜ inches (50 x 32 x 60 mm), photo: artist — Jutta Kallfelz, *William,* 2024, brooch in carved pear wooden, stainless-steel, 2 x 1 ¼ x 2 ⅜ inches (50 x 32 x 60 mm), picture: artist

Gallery: Galerie Noel Guyomarc’h, bijoux et objets contemporains, Montreal, Canada (click on the gallery title to hyperlink to its web site)
Contact: Noel Guyomarc’h (click on the gallerist’s title for e-mail)
Artist: Jutta Kallfelz
Retail value: €3,200
”With my rabbits, I’m involved with making residing beings seen. The actual picture is of central significance to me. Within the fragment I need to counsel the picture of the residing animal,” Kallfelz explains. Via these carved sculptures, each tender and playful, the artist nourishes the hyperlinks between creativeness and actuality.

Blanche Tilden, Hosier, 2023, neckpiece in borosilicate glass, anodized titanium, oxidized sterling silver, 20 ½ inches (520 mm) long, glass section 11 ⅜ x 2 x ¼ inches (290 x 50 x 8 mm), photo: Fred Kroh — Blanche Tilden, *Hosier,* 2023, neckpiece in borosilicate glass, anodized titanium, oxidized sterling silver, 20 ½ inches (520 mm) lengthy, glass part 11 ⅜ x 2 x ¼ inches (290 x 50 x 8 mm), picture: Fred Kroh

Gallery: Zu design, Adelaide, Australia (click on the gallery title to hyperlink to its web site)
Contact: Jane Bowden (click on the gallerist’s title for e-mail)
Artist: Blanche Tilden
Retail value: AUS$3,200
Hosier neckpiece is at Zu design for Seven Colors. A number of-exposure shade pictures by Marcus Scholz are beginning factors for Blanche Tilden’s distinctive jewellery. Made with clear and coloured borosilicate glass, silver, and anodized titanium, this sequence explores hyperlinks between jewellery, pictures, structure, and the physique. Eminently wearable, every bit suggests a second of calm, in distinction to the fixed hustle of the city panorama. Tilden shall be giving an artist speak about her work, “In Dialog,” with Rebecca Evans, curator of Ornamental Arts and Design, AGSA, Tuesday, October 29, 12:30 p.m., Radford Auditorium. More information.

Heather White, Four-in-One, locket necklace in nickel silver, velvet fabric, velvet ribbon, 4 ⅜ x 4 ⅛ x ⅝ inches (110 x 105 x 15 mm), photo courtesy of the artist — Heather White, *4-in-One,* locket necklace in nickel silver, velvet cloth, velvet ribbon, 4 ⅜ x 4 ⅛ x ⅝ inches (110 x 105 x 15 mm), picture courtesy of the artist

Gallery: Gravers Lane Gallery, Philadelphia, PA, US (click on the gallery title to hyperlink to its web site)
Contact: Chloe Le Pichon (click on the title for e-mail)
Artist: Heather White
Retail value: US$5,060
Heather White teaches as a professor at MassArt and Design, in Boston. This locket design is all-over chic! As Jennifer Altmann wrote, “Lockets have been a foundational ingredient of bijou since antiquity. In 4-in-One, the nickel silver lockets open to disclose interiors with bursts of shade—deep reds, electrical yellows, blues, and purples.” This piece is a enjoyable, sculptural, and smooth trendy tackle the standard locket.

Daphne Krinos, Earrings, in oxidized sterling silver, garnet, lemon citrine, diamond, approximately 2 x ½ inches (51 x 13 mm), photo: Pistachios — Daphne Krinos, *Earrings,* in oxidized sterling silver, garnet, lemon citrine, diamond, roughly 2 x ½ inches (51 x 13 mm), picture: Pistachios

Gallery: Pistachios Up to date Artwork Jewellery, Chicago, IL, US (click on the gallery title to hyperlink to its web site)
Contact: The Pistachios Workforce (click on the title for e-mail)
Artist: Daphne Krinos
Retail value: US$1,895
London-based artist Daphne Krinos expertly combines oxidized sterling silver, garnet, lemon citrine, and diamonds to create an unforgettable pair of earrings. Refined motion and sparkle elevate this elegant pair to a better degree of sophistication.

matt lambert, Don't Forget, 2024, necklace in wood, cotton, leather, steel, 15 x 3 ½ x 2 ⅜ inches (380 x 90 x 60 mm), photo: artist — matt lambert, *Don’t Neglect,* 2024, necklace in wooden, cotton, leather-based, metal, 15 x 3 ½ x 2 ⅜ inches (380 x 90 x 60 mm), picture: artist

Gallery: Platina, Stockholm, Sweden (click on the gallery title to hyperlink to its web site)
Contact: Sofia Björkman (click on the gallerist’s title for e-mail)
Artist: matt lambert
Retail value: US$1,500
On this new physique of labor, matt lambert investigates animacy, the connection of the human hand to the nonhuman in apply, and asks: “What if we simply let go of the chicken and leap into the bushes?” That assertion views inventive apply as a course of for the animation of the summary, to make bodily factors for embodied dialogue. It takes principle and apply collectively, to type praxis. The necklace with two open fingers might be seen as a connection between the thought and apply, the spoken phrase and the made object, mouth handy.

A vintage coral, onyx, turquoise and sterling silver ring, by Jesse Monongya (Navajo/Hopi), AZ, USA (1952–2024), 1977, size 06, photo courtesy of Mahnaz Collection — A classic coral, onyx, turquoise and sterling silver ring, by Jesse Monongya (Navajo/Hopi), AZ, USA (1952–2024), 1977, measurement 06, picture courtesy of Mahnaz Assortment

Gallery: Mahnaz Assortment, New York, NY, US (click on the gallery title to hyperlink to its web site)
Contact: Bella Neyman (click on the title for e-mail)
Artist: Jesse Monongya (Navajo/Hopi)
Retail value: US$6,800
Made by the late Jesse Monongya (Navajo/Hopi) (1952–2024), one of the vital outstanding Native American jewelers, early in his profession. The son of early trendy artist jeweler Preston Monongye, Jesse made work distinguished by his mastery of inlay. He created bracelets, necklaces, pendants, bolo ties, and earrings inlaid with the best coral, turquoise, Acoma jet, sugilite, lapis, ivory, and extra. He loved utilizing diamonds and created beautiful shows of shade. Animals impressed him, and the bear was his closest jewellery companion. Monongya is acknowledged for the celestial evening skies he inlaid, stuffed with flying comets and views of Monument Valley. He stated he was impressed by the dreamlike tales that his grandmother instructed him as a younger youngster. This ring isn’t any exception, with the daring, graphic picture on its face, persevering with down each side of the shank. Monongya’s much-awarded work might be discovered within the Heard Museum, MOMA, the Cooper Hewitt, the Smithsonian, and lots of different establishments. An identical ring is featured in Jesse Monongya: Opal Bears and Lapis Skies, by Lois Sherr Dubin (2002), on web page 134.

Monica Nesseler, Rialto Red, circa 2018, necklace in Murano glass rings, glass beads, steel wire, magnetic clasp, 1 inch (25 mm) in diameter x 20 inches (508 mm) long, photo courtesy of Aaron Faber Gallery — Monica Nesseler, *Rialto Crimson,* circa 2018, necklace in Murano glass rings, glass beads, metal wire, magnetic clasp, 1 inch (25 mm) in diameter x 20 inches (508 mm) lengthy, picture courtesy of Aaron Faber Gallery

Gallery: Aaron Faber Gallery, New York, NY, US (click on the gallery title to hyperlink to its web site)
Contact: Patricia Kiley Faber (click on the gallerist’s title for e-mail)
Artist: Monica Nesseler
Retail value: US$225
Monica Nesseler is a German jewellery artist working with shade utilizing Murano glass rings and glass beads to create her one-of-a-kind necklaces, which every fluctuate with the glass. This necklace in her Rialto sequence, from a personal assortment, contains the unique field.

Jenny Jansson, 2024, brooch in silver, aluminum, steel, 4 ¾ x 3 ¾ x ¾ inches (120 x 95 x 20 mm), photo: artist — Jenny Jansson, 2024, brooch in silver, aluminum, metal, 4 ¾ x 3 ¾ x ¾ inches (120 x 95 x 20 mm), picture: artist

Gallery: 4 Gallery, Gothenburg, Sweden (click on the gallery title to hyperlink to its web site)
Contact: Karin Roy Andersson (click on the gallerist’s title for e-mail)
Artist: Jenny Jansson
Retail value: €750
In her jewellery items Jenny Jansson tells a narrative of a romanticized view of Swedish traditions and tradition—however one thing is just a bit bit off. Photographs of conventional tradition are paired with flower wreaths and buttercups. Lately the talk round immigration has introduced up the subject of what it takes to get to name oneself Swedish. Do you must like pickled herring, know the right way to assemble flat-pack furnishings, or dance across the Midsummer pole? Traditions can have an vital function in creating inclusivity inside a group, tradition, and custom, however can be used as a device for exclusion and alienation.

Paula Crespo, Penelope, 2018, necklace in silver, bone, 9 ⅞ x 9 ⅞ x ½ inches (250 x 250 x 12 mm), photo courtesy of Galeria Reverso — Paula Crespo, *Penelope,* 2018, necklace in silver, bone, 9 ⅞ x 9 ⅞ x ½ inches (250 x 250 x 12 mm), picture courtesy of Galeria Reverso

Gallery: Galeria Reverso, Lisbon, Portugal (click on the gallery title to hyperlink to its web site)
Contact: Paula Crespo (click on the gallerist’s title for e-mail)
Artist: Paula Crespo
Retail value: €2,200
Paula Crespo’s work is principally primarily based seeking easy geometric shapes, on which small volumes are concerned, as a way to create plans or surfaces that intrude with mild and area. On bigger items she seeks, by means of the repetition of a component, to create a sample, a rhythm, as is the case in necklaces and chains. This provides the potential for nice flexibility, even when labored in bigger volumes. All her works are designed by her and fabricated by hand.

Ye-jee Lee, *Since 1970 – 3,* 2021, brooch in sterling silver, leather-based, 3 x 3 x 1 ⅛ inches (75 x 75 x 30 mm), picture: J Diamond

Gallery: Baltimore Jewellery Heart, Baltimore, MD (click on the gallery title to hyperlink to its web site)
Contact: Allison Gulick (click on the title for e-mail)
Artist: Ye-jee Lee
Retail value: US$750
Enthralled with the thought of symbolism, Ye-jee Lee reuses forgotten classic molds and provides them new life in her work. Impressed by an expertise with a press machine and steel dies on the German Museum of Know-how, she makes use of dies in surprising methods to create new items of bijou. Lee makes use of supplies, equivalent to steel mesh, skinny plates, and leather-based, which can be printed utilizing a die press to accumulate a form and construction which makes them appropriate to be labored into particular person ornaments. Go to her first American solo exhibition on the Baltimore Jewellery Heart, on view by means of November 15, 2024.

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