On Supply – Artwork Jewellery Discussion board

Might 2025, Half 1

Proper now, all of us may use a deal with. It feels good to get a terrific piece of artwork jewellery for ourselves whereas celebrating and supporting artists and the galleries who present them!

Artwork Jewellery Discussion board’s worldwide gallery supporters have a good time and exhibit artwork jewellery. Our bi-monthly On Supply sequence permits this in depth community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’ll discover a implausible piece you merely can’t dwell with out! (Please contact the gallery immediately for inquiries.)

Bethamy Linton, Seventh, 2025, in anodized titanium, fine silver, 18-karat gold, blue topaz, pendant 21 ½ inches (550 mm), 3 ¾ x 2 ¾ inches (95 x 70 mm), photo: Eva Fernandez — Bethamy Linton, *Seventh,* 2025, in anodized titanium, tremendous silver, 18-karat gold, blue topaz, pendant 21 ½ inches (550 mm), 3 ¾ x 2 ¾ inches (95 x 70 mm), photograph: Eva Fernandez

Gallery: Zu design, Adelaide, Australia (click on the gallery identify to hyperlink to its web site)
Contact: Jane Bowden (click on the gallerist’s identify for e-mail)
Artist: Bethamy Linton
Retail value: AUS$5,600
Bethamy Linton is a fourth-generation silversmith primarily based in Western Australia, persevering with a wealthy household legacy that helped form the area’s early arts and crafts motion. Her follow spans each tremendous jewellery and larger-scale silverware, reflecting a wide-ranging and deeply honed ability set. Her designs have lengthy been impressed by the pure world, significantly the flora of the Perth Hills—a nod to the wildflower motifs which have featured in her household’s work for generations. Extra just lately, her inventive focus has turned towards exploring themes of familial relationships as depicted in standard mythology and fairy tales.

Joyce J. Scott, Child in the Vines, circa 1980s, necklace in peyote-stitched beads, photo courtesy of Gravers Lane Gallery — Joyce J. Scott, *Youngster within the Vines,* circa Nineteen Eighties, necklace in peyote-stitched beads, photograph courtesy of Gravers Lane Gallery

Gallery: Gravers Lane Gallery, Philadelphia, Pennsylvania, US (click on the gallery identify to hyperlink to its web site)
Contact: Kate Crankshaw (click on the gallerist’s identify for e-mail)
Artist: Joyce J. Scott
Retail value: US$15,000
Joyce J. Scott is a groundbreaking artist identified for revolutionizing beadwork by reworking it into a strong medium for tremendous artwork and social commentary. Combining conventional craft methods with daring, unflinching narratives, her intricate beadwork sculptures confront points equivalent to racism, violence, gender, and historic trauma. Drawing from African American heritage, feminist thought, and private expertise, Scott’s work challenges stereotypes and facilities complicated Black identities. Her interdisciplinary method—spanning sculpture, efficiency, and storytelling—creates a deeply expressive and theatrical physique of labor. Broadly exhibited and extremely honored, together with receiving a MacArthur “Genius” Fellowship, Scott has redefined the boundaries of craft and up to date artwork.

Lin Cheung, ID, 2019, pendant in rock crystal, nylon lanyard, 3 ⅝ x 2 ⅝ x ¼ inches (93 x 67 x 6 mm), photo: artist — Lin Cheung, *ID,* 2019, pendant in rock crystal, nylon lanyard, 3 ⅝ x 2 ⅝ x ¼ inches (93 x 67 x 6 mm), photograph: artist

Gallery: Within the Gallery at Brooklyn Steel Works, Brooklyn, New York, US (click on the gallery identify to hyperlink to its web site)
Contact: Brian Weissman (click on the gallerist’s identify for e-mail)
Artist: Lin Cheung
Retail value: US$4,935
Lin’s distinctive method to creating gives a witty and poignant response to the human situation. Jewellery is each inventive output and a degree of reference and inspiration, with Lin often making work because of a self-reference to jewellery. Lin quotes her underlying “love-hate” relationship with jewellery as a wholesome method to perceive and discover an unlimited and numerous topic that loyally sticks near its archetypal roots but in addition has the spectacular potential to morph and transfer with the occasions.

Judith Neugebauer, Undersea Forest, necklace in oxidized sterling silver, 23-karat gold leaf, white sapphire, tourmalated quartz, approximately 18 inches (457 mm) long, photo: Pistachios — Judith Neugebauer, *Undersea Forest,* necklace in oxidized sterling silver, 23-karat gold leaf, white sapphire, tourmalated quartz, roughly 18 inches (457 mm) lengthy, photograph: Pistachios

Gallery: Pistachios Modern Artwork Jewellery, Chicago, Illinois, US (click on the gallery identify to hyperlink to its web site)
Contact: The Pistachios Crew (click on the workforce identify for e-mail)
Artist: Judith Neugebauer
Retail value: US$1,895
A one-of-a-kind tourmalated quartz descends from this elegant oxidized sterling silver and 23-karat gold leaf necklace accented with white sapphires. Titled Undersea Forest, this assertion piece is impressed by the huge unknown that exists deep beneath the ocean’s floor.

Martina Bucci, Contemplation of Three Bodies, 2024, body piece/necklace in glass beads, cotton thread, photo: artist — Martina Bucci, *Contemplation of Three Our bodies,* 2024, physique piece/necklace in glass beads, cotton thread, photograph: artist

Gallery: Galeria Tereza Seabra, Lisbon, Portugal (click on the gallery identify to hyperlink to its web site)
Contact: Tereza Seabra (click on the gallerist’s identify for e-mail)
Artist: Martina Bucci
Retail value: €2,400, plus delivery
Asterisms are utilized in astronomy as beginning factors to seek out different fainter stars and constellations within the sky. An alignment of stars kinds a geometrical determine. “I’ve at all times loved counting the celebrities,” states Bucci. “One can simply lose the depend and begin once more, it’s a nice repetition. One can go on and on, you may at all times add one increasingly more. I’ve by no means uninterested in taking part in this recreation, not since I used to be a toddler. It relaxes me, I take pleasure in this time. Making beads, I see so many little stars. My items are the interpretation of my human being into the navigation of the universe, they maintain my gaze upwards. They’re like the celebrities that orient the boatmen.”

Norman Weber, Juwel #22, 2022, brooch in 3D-printed hollow plastic, acrylic paint, stainless steel, Argentium silver, 4 ¾ x 4 x 2 inches (122 x 100 x 50 mm), photo: artist — Norman Weber, *Juwel #22,* 2022, brooch in 3D-printed hole plastic, acrylic paint, stainless-steel, Argentium silver, 4 ¾ x 4 x 2 inches (122 x 100 x 50 mm), photograph: artist

Gallery: Galeria Reverso, Lisbon, Portugal (click on the gallery identify to hyperlink to its web site)
Contact: Paula Crespo (click on the gallerist’s identify for e-mail)
Artist: Norman Weber
Retail value: €4,300
“Once I consider jewellery,” says Norman Weber, “I keep in mind photographs of gems and their association in rows or round a middle. Gems faceted or lower as a capuchon. To be sincere, not very unique. In my creativeness, they begin to transfer, merge, and alter. The colour is just like that of discovered objects, weathered, bleached by gentle and unrepeatable. The unique splendor is misplaced, maybe nonetheless to be imagined. Perfection is contrasted with managed probability. The rational, computer-generated kind turns into fragile and is in a state of transformation. Barely seen to barely overstretched. Nostalgic, up to date, or out of time? Any categorization is questionable.” Juwel #22 is among the items with which Weber received the Friedrich Becker Prize in 2023.

Kajsa Lindberg, Necklace, 2024, in wooden folded rule, approximately 47 ¼ inches (120 cm) long, photo: Sofia Björkman — Kajsa Lindberg, *Necklace,* 2024, in wood folded rule, roughly 47 ¼ inches (120 cm) lengthy, photograph: Sofia Björkman

Gallery: Platina, Stockholm, Sweden (click on the gallery identify to hyperlink to its web site)
Contact: Sofia Bjorkman (click on the gallerist’s identify for e-mail)
Artist: Kajsa Lindberg
Retail value: US$1,600
Simply recognizable on a regular basis kinds are sometimes the start line in Kajsa Lindberg’s work. The inspiration is discovered each in nearly insignificant small objects, in addition to in sturdy and nearly monumental surfaces and shapes. What they’ve in frequent is that we often hardly discover them or that we take them without any consideration. There are ideas concerning the unstated guidelines of on a regular basis life. This chain is made out of a wood folding rule. It has a full size and might be twisted two or 3 times across the neck.

Märta Mattsson, Wings, 2019, earrings in cicadas (using no protected species), resin, pigment, varnish, silver, each 2 ⅜ x ¾ x ⅝ inches (60 x 20 x 15 mm), photo: Four — Märta Mattsson, *Wings,* 2019, earrings in cicadas (utilizing no protected species), resin, pigment, varnish, silver, every 2 ⅜ x ¾ x ⅝ inches (60 x 20 x 15 mm), photograph: 4

Gallery: 4 Gallery, Umeå, Sweden (click on the gallery identify to hyperlink to its web site)
Contact: Karin Roy Andersson (click on the gallerist’s identify for e-mail)
Artist: Märta Mattsson
Retail value: €460
The Swedish artist Märta Mattsson’s distinctive ability at discovering the steadiness on the sting between the gorgeous and the disgusting has made her work well-known internationally. “Generally I see magnificence in issues that different individuals discover unusual or are even repulsed by,” she states. “My jewellery offers with the strain that lies between attraction and repulsion.”

Megan Kerr, Buckling, 2025, brooch in sterling silver, steel, 3 x ⅝ x 1 ¾ inches (75 x 15 x 45 mm), photo courtesy of the artist — Megan Kerr, *Buckling,* 2025, brooch in sterling silver, metal, 3 x ⅝ x 1 ¾ inches (75 x 15 x 45 mm), photograph courtesy of the artist

Gallery: Baltimore Jewellery Heart, Baltimore, Maryland, US (click on the gallery identify to hyperlink to its web site)
Contact: Allison Gulick (click on the gallerist’s identify for e-mail)
Artist: Megan Kerr
Retail value: US$1,200
Megan Kerr just lately graduated with a BFA from SUNY New Paltz and was the Baltimore Jewellery Heart’s April artist-in-residence. She participated within the BJC’s first Graduate Exhibition and was awarded this residency because the prize for finest in present. Kerr’s studio follow includes creating sculptures and jewellery that disassemble acquainted and intimate kinds to painting vulnerability, impermanence, and restore. The title Buckling holds twin that means: the act of fastening, and the second of collapse beneath strain. The piece serves as a mirrored image of emotional processing, articulating a second of transition and sustained pressure, whereby the shape now not maintains its unique integrity.

Neke Moa, Pūtahi, 2024, necklace/object in Tūhaka pakohe, muka, pōhatu agate, harakeke, shellack, photo: Michael Couper — Neke Moa, *Pūtahi,* 2024, necklace/object in Tūhaka pakohe, muka, pōhatu agate, harakeke, shellack, photograph: Michael Couper

Gallery: Fingers Gallery, Auckland, New Zealand (click on the gallery identify to hyperlink to its web site)
Contact: Lisa Higgins (click on the gallerist’s identify for e-mail)
Artist: Neke Moa
Retail value: NZ$2,830
Pūtahi is a taniwha who watches the happenings of individuals on the mudflats between the Aparima and Pourakino rivers. The inexperienced pakohe used to make this piece is particular to this space; Tihaka is one in all these seashores. The golden patina has been developed by the rugged coastal cycles blowing in from Rakiura/Stewart Island. Neke Moa (Ngāti Kahungunu ki Ahuriri, Kai Tahu, Ngāti Porou, Ngāti Tūwharetoa) is an adornment- and object artist working primarily with Pounamu, shell, stone, and different domestically sourced supplies. In 2000 she gained a diploma of design and artwork at Te Waananga-o-Raukawa after which furthered her research at Whitireia NZ, finishing a bachelor’s diploma in utilized arts in 2007. Moa has exhibited extensively all through Aotearoa (New Zealand) and on the worldwide stage.

Ted Noten, The Sweetest Piece I Ever Made Vol. 2, 2023, necklace in 24-karat gold, diamonds, cast in acrylic (PMMA), 18-karat gold connections, 9.5 x 5.9 x 0.6 inches (240 x 150 x 16 mm), photo courtesy of Ornamentum — Ted Noten, *The Sweetest Piece I Ever Made Vol. 2,* 2023, necklace in pure gold, diamonds, solid in acrylic (PMMA), 18-karat gold connections, 9.5 x 5.9 x 0.6 inches (240 x 150 x 16 mm), photograph courtesy of Ornamentum

Gallery: Ornamentum, Hudson, New York, US (click on the gallery identify to hyperlink to its web site)
Contact: Stefan Friedemann (click on the gallerist’s identify for e-mail)
Artist: Ted Noten
Retail value: US$30,000
That is an beautiful instance of Ted Noten’s signature acrylic compositions. Nuggets of pure gold and diamonds float across the neck so superbly that one nearly forgets the subversion of casting the valuable supplies in acrylic. Thought to be one of the crucial vital figures of the Dutch design world, Noten straddles the worlds of knickknack, object design, style, and tremendous artwork. Artworks and jewellery by Noten might be present in numerous museum collections worldwide.

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