On Supply – Artwork Jewellery Discussion board

August 2025, Half 1

Nowadays, all of us may use a deal with. It feels good to have a good time and assist artists and the galleries who present them whereas getting a terrific piece of artwork jewellery for ourselves!

Artwork Jewellery Discussion board’s worldwide gallery supporters have a good time and exhibit artwork jewellery. Our bi-monthly On Supply collection permits this intensive community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’re certain to discover a implausible piece you merely can’t reside with out! (Please contact the gallery instantly for inquiries.)

Hansel Tai, Nude Jade Pierced—Star, 2025, pendant in jadeite, surgical stainless-steel piercing, rubber cord, 4 ½ x 2 x 2 ¾ inches (115 x 50 x 70 mm), chain 25 ½ inches (650 mm) long, photo courtesy of the artist — Hansel Tai, *Nude Jade Pierced—Star,* 2025, pendant in jadeite, surgical stainless-steel piercing, rubber wire, 4 ½ x 2 x 2 ¾ inches (115 x 50 x 70 mm), chain 25 ½ inches (650 mm) lengthy, picture courtesy of the artist

Gallery: Galeria Tereza Seabra, Lisbon, Portugal (click on the gallery title to hyperlink to its web site)
Contact: Tereza Seabra (click on the gallerist’s title for e mail)
Artist: Hansel Tai
Retail value: €1,100, plus delivery
Hansel Tai’s work explores queer and subcultural narratives within the post-internet age, specializing in themes of physique cults, deformation, and fetish objects. Treasured supplies comparable to jade and pearls are handled as analogues for pores and skin and physique elements, blurring the road between the natural and the decorative. By this materials language, Tai engages with physique politics whereas concurrently indulging in a sensual materials fetishism—inviting viewers to confront want, identification, and transformation inside a hyper-mediated world. This work is a part of the exhibition cycle Rings Of Saturn 5/12 (Leo).

Elaine Zukowski, Balloon Necklace, 2024, in hand-crocheted and -dyed monofilament, steel wire, 13 x 10 x ¾ inches (330 x 254 x 19 mm), photo: J. Diamond — Elaine Zukowski, *Balloon Necklace,* 2024, in hand-crocheted and -dyed monofilament, metal wire, 13 x 10 x ¾ inches (330 x 254 x 19 mm), picture: J. Diamond

Gallery: Baltimore Jewellery Middle, Baltimore, MD, US (click on the gallery title to hyperlink to its web site)
Contact: Allison Gulick (click on the title for e mail)
Artist: Elaine Zukowski
Retail value: US$1,150
Elaine Zukowski is a Baltimore-based craftsperson and artwork conservator specializing in gilded objects. She earned a BFA in fiber artwork from the Maryland Institute Faculty of Artwork, and her conservation work contains tasks for the Barnes Basis and the US Capitol. An intro to metalsmithing course sparked Zukowski’s ardour for steel and modern jewellery. She creates tactile, hand-dyed jewellery items, together with a collection of micro crocheted balloon-like types, like these seen right here. These whimsical, light-weight works invite contact and interplay. Her jewellery has been exhibited at Dransfield Jewelers (Richmond, VA, US), Graver’s Lane Gallery (Philadelphia, PA, US), and the Baltimore Jewellery Middle.

Eric Loubser, Is This Too Much, 2025, necklace in silver, rose quartz, bamboo coral, smoky quartz, hessonite garnet, seed pearl, ruby, silk thread, photo: artist — Eric Loubser, *Is This Too A lot,* 2025, necklace in silver, rose quartz, bamboo coral, smoky quartz, hessonite garnet, seed pearl, ruby, silk thread, picture: artist

Gallery: Platina, Stockholm, Sweden (click on the gallery title to hyperlink to its web site)
Contact: Sofia Björkman (click on the gallerist’s title for e mail)
Artist: Eric Loubser
Retail value: €2,200
Eric Loubsers’ work is especially about exploring a number of the fundamentals of our on a regular basis existence in a playful manner: the artistic and technical course of of constructing, our relationship to things that encompass us, preoccupations of the zeitgeist. He makes use of quite a lot of themes from well-liked tradition. Absurdities of speech and amusing ironies within the modern social local weather usually underpin the items, and he enjoys it when folks smile in response to them. Loubser works and reside in Johannesburg, South Africa, and is among the two administrators of Tinsel Gallery.

Esteban Erosky, Si No Me Usas Me Aburro/If You Don't Use Me I Get Bored, 2025, brooch in enamel, copper, aluminum, nickel silver, steel wire, 4 x 2 ⅜ x ¼ inches (100 x 60 x 8 mm), photo: artist — Esteban Erosky, *Si No Me Usas Me Aburro/If You Don’t Use Me I Get Bored,* 2025, brooch in enamel, copper, aluminum, nickel silver, metal wire, 4 x 2 ⅜ x ¼ inches (100 x 60 x 8 mm), picture: artist

Gallery: 4 Gallery, Umeå, Sweden (click on the gallery title to hyperlink to its web site)
Contact: Karin Roy Andersson (click on the gallerist’s title for e mail)
Artist: Esteban Erosky
Retail value: €500
The works of Esteban Erosky are coated with motifs balancing between discomfort and humor, the perverse and the infantile, sweets and intestines. They take care of conflicts linked to gender, faith, pleasure, and worry. The jewellery is fabricated from steel and enamel, however Erosky’s glass drawings have a spontaneous, emotional expression, in stark distinction to the time-consuming craftsmanship.

Joanne Grimonprez, Blackphabet Necklace, in powder-coated copper, rope, approximately 25 inches (635 mm) long, photo: Pistachios — Joanne Grimonprez, *Blackphabet Necklace,* in powder-coated copper, rope, roughly 25 inches (635 mm) lengthy, picture: Pistachios

Gallery: Pistachios Modern Artwork Jewellery, Chicago, IL, US (click on the gallery title to hyperlink to its web site)
Contact: The Pistachios Group (click on the group title for e mail)
Artist: Joanne Grimonprez
Retail value: US$395
This architecture-inspired necklace by French artist Joanne Grimonprez combines rope with geometric powder-coated copper for a compelling, modern look. And due to its sturdiness, this piece is ideal to journey with!

Misaki Sano, Shell and Flower Necklace #2, 2025, necklace in sterling silver, gold filled wire, shells, beads, 12 inches (305 mm), photo courtesy of Gravers Lane Gallery — Misaki Sano, *Shell and Flower Necklace #2,* 2025, necklace in sterling silver, gold stuffed wire, shells, beads, 12 inches (305 mm), picture courtesy of Gravers Lane Gallery

Gallery: Gravers Lane Gallery, Philadelphia, PA, US (click on the gallery title to hyperlink to its web site)
Contact: Kate Crankshaw (click on the title for e mail)
Artist: Misaki Sano
Retail value: US$990
The mixture of delicate silver and seashells is gorgeous and poetic. This piece is in Gravers Lane Gallery’s present exhibition, In Movement.

Ana Margarida Carvalho, In Paradisum #69, 2018, necklace in titanium, 10 ⅝ inches (270 mm), photo: artist — Ana Margarida Carvalho, *In Paradisum #69,* 2018, necklace in titanium, 10 ⅝ inches (270 mm), picture: artist

Gallery: Galeria Reverso, Lisbon, Portugal (click on the gallery title to hyperlink to its web site)
Contact: Paula Crespo (click on the gallerist’s title for e mail)
Artist: Ana Margarida Carvalho
Retail value: €6,000
Impressed by Baroque music—significantly the operas Ana Margarida Carvalho was performing on the time she was making the work—every bit begins with the repetition and mixture of a single unit: a folded titanium ingredient. Like origami, these items are assembled to type natural constructions, with their underlying geometry hid by way of the forging course of. The natural high quality is additional enhanced by the hammer marks, the mobility of the non-welded parts, and the distinctive anodized coloration of every piece.

Carina Shoshtary, Lamella (Ruby Red), 2025, earrings in PLA (bio-plastic), glass, recycled silver, lacquer, photo courtesy of Gallery Loupe — Carina Shoshtary, *Lamella (Ruby Purple),* 2025, earrings in PLA (bio-plastic), glass, recycled silver, lacquer, picture courtesy of Gallery Loupe

Gallery: Gallery Loupe, Montclair, NJ, US (click on the gallery title to hyperlink to its web site)
Contact: Patti Bleicher (click on the gallerist’s title for e mail)
Artist: Carina Shoshtary
Retail value: US$460
This collection was created for the moments after we start to blossom once more after darkness. It started throughout a time when the artist discovered herself eager for coloration, for the brighter sides of life, very similar to one longs for gentle after an extended winter. The early items felt like provisions for higher days: colourful guarantees, little escapes, wearable desires. The works which have since emerged belong to a world formed by floral and fungal fantasies, impressed by nature’s quiet resilience, its means to collect energy in hidden locations and bloom anew. We give flowers when phrases are usually not sufficient, and the artist seeks to create flower-like types that may be worn, symbols of hope, pleasure, and aliveness. Not reserved for particular events, however for these on a regular basis moments after we do not forget that life is gorgeous and value feeling absolutely.

Yeena Yoon, Rotating Citrine Lapis Earrings, 2023, in citrine, lapis lazuli, 18-karat gold, one-of-a-kind, 1 ⅝ x ⅝ x ⅛ inches (40 x 16 x 3 mm), photo courtesy of Salotto SPJ — Yeena Yoon, *Rotating Citrine Lapis Earrings,* 2023, in citrine, lapis lazuli, 18-karat gold, one-of-a-kind, 1 ⅝ x ⅝ x ⅛ inches (40 x 16 x 3 mm), picture courtesy of Salotto SPJ

Gallery: Salotto SPJ, Milan, Italy (click on the gallery title to hyperlink to its web site)
Contact: Josefine Spjeldnaes (click on the gallerist’s title for e mail)
Artist: Yeena Yoon
Retail value: £6,720
The Rotating Citrine Lapis Earrings exemplify Yeena Yoon’s architectural method to jewellery. Hand-carved lapis lazuli discs are paired with citrine and 18-karat gold in a rotating mechanism that permits the earrings to shift dramatically in look, from vivid blue to softly textured gold. The design invitations motion and interplay, reworking with the gestures of the wearer. Yoon’s background as an architect, together with work at Zaha Hadid Architects, continues to tell her follow, the place spatial considering and materials precision converge. Educated by grasp goldsmiths and lapidaries, she explores the stress between construction and fluidity. Her work has been acknowledged with grants and awards together with the Queen Elizabeth Scholarship Belief and Goldsmiths’ Craft & Design Award.

Christine Collins, Pieta (After Voitre Marek), 2025, neckpiece in sterling silver with folded layers of riveted zinc, hand-made sterling silver chain, central element 5 ¼ x 1 ¾ x ¾ inches (135 x 45 x 18 mm), chain 19–21 ⅝ inches (485–555 mm), photo: artist — Christine Collins, *Pieta (After Voitre Marek),* 2025, neckpiece in sterling silver with folded layers of riveted zinc, hand-made sterling silver chain, central ingredient 5 ¼ x 1 ¾ x ¾ inches (135 x 45 x 18 mm), chain 19–21 ⅝ inches (485–555 mm), picture: artist

Gallery: Zu design, Adelaide, Australia (click on the gallery title to hyperlink to its web site)
Contact: Jane Bowden (click on the gallerist’s title for e mail)
Artist: Christine Collins
Retail value: AUS$1,390
Christine Collins’s Pieta neckpiece is an summary interpretation of Voitre Marek’s lead Pieta, housed within the Artwork Gallery of South Australia. Created for the Sacred exhibition at Zu design, the piece merges sacred themes with a tribute to South Australian artwork. Collins, who’s recognized for exploring materials transformation, incorporates silver and zinc mined from Damaged Hill. The mining increase in Damaged Hill, although wealth-generating, additionally left a legacy of environmental hurt, loss, and dispossession. Collins makes use of the Pieta type to represent this sacrifice and the enduring results of business exploitation.

Ralph Bakker, Sharp, 2012, earrings in gold, silver, niello, photo courtesy of Thereza Pedrosa Gallery — Ralph Bakker, *Sharp,* 2012, earrings in gold, silver, niello, picture courtesy of Thereza Pedrosa Gallery

Gallery: Thereza Pedrosa Gallery, Asolo, Italy (click on the gallery title to hyperlink to its web site)
Contact: Thereza Pedrosa (click on the gallerist’s title for e mail)
Artist: Ralph Bakker
Retail value: €7,120
Ralph Bakker’s earrings, crafted in 2012, are a historic testomony to his dedication to conventional craftsmanship and timeless magnificence. Born in Germany in 1958 and educated within the Netherlands, Bakker explores the evolution of the jewel by way of historical past and method. In contrast to many contemporaries, he eschews conceptual traits in his work, specializing in the thing’s intrinsic magnificence. Impressed by Renaissance masters, his items mirror a deep respect for custom whereas seamlessly mixing the modern and the timeless.

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