On Supply – Artwork Jewellery Discussion board

October 2025, Half 1

These occasions really feel unsettling, and we might all use a deal with. It feels good to get a terrific piece of artwork jewellery for ourselves whereas celebrating and supporting artists and the galleries who present them!

Artwork Jewellery Discussion board’s worldwide gallery supporters have a good time and exhibit artwork jewellery. Our bi-monthly On Supply sequence permits this in depth community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’re sure to discover a implausible piece you merely can’t reside with out! (Please contact the gallery straight for inquiries.)

Iris Bodemer, Untitled, 2016, necklace in bronze, 9 x 8 ⅝ x ¾ inches (230 x 220 x 20 mm), photo: artist — Iris Bodemer, Untitled, 2016, necklace in bronze, 9 x 8 ⅝ x ¾ inches (230 x 220 x 20 mm), picture: artist

Gallery: Galeria Reverso, Lisbon, Portugal (click on the gallery identify to hyperlink to its web site)
Contact: Paula Crespo (click on the gallerist’s identify for e mail)
Artist: Iris Bodemer
Retail worth: 4,700€

Among the many many stunning necklaces Galeria Reverso is showcasing in October in Iris Bodemer’s first solo exhibition on the gallery, the employees fell in love with this one. It has all of the traits that make Bodemer’s work unmistakable. Quoting the good artwork historian Marjan Unger: “Iris Bodemer makes jewellery like she would make a drawing, working intuitively and straight within the supplies she gathered round her. … Her work is gestural; if one just isn’t more likely to discover symmetry in it, one will discover a way of stability or a middle. Iris Bodemer has the visible energy of an ideal artist and due to this fact has chosen precisely the appropriate occupation. She doesn’t create autonomous works for show in an empty house, nevertheless. The items are made for the human physique and are available alive when worn.”

Rachelle Thiewes, Ellipse #591, earrings in steel, 14-karat posts, silver, auto paint, photo courtesy of Gallery Loupe — Rachelle Thiewes, *Ellipse #591,* earrings in metal, 14-karat posts, silver, auto paint, picture courtesy of Gallery Loupe

Gallery: Gallery Loupe, Montclair, NJ, US (click on the gallery identify to hyperlink to its web site)
Contact: Patti Bleicher (click on the gallerist’s identify for e mail)
Artist: Rachelle Thiewes
Retail worth: US$2,000

The shimmering jewellery of Rachelle Thiewes evokes the grandeur of the human kind, together with the pure wonders of her dwelling, positioned close to the Chihuahuan Desert, in western Texas. Whether or not assembled from a number of components that truly transfer, or crafted from secure components that nearly sweep one’s sight view alongside vibrantly coloured surfaces, her partaking jewellery addresses the physique, the setting, and the viewer. PAINT: Rachelle Thiewes, her latest exhibition on the El Paso Museum of Artwork, showcased a physique of labor impressed by the sensible hues of lowrider automotive paint that enliven the Chihuahuan Desert panorama.

Alexander Blank, Bones & All, 2025, brooch in carved Corian, sterling silver, stainless steel, photo: artist — Alexander Clean, *Bones & All,* 2025, brooch in carved Corian, sterling silver, chrome steel, picture: artist

Gallery: Galerie Noel Guyomarc’h, bijoux et objets contemporains, Montreal, QC, Canada (click on the gallery identify to hyperlink to its web site)
Contact: Noel Guyomarc’h (click on the gallerist’s identify for e mail)
Artist: Alexander Clean
Retail worth: CAN$1,125

For Alexander Clean, creating jewellery is a method of reflecting on humanity. Bones & All, his new sequence of brooches in pale blue Corian, depicts fingers marked by time, frozen in puzzling, nearly unsettling positions. The motion of the arms is topic to the mind’s instructions. With their arms, people have invented, constructed, and formed their setting. However what if, as we speak, our fingers have been to insurgent? Free of management, a brand new story would start.

Adam Atkinson, Oval Link Necklace, in oxidized sterling silver, 20 inches (508 mm) long, links each 1 x ½ inches (25 x 38 mm), photo courtesy of the artist — Adam Atkinson, *Oval Hyperlink Necklace,* in oxidized sterling silver, 20 inches (508 mm) lengthy, hyperlinks every 1 x ½ inches (25 x 38 mm), picture courtesy of the artist

Gallery: Gravers Lane Gallery, Philadelphia, PA, US (click on the gallery identify to hyperlink to its web site)
Contact: Kate Crankshaw (click on the identify for e mail)
Artist: Adam Atkinson
Retail worth: US$330

This piece is a good necklace with very massive hyperlinks, in addition to small-linked chain. It’s a stupendous and easy-to-wear piece, nice for gifting for the upcoming holidays!

Marília Maria Mira, Bloody Nose, 2025, necklace in brass, bells, polyester thread, 3 x 1 ¾ x 1 inches (75 x 45 x 27 mm), thread length 18 ½ inches (470 mm), photo: João Cardoso Ribeiro — Marília Maria Mira, *Bloody Nostril,* 2025, necklace in brass, bells, polyester thread, 3 x 1 ¾ x 1 inches (75 x 45 x 27 mm), thread size 18 ½ inches (470 mm), picture: João Cardoso Ribeiro

Gallery: Galeria Tereza Seabra, Lisbon, Portugal (click on the gallery identify to hyperlink to its web site)
Contact: Tereza Seabra (click on the gallerist’s identify for e mail)
Artist: Marília Maria Mira
Retail worth: 3,075€, plus transport

The Noses Collection is the newest work by Portuguese multidisciplinary artist Marília Maria Mira, made particularly for the seventh exhibition of the Rings of Saturn cycle at Galeria Tereza Seabra, curated by HALO (Catarina Silva and Marta Costa Reis). Some phrases by the artist about it: “This work stems from an emotional reference to the human physique, which hyperlinks me on to my love of jewellery and, within the case of the nostril, a want to discover the thought of a filter between the within and the surface, in a constructive setting [and] with a contact of humor. Inspirations and expirations that occur to us always, in numerous methods and all through our total existence.”

Hartog & Henneman, Tic Tac Toc, 2025, brooches in industrial clay, brass, Swan (five parts): 75 x 120 x 8 mm, Duck (four parts): 83 x 137 x 8 mm, Flower (four parts): 160 x 55 x 8 mm, Tree (two parts): 118 x 40 x 8 mm, Arrow (two parts): 35 x 135 x 8 mm, Boat (three parts): 60 x 75 x 8 mm, Airplane (two parts): 43 x 120 x 8 mm, House (two parts): 52 x 95 x 8 mm, photo: courtesy of the artists and Galerie Door — Hartog & Henneman, *Tic Tac Toc,* 2025, brooches in industrial clay, brass, *Swan* (5 components): 75 x 120 x 8 mm, *Duck* (4 components): 83 x 137 x 8 mm, *Flower* (4 components): 160 x 55 x 8 mm, *Tree* (two components): 118 x 40 x 8 mm, *Arrow* (two components): 35 x 135 x 8 mm, *Boat* (three components): 60 x 75 x 8 mm, *Airplane* (two components): 43 x 120 x 8 mm, *Home* (two components): 52 x 95 x 8 mm, picture: courtesy of the artists and Galerie Door

Gallery: Galerie Door, Nijmegen, Netherlands (click on the gallery identify to hyperlink to its web site)
Contact: Doreen Timmers (click on the gallerist’s identify for e mail)
Artists: Hartog & Henneman
Retail worth: Brooches with 5 components 370€; with 4 components 320€; with three components 270€; with two components 220€

The brand new exhibition by Hartog & Henneman—opening October 18, 2025, at Galerie Door—builds on the thought of form. The chances of shapes are countless. However everybody is aware of the fundamentals: triangle, sphere, dice. With these and different fundamental shapes, you’ll be able to create new kinds—one thing we be taught early on with constructing blocks or tic tac toc (an early schooling toy with which gamers create figures with picket shapes). The gathering is made up of particular person fundamental components, each flat and three-dimensional: squares and cubes, triangles and pyramids, circles and cylinders, but additionally spheres, arches, and beams—in all sizes and styles. These particular person items are made to be performed with: stacked or organized, tied or constructed. The weather are deliberately imperfect. Their tough texture emphasizes the sculptural high quality of every kind. With this new sequence, Hartog & Henneman invite you to translate your creativeness into your individual monumental, wearable kind.

Isabelle Busnel, Cherub Necklace, in second-hand jewelry, silicone, thread, approximately 30 inches (762 mm) long, pendant approximately 7 inches (178 mm) wide, photo courtesy of Pistachios — Isabelle Busnel, *Cherub Necklace,* in second-hand jewellery, silicone, thread, roughly 30 inches (762 mm) lengthy, pendant roughly 7 inches (178 mm) huge, picture courtesy of Pistachios

Gallery: Pistachios Modern Artwork Jewellery, Chicago, IL, US (click on the gallery identify to hyperlink to its web site)
Contact: The Pistachios Workforce (click on the identify for e mail)
Artist: Isabelle Busnel
Retail worth: US$2,095

“This physique of labor,” states Isabelle Busnel, “explores the theme {issues unsaid} by means of supplies marked by absence and reminiscence. I gather second-hand items from flea markets (typically damaged, discarded, and stripped of their authentic that means). These fragments, as soon as worn near the physique, increase silent questions: Why have been they offered? What tales do they maintain? To those forgotten objects, I add silicone components forged from molds and punch needle embroidery. These tender, tactile interventions turn into quiet acts of restore, care, and transformation. In transforming them, I give these objects a second likelihood, to not restore their previous, however to honor what’s left unsaid. Every bit turns into a dialog between presence and loss, providing house for reflection, emotion, and imagined histories.” The work was made for the exhibition Issues Unsaid, at the moment on view at Pistachios.

Ketli Tiitsar, Side by Side 5, 2025, brooch in juniper wood, textile, paint, silver, stainless steel, 5 ¼ x 3 ⅝ inches (135 x 92 mm), photo stylist: Yael Reisner, photo: Patrick Gunning @bufola — Ketli Tiitsar, *Aspect by Aspect 5,* 2025, brooch in juniper wooden, textile, paint, silver, chrome steel, 5 ¼ x 3 ⅝ inches (135 x 92 mm), picture stylist: Yael Reisner, picture: Patrick Gunning @bufola

Gallery: Objects Stunning, London, UK (click on the gallery identify to hyperlink to its web site)
Contact: Yael Reisner (click on the gallerist’s identify for e mail)
Artist: Ketli Tiitsar
Retail worth: GBP£1,990, plus VAT tax

This stunning wooden brooch works elegantly on one’s coat or jacket, and initiatives a outstanding presence. Tiitsar primarily makes use of wooden taken from her childhood dwelling and great-grandparents’ backyard in Estonia. She works principally with private reminiscences, whereas considering how a lot of them aren’t particular person, however clearly native and generational. Tiitsar’s jewellery belongs to public collections together with the Assortment of Steel Artwork Division on the Estonian Academy of Arts, Artwork Museum of Estonia, Estonian Museum of Utilized Artwork and Design, Röhsska Museum of Artwork and Craft, and personal collections. Since 1994, she has participated in additional than 100 exhibitions in Estonia and overseas.

Ketli Tiitsar, from the series Tiger in the Living Room IV, 2013, brooch in apple and birch wood, mahogany, silver, paint, 6 ⅞ inches (175 mm) tall, photo: Dénes Farkas — Ketli Tiitsar, from the sequence *Tiger within the Dwelling Room IV,* 2013, brooch in apple and birch wooden, mahogany, silver, paint, 6 ⅞ inches (175 mm) tall, picture: Dénes Farkas

Gallery: 4 Gallery, Umeå, Sweden (click on the gallery identify to hyperlink to its web site)
Contact: Karin Roy Andersson (click on the gallerist’s identify for e mail)
Artist: Ketli Tiitsar
Retail worth: 2,000€

Longing is related to melancholy, nostalgia, loneliness, and perhaps naive romance. Eager for one thing unattainable absorbs our ideas, however it may well additionally get us nearer to ourselves and to others. Longing will be one thing recognizable, connecting, and current. The work of Ketli Tiitsar is made up of non-public layers of historical past, however it invitations us to participate and to attach.

Sanna Wallgren, Urban Botanics 1, 2021, necklace in aluminum, nylon, 12 ½ x 11 ¾ x 2 inches (320 x 300 x 50 mm), photo: Sofia Björkman — Sanna Wallgren, *City Botanics 1,* 2021, necklace in aluminum, nylon, 12 ½ x 11 ¾ x 2 inches (320 x 300 x 50 mm), picture: Sofia Björkman

Gallery: Platina, Stockholm, Sweden (click on the gallery identify to hyperlink to its web site)
Contact: Sofia Bjorkman (click on the gallerist’s identify for e mail)
Artist: Sanna Wallgren
Retail worth: US$1,900

This necklace belongs to the sequence City Botanics and is a hybrid between nature and an city setting. The fabric is aluminum coloured with anodization and mixed with nylon, with robust connections to out of doors actions and sporting tools. The shape and floor are formed with a hammer and appear like a plant, an expression near vegetation with inspiration from the repetition of kinds in foliage and flowers, however with a transparent imprint of the human hand.

Jolynn Santiago, Ring of Pollen: 201 Microns, 2025, ring in hand-cut 18-karat yellow gold and sterling silver “dust,” size 5.5, photo: artist — Jolynn Santiago, *Ring of Pollen: 201 Microns,* 2025, ring in hand-cut 18-karat yellow gold and sterling silver “mud,” measurement 5.5, picture: artist

Gallery: Within the Gallery at Brooklyn Metalworks, Brooklyn, NY, US (click on the gallery identify to hyperlink to its web site)
Contact: Zoe Ariyama (click on the identify for e mail)
Artist: Jolynn Santiago
Retail worth: US$2,200

This radiant ring by artist Jolynn Santiago attracts inspiration from dustings of pollen. Santiago maintains the granularity of the gold and silver “mud” by means of her distinctive means of sintering inside hand-carved graphite ring molds. Santiago holds an MFA in metallic from the State College of New York at New Paltz, and her acclaimed work has been exhibited internationally. This work is featured in her present solo exhibition, at Brooklyn Steel Works.

Simon Williams, 2029—A Space Commodity, 2023, (left to right) Asteroid Ring, in fabricated oxidized sterling silver, 2 x 1 ⅜ x 1 inches (50 x 35 x 25 mm), Core Ring, in drop-cast, fused, and oxidized sterling silver, rough diamond cube, 1 ¾ x 1 ⅝ x 1 inches (45 x 40 x 25 mm), Mine, or Ours? Ring, in drop-cast, fused, and oxidized sterling silver, 18-karat yellow gold, argyle brown diamond, Australian parti sapphire, rough diamond cube, rough Australian sapphire, 1 ⅝ x 1 ⅝ x ¾ inches (40 x 40 x 20 mm), photo: Michael Haines Photography — Simon Williams, *2029—A Area Commodity,* 2023, (left to proper) *Asteroid Ring,* in fabricated oxidized sterling silver, 2 x 1 ⅜ x 1 inches (50 x 35 x 25 mm), *Core Ring,* in drop-cast, fused, and oxidized sterling silver, tough diamond dice, 1 ¾ x 1 ⅝ x 1 inches (45 x 40 x 25 mm), *Mine, or Ours? Ring,* in drop-cast, fused, and oxidized sterling silver, 18-karat yellow gold, argyle brown diamond, Australian parti sapphire, tough diamond dice, tough Australian sapphire, 1 ⅝ x 1 ⅝ x ¾ inches (40 x 40 x 20 mm), picture: Michael Haines Pictures

Gallery: Zu design, Adelaide, NSW, Australia (click on the gallery identify to hyperlink to its web site)
Contact: Jane Bowden (click on the gallerist’s identify for e mail)
Artist: Simon Williams
Retail worth: (Left to proper) AUS$4,350, $1,365, and $5,640

“This triptych,” acknowledged Simon Williams, “not solely mirrors humanity’s evolving notion of asteroids—from historical vessels containing the origins of life, but harbingers of destruction, to present scientific specimens, and future untapped extraterrestrial assets—but additionally invitations contemplation of our place within the universe and the moral dimensions of our celestial aspirations.”

Taylor Zarkades King, Green Chain Earrings, 2024, in anodized aluminum, sterling silver, steel, each 3 x ¾ x ¾ inches (76 x 19 x 19 mm), photo: J Taran Diamond — Taylor Zarkades King, *Inexperienced Chain Earrings,* 2024, in anodized aluminum, sterling silver, metal, every 3 x ¾ x ¾ inches (76 x 19 x 19 mm), picture: J Taran Diamond

Gallery: Baltimore Jewellery Middle, Baltimore, MD, US (click on the gallery identify to hyperlink to its web site)
Contact: J Taran Diamond (click on the gallerist’s identify for e mail)
Artist: Taylor Zarkades King
Retail worth: US$148

Taylor Zarkades King is a studio artist and jeweler based mostly in Massachusetts. Her craft-based follow sways between a jeweler’s bench and a studio that finds its kind by means of bigger configurations of wooden, fiber, print, and recontextualized objects. Her limited-edition anodized aluminum jewellery has an affinity for asymmetry and distressed shade. Colour conducts the sensation of every wearable piece and favors the honesty of a weathered floor.

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