On Supply – Artwork Jewellery Discussion board
September 2025, Half 2
Lately, all of us might use a deal with. And it feels so good to get ourselves a terrific piece of artwork jewellery whereas celebrating and supporting artists and the galleries who present them!
Artwork Jewellery Discussion board’s worldwide gallery supporters have a good time and exhibit artwork jewellery. Our bi-monthly On Supply sequence permits this in depth community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’re certain to discover a incredible piece you’ll be able to’t dwell with out! (Contact the gallery immediately for inquiries.)
Gallery: 4 Gallery, Umeå, Sweden (click on the gallery identify to hyperlink to its web site)
Contact: Karin Roy Andersson (click on the gallerist’s identify for electronic mail)
Artist: Florian Weichsberger
Retail value: 940€
Florian Weichsberger spends a variety of time fascinated with the connection between us and completely different objects. Along with the sensible perform, there’s typically an emotional or religious connection to them. We fill an object with our needs and hopes. It ought to deliver us luck, the success of our goals, or therapeutic.
In his newest physique of labor, Weichsberger explores on a regular basis objects. These items are throughout us and we’ve change into so used to them that we not consciously discover them, however they’ve change into an integral a part of our on a regular basis lives. Weichsberger makes use of their traits to include symbols or messages. The previous perform is eliminated and a brand new one is added, honoring the thing and giving it a brand new cause to be near us … and even on us.
Gallery: Sienna Patti, Lenox, MA, US (click on the gallery identify to hyperlink to its web site)
Contact: Sienna Patti (click on the gallerist’s identify for electronic mail)
Artist: Jacqueline Lillie
Retail value: US$2,900
A softened sq.—rounded on the corners—reads like a contemporary body on the physique. A refined “tweed” texture sprinkled with confetti colour retains it playful, whereas smooth matte segments add order and poise. Made by Jacqueline Lillie, a Vienna-based pioneer of up to date beadwork whose work sits in main museums, it reveals her signature readability: exact, elegant, and quietly daring. It sits cleanly on a lapel, black gown, or winter knit, and immediately pulls an outfit collectively—a definite, versatile piece to anchor a set.
Gallery: Baltimore Jewellery Middle, Baltimore, MD, US (click on the gallery identify to hyperlink to its web site)
Contact: J. Diamond (click on the identify for electronic mail)
Artist: Sarah “Spee” Parker
Retail value: US$145
Sarah “Spee” Parker is a craft artist primarily based in Richmond, VA, US. She obtained her MFA from the Division of Craft/Materials Research at Virginia Commonwealth College and her BFA at Appalachian State College, in Boone, NC, US. Parker’s sculptures, installations, and jewellery focus closely on Americana, punk, DIY, anti-containment, and questioning authorship via the lens of craft. Parker is a part of the Radical Jewellery Makeover Artist Venture. She is a latest instructing fellow at Virginia Commonwealth College. She was a recipient of the Baltimore Jewellery Middle Rising Artist Residency. She has exhibited regionally and has been a member of a number of DIY exhibition areas in each Boone and Richmond.
Gallery: Galerie Noel Guyomarc’h, bijoux et objets contemporains, Montreal, QC, Canada (click on the gallery identify to hyperlink to its web site)
Contact: Noel Guyomarc’h (click on the gallerist’s identify for electronic mail)
Artist: Silvie Altschuler
Retail value: CAN$475
Silvie Altschuler’s free and unpredictable jewellery breaks away from conventions, exploring a boundless inventive universe the place the usage of unconventional supplies, corresponding to silicone and cardboard, redefines preciousness and questions the very nature of bijou.
Gallery: Gravers Lane Gallery, Philadelphia, PA, US (click on the gallery identify to hyperlink to its web site)
Contact: Kate Crankshaw (click on the identify for electronic mail)
Artist: Lisa & Scott Cylinder
Retail value: US$4,400
This piece is a part of Lisa & Scott Cylinder’s Calliope exhibition, at Gravers Lane Gallery—a blinding spectacle of one-of-a-kind necklaces, brooches, and objects impressed by the whimsy of the circus, the spin of the carousel, and the mythic spirit of Calliope herself. With fantastical creatures created from brass devices and playful fabrications, every bit evokes youthful marvel, metaphor, and magic—the place craftsmanship meets efficiency in a celebration of creativeness.
Gallery: Objects Stunning, London, UK (click on the gallery identify to hyperlink to its web site)
Contact: Yael Reisner (click on the gallerist’s identify for electronic mail)
Artist: Jessica Winchcombe
Retail value: GBP£3,000, plus VAT
A big, surprisingly mushy pewter/leather-based necklace, rhythmically folded to evoke the texture of a ceremonial mayoral chain—an emblem of significance and presence. This piece explores the numerous paths we take earlier than discovering our good rhythm. Discovering that rhythm and concord is one thing to put on proudly.
Winchcombe is a multidisciplinary up to date artist primarily based in Queenstown, NZ. Her jewellery has gained worldwide recognition, significantly for her uncommon necklaces, folded colourful canvas, or pewter mushy leather-based, with completely different added treasured components. Up to now, she has exhibited in Germany, Eire, New Zealand, the UK, Australia, and the Netherlands.
Gallery: Galeria Tereza Seabra, Lisbon, Portugal (click on the gallery identify to hyperlink to its web site)
Contact: Tereza Seabra (click on the gallerist’s identify for electronic mail)
Artist: Julia Maria Künnap
Retail value: 3,690€, plus transport
The Estonian artist Julia Maria Künnap is a grasp at carving pure stones. Her work performs with the concept of the “persistence of a stone and the disappearance of a second.” At Galeria Tereza Seabra, she presents a sequence of very elegant and wearable delicate and intemporal jewels, with the meticulous hand she has accustomed the general public to.
Gallery: Fingers Gallery, Auckland, New Zealand (click on the gallery identify to hyperlink to its web site)
Contact: Lisa Higgins (click on the identify for electronic mail)
Artist: Joel Fitzwell
Retail value: NZ$1,920
Joel Fitzwell is a goldsmith primarily based in Whakatu, Nelson, NZ. He works primarily with treasured metals and is a process-based maker who enjoys exploring conventional strategies corresponding to development, repoussé, granulation, setting, and engraving to craft intricate, one-of-a-kind items. The sequence 35X, of which Flora is only one iteration, acts as a bodily sketchbook, capturing Fitzwell’s exploration of strategies and concepts in tangible kind. The dimensions on this sequence (1 ⅜ x 1 ⅜ inches [35 x 35 mm]) is a self-set parameter during which he emphasizes the significance of supplies, course of, and craftsmanship inside his ongoing creative follow.
Gallery: Thereza Pedrosa Gallery, Asolo, Italy (click on the gallery identify to hyperlink to its web site)
Contact: Thereza Pedrosa (click on the gallerist’s identify for electronic mail)
Artist: Jana Machatová
Retail value: 1,950€
Jana Machatová’s work is extremely vital for the best way it transforms the brooch—historically an adornment—right into a medium of reminiscence, id, and social critique. Via the mixing of archival imagery and feminist statements, Machatová bridges the private with the political, creating poetic but highly effective wearable works that confront typical narratives. Her follow expands the expressive potential of bijou and redefines it as an important instrument for dialogue on historical past, gender, and human rights.
Gallery: Zu design, Adelaide, NSW, Australia (click on the gallery identify to hyperlink to its web site)
Contact: Jane (click on the gallerist’s identify for electronic mail)
Artist: Leonie Westbrook
Retail value: AUS$190–$260
Leonie Westbrook, on this sequence: “My ongoing works discover the wealthy crafting traditions in my household historical past, responding to an innate resourcefulness and a seek for misplaced usefulness. Rising up on farms and outback stations, we had our personal organized ‘dumps’ for garbage. Previous metallic components and elements had been saved in sheds lined with tins and jars, ready to be reused. In 2007, I visited my Nice Uncle Harry at my nice grandparent’s property and took a picture of a protracted pile of discarded cans among the many timber. The most recent cans had been at one finish, whereas the older ones regularly disintegrated into the filth, turning into a part of the panorama.”
Gallery: In The Gallery at Brooklyn Steel Works, Brooklyn, NY, US (click on the gallery identify to hyperlink to its web site)
Contact: Zoe Ariyama (click on the identify for electronic mail)
Artist: Jolynn Santiago
Retail value: US$900
Impressed by piles of grass clippings, artist Jolynn Santiago fuses silver wire fragments inside a hand-carved, ring-shaped graphite mould to create a visual cycle of renewal from the particles. This distinctive course of units Santiago aside as she experiments with new supplies and strategies in her ongoing investigations of settling mud and the accumulations which mark the mild passage of time. Santiago holds an MFA in metallic from the State College of New York at New Paltz, and her work has been exhibited internationally. This sequence can be featured in her upcoming solo exhibition at Brooklyn Steel Works.
Gallery: Galeria Reverso, Lisbon, Portugal (click on the gallery identify to hyperlink to its web site)
Contact: Paula Crespo (click on the gallerist’s identify for electronic mail)
Artist: Cristina Filipe
Retail value: 5,000€
With the Lights Out, It’s Much less Harmful pays tribute to 5 writers and a songwriter. “Their names are engraved on the handles,” states Cristina Filipe, “and their sentences, the primary ones I learn after I randomly opened every one among their books and a CD taken from my bookshelves, had been engraved on the blades of the knives.” They’re:
- “A horrible melancholy yesterday. Visions of my life really fizzling out right into a form of soft-brained stupor from lack of use,” —Sylvia Plath.
- “Somos sempre assim: o tempo vai passando, e tudo se nos volve saudoso – sofrimento, dores até, desilusões,” —Mário de Sá-Carneiro.
- “die Narbe der Zeit tut sich auf und setzt das Land unter Blut,” —Paul Celan.
- “At size she got here residence one night time after one among these saunterings and mounted to her bed-room. She took off her laced coat and stood there in shirt and breeches looking of the window,” —Virgina Woolf.
- “Subi ao alto, à minha Torre esguia Feita de fumo, névoas e luar,” —Florbela Espanca
- “With the lights out, it’s much less harmful,” —Kurt Cobain
The case that holds the knives has a lid divided in two components by a reduce that permits the gaze to separate the deal with from the blade and to focus solely on one of many components separately. This enables the viewer to deconstruct its primordial perform and emphasize {that a} deal with and not using a blade doesn’t reduce and a blade and not using a deal with can’t be dealt with. This work was made for the touring exhibition Swords into Ploughshares: Knives into Jewels, curated by Norman Cherry and Dauvit Alexander.
Gallery: Platina, Stockholm, Sweden (click on the gallery identify to hyperlink to its web site)
Contact: Sofia Bjorkman (click on the gallerist’s identify for electronic mail)
Artist: Doerthe Fuchs
Retail value: US$5,900
This extraordinary necklace displays the Munich-based artist Doerthe Fuchs’s deep love of the ocean and the oceans. The good ships generally known as windjammers had been named for the sounds produced when the wind whistles between their sails and plucks at their many ropes just like the strings of an instrument. The act of “rigging” a ship, its full gear of masts, sails, and ropes, suggests an elaborate adornment, an idea that resonates throughout the world of bijou.
Gallery: Pistachios Up to date Artwork Jewellery, Chicago, IL, US Sweden (click on the gallery identify to hyperlink to its web site)
Contact: The Pistachios Workforce (click on the identify for electronic mail)
Artist: Nanna Obel
Retail value: US$6,595
Denmark-based artist Nanna Obel has a story strategy to artwork jewellery. This unbelievable handmade tiara is featured in Pistachios’s present exhibition, Issues Unsaid, which is on view on the gallery earlier than touring to Munich Jewelry Week in 2026. As a part of Obel’s Do You See Me Now? sequence, which “is about seeing, recognizing and respecting one another for who we actually are,” this distinctive headpiece is made with sterling silver, enamel, pictures, mirror foil, and acrylic lacquer. “Through the use of mirrors, the viewer will be capable of see themselves whereas wanting on the piece. So who do you actually see?”
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