On Supply – Artwork Jewellery Discussion board

February 2026, Half 2
Proper now, all of us might use a deal with. It feels good to get a terrific piece of artwork jewellery for ourselves whereas celebrating and supporting artists and the galleries who present them!

Artwork Jewellery Discussion board’s worldwide gallery supporters have a good time and exhibit artwork jewellery. Our bi-monthly On Supply sequence permits this in depth community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’re sure to discover a implausible piece you merely can’t stay with out! (Please contact the gallery straight for inquiries.)

Tove Knuts, Necklace, My Apricot Yarniverse, 2018, in perle cotton, wool, 11 ¾ x 5 ⅞ x 2 inches (300 x 150 x 50 mm), photo: Sara Danielsson — Tove Knuts, *My Apricot Yarniverse,* 2018, necklace in perle cotton, wool, 11 ¾ x 5 ⅞ x 2 inches (300 x 150 x 50 mm), photograph: Sara Danielsson

Gallery: Platina, Stockholm, Sweden (click on the gallery identify to hyperlink to its web site)
Contact: Sofia Bjorkman (click on the gallerist’s identify for electronic mail)
Artist: Tove Knuts
Retail value: US$1,100

When an excessive amount of is happening outdoors, there generally is a want to escape inward. Working with the fingers, discovering rhythm, can supply a short lived respiratory area. Crocheting is, for the Sweden-based jewellery artist Tove Knuts, a manner of stepping apart from the noise and coming into a meditative state by which time slows down, and thought is allowed to relaxation. The crochet hook turns into a modest but resilient software. It requires no electrical energy, no fireplace, solely fingers, time, and yarn. This very heat feeling is conveyed to the wearer.

Elisabeth Drude, Nighthawks1, 2025, earrings in iron/colored plastic, oxidized silver ear pins and silver butterfly clutch, 1 x ¾ inch (25 x 20 mm), photo: Kassadi Williams — Elisabeth Drude, *Nighthawks1,* 2025, earrings in iron/coloured plastic, oxidized silver ear pins and silver butterfly clutch, 1 x ¾ inch (25 x 20 mm), photograph: Kassadi Williams

Gallery: Heidi Lowe Gallery, Lewes, DE, US (click on the gallery identify to hyperlink to its web site)
Contact: Kassadi Williams (click on the identify for electronic mail)
Artist: Elisabeth Drude
Retail value: US$300

Elisabeth Drude’s earrings are included within the annual Earrings Galore juried exhibition, a wealthy and numerous array of earrings made by 60 rising and established studio jewelers. The exhibition is meant to create extra entry for the general public to interact with artwork jewellery, domesticate connections with the neighborhood, and supply alternatives for individuals so as to add to their jewellery collections.

Jorge Manilla, Ring 13, 2025, in aluminum, various oxidation techniques, 3 ⅜ x 1 ⅜ x ¾ inches (85 x 35 x 18 mm), photo: artist — Jorge Manilla, *Ring 13,* 2025, in aluminum, numerous oxidation methods, 3 ⅜ x 1 ⅜ x ¾ inches (85 x 35 x 18 mm), photograph: artist

Gallery: 4 Gallery, Umeå, Sweden (click on the gallery identify to hyperlink to its web site)
Contact: Karin Roy Andersson (click on the gallerist’s identify for electronic mail)
Artist: Jorge Manilla
Retail value: 1,200€

Jorge Manilla’s newest physique of labor is impressed by cave work. Typically they’re related to illustrations of on a regular basis life, they convey concepts, they usually categorical religious or magical beliefs, usually associated to looking or fertility rituals. Within the work Reflexion, Manilla makes use of casting and patina methods to deliver viewers nearer to an understanding of the origins of humanity. Born and raised in Mexico however now residing in Belgium, Manilla in his work conveys one thing uncooked and typically brutal with a mild sensitivity.

Xiaozhe Huang, Blue Up Hair Band, 2024, in borosilicate glass, 7 ⅞ x 7 ⅞ x ¾ inches (200 x 200 x 20 mm), photo: Patrick Gunning — Xiaozhe Huang, *Blue Up Hair Band,* 2024, in borosilicate glass, 7 ⅞ x 7 ⅞ x ¾ inches (200 x 200 x 20 mm), photograph: Patrick Gunning

Gallery: Objects Lovely, London, UK (click on the gallery identify to hyperlink to its web site)
Contact: Yael Reisner (click on the gallerist’s identify for electronic mail)
Artist: Xiaozhe Huang
Retail value: £300 (excluding VAT)

Such a sublime, shiny hair band! The blown glass is especially robust, and its distinctive type provides to its structural power. And for consolation you get additionally an elastic band that’s tied to each side of the hair band. Excellent.

Suzanne Schwartz, Layered Small Square Necklace, in stacked oxidized and bright Argentium silver squares, hand-stitched together with fine silver wire, photo courtesy of InterFusion Art — Suzanne Schwartz, *Layered Small Sq. Necklace,* in stacked oxidized and vivid Argentium silver squares, hand-stitched along with high-quality silver wire, photograph courtesy of InterFusion Artwork

Gallery: InterFusion Artwork, Santa Fe, NM, US (click on the gallery identify to hyperlink to its web site)
Contact: The Staff (click on the group identify for electronic mail)
Artist: Suzanne Schwartz
Retail value: US$375

This Layered Small Sq. Necklace, by Suzanne Schwartz, options stacked oxidized and vivid Argentium silver squares, hand-stitched along with high-quality silver wire to create a dimensional, softly articulated pendant. Schwartz developed this distinctive stitching method from her background in textiles and a fascination with translating fiber methods into steel, giving the piece its signature woven‑steel character.

Mariana Gorga, Infinita Misericordia, 2024, necklace in sterling silver and baroque pearl, 8 ¼ x 6 ¼ x 1 ⅛ inches (210 x 160 x 30 mm), photo: artist — Mariana Gorga, *Infinita Misericordia,* 2024, necklace in sterling silver and baroque pearl, 8 ¼ x 6 ¼ x 1 ⅛ inches (210 x 160 x 30 mm), photograph: artist

Gallery: Wearable Artwork Museum (click on the gallery identify to hyperlink to its web site)
Contact: Lisa M. Berman (click on the director’s identify for electronic mail)
Artist: Mariana Gorga
Retail value: 88,000€

Mariana Gorga earned the Excellence of Craftsmanship Award – Third Prize, from Alessio Bosch throughout Roma Jewellery Week, curated by Monica Cecchini, promoted by Incinque Jewels, held on the prestigious archaeological website of the Markets of Trajan – Museum of the Imperial For a. The again of the wing is as masterfully sculpted because the entrance. The necklace was impressed by the theme “Infinite Baroque,” and by the angelic figures in Caravaggio’s Our Girl of Mercy or The Seven Acts of Mercy (1606–1607) portray, thus the necklace Infinita Misericordia (Infinite Mercy). Originated from a wax core that was later solid in steel and accomplished with a luminous pearl. The necklace captures the dramatic depth of the Baroque, displays human vulnerability, and expresses the aspiration to imagine in a celestial universe, reworking the jewel into a logo of safety and spirituality. Observe: 50% of the promoting value is a 100% tax-deductible donation to WAM’s non-profit museum which helps the prices of its jewellery presentation with Max Alexander’s runway present on the Paris Opera Home on March 3, 2026.

Simon Williams, Brutalism, 2026, ring in 9-karat yellow gold, oxidized sterling silver, 1.86-carat tourmaline cut by Mitchell Rogers, 1 x 1 ¼ x ⅜ inches (27 x 33 x 8.5 mm), T1/2, photo: Jane Bowden — Simon Williams, *Brutalism,* 2026, ring in 9-karat yellow gold, oxidized sterling silver, 1.86-carat tourmaline lower by Mitchell Rogers, 1 x 1 ¼ x ⅜ inches (27 x 33 x 8.5 mm), T1/2, photograph: Jane Bowden

Gallery: Zu design, Adelaide, NSW, Australia (click on the gallery identify to hyperlink to its web site)
Contact: Jane (click on the gallerist’s identify for electronic mail)
Artist: Simon Williams
Retail value: AUS$3,395

Impressed by the Brutalist architectural motion, this ring by Simon Williams pairs a richly coloured tourmaline—superbly lower by Mitchell Rogers—with a structured gold encompass. The oxidized sterling silver band supplies a deliberate distinction, giving the piece each power and stability. Designed to sit down comfortably on the hand, the ring transforms right into a miniature sculpture when not worn.

Emilie Pritchard, Geometric Point Bracelet, in oxidized sterling silver, gold fill, thread, interior approximately 8 inches (203 mm), approximately 1 ¾ x ½ inches (44 x 13 mm), photo: Pistachios — Emilie Pritchard, *Geometric Level Bracelet,* in oxidized sterling silver, gold fill, thread, inside roughly 8 inches (203 mm), roughly 1 ¾ x ½ inches (44 x 13 mm), photograph: Pistachios

Gallery: Pistachios Up to date Artwork Jewellery, Chicago, IL, US (click on the gallery identify to hyperlink to its web site)
Contact: Megan Nash (click on the identify for electronic mail)
Artist: Emilie Pritchard
Retail value: US$365

A pliable bracelet with a lot persona! Every oxidized sterling silver and gold fill tube is lower by hand, then joined along with a needle and thread. A number of triangles are created first, after which every triangle is sure collectively utilizing the identical methodology. The result’s a bracelet that’s fairly voluminous however, on the identical time, just about weightless. Emilie Pritchard’s clear, architectural designs are featured within the Pistachios exhibition Constructed for the Physique: The Intersection of Structure & Jewellery.

Sara Leme, On and Off, 2024, ring in sterling silver, button, 1 ⅛ x 1 ¾ x ¾ inches (30 x 45 x 20 mm), photo: artist — Sara Leme, *On and Off,* 2024, ring in sterling silver, button, 1 ⅛ x 1 ¾ x ¾ inches (30 x 45 x 20 mm), photograph: artist

Gallery: Galeria Reverso, Lisbon, Portugal (click on the gallery identify to hyperlink to its web site)
Contact: Paula Crespo (click on the gallerist’s identify for electronic mail)
Artist: Sara Leme
Retail value: 540€

Sara Leme’s work serves as an archaeological hint of our instances. In an period of social acceleration, it interrogates how handcrafted silversmithing is perceived by digital mediation, when technological parts are paired with a slow-paced type of creation. The On and Off ring juxtaposes the natural weight of silver with an on a regular basis electrical change. Showing as if one component has grown from the opposite, the piece operates as a recent parable of human rhythm, oscillating between activation and withdrawal—at some point “on,” one other day “off.”

Hannah Keefe, Mini Peach Earrings, 2025, in brass, silver solder, photo courtesy of Gravers Lane Gallery — Hannah Keefe, *Mini Peach Earrings,* 2025, in brass, silver solder, photograph courtesy of Gravers Lane Gallery

Gallery: Gravers Lane Gallery, Philadelphia, PA, US (click on the gallery identify to hyperlink to its web site)
Contact: Kate Crankshaw (click on the identify for electronic mail)
Artist: Hannah Keefe
Retail value: US$285

These earrings are a novel building, utilizing solder to maintain a few of the chain static, whereas the underside portion retains motion.

Sigurd Bronger, Big Diamond Ring, 2025, in carved artificial ivory, real diamond grain on fabric, 1 ½ x ⅞ x ⅞ inches (37 x 23 x 23 mm), ring circumference 2 ¼ inches (58 mm), photo: Galerie Door — Sigurd Bronger, *Large Diamond Ring,* 2025, in carved synthetic ivory, actual diamond grain on material, 1 ½ x ⅞ x ⅞ inches (37 x 23 x 23 mm), ring circumference 2 ¼ inches (58 mm), photograph: Galerie Door

Gallery: Galerie Door, Nijmegen, Netherlands (click on the gallery identify to hyperlink to its web site)
Contact: Doreen Timmers (click on the gallerist’s identify for electronic mail)
Artist: Sigurd Bronger
Retail value: 1,900€

Galerie Door proudly presents a nuptial bond of mathematical precision, the absurd and the quotidian. How Sigurd Bronger turns day by day objects and pins into nice enjoyable. Galerie Door challenges you: Are you carrying all you’ll be able to maintain? Bronger creates Wearables and Carrying Units with a technical perfection many engineers would envy. His compositions, with their clear strains and clear types, betray his love for De Stijl. His topics, comparable to cardboard packing containers, bathroom paper rolls, and different ready-mades, join him to Pop Artwork. What makes his work so distinctive is that Bronger imbues his wearables with exactly the type of expression that challenges our eyes and minds. He’s a grasp at composing stability, type, and creativeness. Bronger makes us imagine we will carry all we will maintain.

Rebekah Frank, Dropped Gorget, from the Sunday Morning series, 2025, in mild steel, 15 x 6 x ⅛ inches (381 x 152 x 3 mm), photo: Lydia Daniller — Rebekah Frank, *Dropped Gorget,* from the *Sunday Morning* sequence, 2025, in gentle metal, 15 x 6 x ⅛ inches (381 x 152 x 3 mm), photograph: Lydia Daniller

Gallery: Galeria Tereza Seabra, Lisbon, Portugal (click on the gallery identify to hyperlink to its web site)
Contact: Tereza Seabra (click on the gallerist’s identify for electronic mail)
Artist: Rebekah Frank
Retail value: 2,000€, plus transport

“In my youth, states Rebekah Frank, “Sunday mornings meant dressing up, usually together with removable collars, handmade and embroidered with care. I discovered these items uncomfortable, even embarrassing. A distinct sartorial expression was creating in me from a younger age, veering towards a minimal aesthetic, with a desire for layered, monochromatic textures. These draped chain necklaces are a part of a sequence that discover reminiscences of textiles from my childhood. Removable collars, T-shirt pockets, argyle patterns, and extra are created from linked chains. These items shock the wearer with the delicacy of their heft and the surprising consolation, confidence, and playfulness held within the act of carrying them.” This piece was a part of the exhibition Rings of Saturn 10/12 (Capricorn).

Adam Atkinson, Offset Hoops, 2025, earrings in oxidized sterling silver, stainless steel, 1 ½ x 1 ½ x ¼ inches (38 x 38 x 6 mm), photo: J Diamond — Adam Atkinson, *Offset Hoops,* 2025, earrings in oxidized sterling silver, chrome steel, 1 ½ x 1 ½ x ¼ inches (38 x 38 x 6 mm), photograph: J Diamond

Gallery: Baltimore Jewellery Middle, Baltimore, MD, US (click on the gallery identify to hyperlink to its web site)
Contact: J Diamond (click on the identify for electronic mail)
Artist: Adam Atkinson
Retail value: US$150

Adam Atkinson (he/they) is a metalsmith, curator, and educator. Atkinson acquired an MFA in steel design at East Carolina College in 2019, and a BFA in interdisciplinary studio practices at Boise State College in 2013. Their work has been exhibited nationally and internationally, together with Boone Artwork and Historical past Museum and Nagoya Zokei College (Nagoya, Japan), amongst others. They’ve been awarded quite a few residencies, together with the Rising Artist Residency on the Baltimore Jewellery Middle and the three-year residency at Penland College of Craft. They presently educate as an assistant professor at Texas State College.

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