On Supply – Artwork Jewellery Discussion board

September 2024, Half 1

There are such a lot of causes to buy artwork jewellery…

Have fun that hard-earned promotion
Honor a once-in-a-lifetime event
Pay tribute to a serious accomplishment
Commemorate the start of a brand new relationship or the top of 1
Pounce on the proper piece to spherical out a facet of your assortment
Or spend money on a deal with for your self—simply because

Artwork Jewellery Discussion board’s worldwide gallery supporters rejoice and exhibit artwork jewellery. Our bi-monthly On Supply sequence permits this in depth community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’re sure to discover a unbelievable piece you merely can’t dwell with out! (Please contact the gallery immediately for inquiries.)

Lluís Comín, Arquitectura Interior 1 — Lluís Comín, *Arquitectura Inside 1,* 2023, bracelet in silver, 750 gold, patinas, rhodolite, 4 x 4 ⅜ x 1 ⅛ inches (100 x 110 x 30 mm), 74g, picture courtesy of Thereza Pedrosa Gallery

Gallery: Thereza Pedrosa Gallery, Asolo, Italy (click on the gallery title to hyperlink to the web site) |
Contact: Thereza Pedrosa (click on the gallerist’s title for e mail)
Artist: Lluís Comín
Retail value: € 2,620
Within the artwork jewels of Lluís Comín you may respect the inspiration primarily based on common myths and the overwhelming and intimate influences of nature. The artist’s assertion, “Through the years, instinct has grow to be a type of intelligence,” clearly displays the mixture that may be present in every of the creator’s artworks: respect for custom, expertise, creative talent, and inventive impulse. The artist’s love for his land, Barcelona, and the mountains might be present in every of his creations, the place pure components are sometimes included, akin to Montjuic’s Jasper within the Barcino assortment, or the Reconstructions assortment.

Aurélie Guillaume, Le Papillon — Aurélie Guillaume, *Le Papillon,* necklace in enamel on copper, tremendous silver, sterling silver, chain 19 ⅝ inches (500 mm), pendant 5 ¾ x 3 ½ x ⅜ inches (145 x 90 x 8 mm), picture courtesy of Gravers Lane Gallery

Gallery: Gravers Lane Gallery, Philadelphia, PA, US (click on the gallery title to hyperlink to the web site)
Contact: Chloe Le Pichon (click on the title for e mail)
Artist: Aurélie Guillaume
Retail value: US$2,420
That is an thrilling new path in Guillaume’s work. She made this piece particularly for our group exhibition, Severe Enjoyable, curated by Night time Shift Studio. The artist felt the liberty to make new work and allowed herself to experiment in a manner that isn’t at all times potential when attempting to suit a chunk for an open name. In her phrases, “I hope you’ll take pleasure in Le Papillon. I took a little bit of a leap and tried one thing new, and I had numerous enjoyable within the course of.” Severe Enjoyable opened September 1, 2024.

Catarina Silva, He Has the Most Tender Eyes — Catarina Silva, *He Has the Most Tender Eyes,* 2023, necklace in silver, chocolate wrapping paper, aquamarine, nail lacquer, 15 x 2 ½ x ⅛ inches (38.5 x 6.3 x 0.3 cm), picture: Pedro Tropa

Gallery: Galeria Tereza Seabra, Lisbon, Portugal (click on the gallery title to hyperlink to the web site)
Contact: Tereza Seabra (click on the gallerist’s title for e mail)
Artist: Catarina Silva
Retail value: €1,800, plus transport
“All of it begins with the encounter. The thought of amor fati appears to be current, the love of future, that describes an angle the place one sees all the pieces that happens in life, together with struggling and loss, nearly as good or, a minimum of, as obligatory. It’s characterised by the acceptance of the occasions or conditions that happen in life[. And] maybe humor, which can be current in these items, is usually a sure type of love of future, a manner of implicating and assuming oneself in a selected scenario or denouement: the idea and the overcoming. It appears to me that humor is usually a pacifying agent and works as affirmation on the authorship and on the selection of the contours of our personal story. As soon as once more, it is vitally evident that, for Catarina Silva, that could be a primordial car to really feel, expertise, and aesthetically translate life.” —Carolina Quintela

Joanna Campbell, Rick Rack/Narrow Grosgrain/Narrow Herringbone — Joanna Campbell, *Rick Rack/Slim Grosgrain/Slim Herringbone,* 2023, rings in 18-karat gold, dimension M/M/N, picture: Michael Couper

Gallery: Fingers Gallery, Auckland, New Zealand (click on the gallery title to hyperlink to the web site)
Contact: Lisa Higgins (click on the title for e mail)
Artist: Joanna Campbell
Retail value: Every NZ$2,300
Joanna Campbell creates collections from wearable manufacturing items to elaborate exhibition works. Her jewellery relies on a love of design mixed with an modern craft-based observe. Underpinning the work is a fascination with textiles, and an enthusiasm for making metallic extra fabric-like in all its iterations. This new sequence of Ribbon rings is out there in 18-karat gold, sterling silver, and oxidized sterling silver (commissions out there). Campbell is a multi-award-winning jeweler who graduated with a bachelor’s of three-dimensional design (jewelry main) in 2001. She has labored on various high-profile movie productions together with The Final Samurai. She lives and works in Auckland, New Zealand.

Meghan Schmiedel, Necklace — Meghan Schmiedel, *Necklace,* enamel, watercolor enamel, copper, freshwater pearls, glass beads, quartz, thread, seed beads, yarn, linen, embroidery floss, necklace roughly 30 inches (76.2 cm) lengthy, pendant roughly 8 x 5 inches (203 x 127 mm), picture courtesy of Pistachios Modern Artwork Jewellery

Gallery: Pistachios Modern Artwork Jewellery, Chicago, IL, US (click on the gallery title to hyperlink to the web site)
Contact: The Pistachios Group (click on the group title for e mail)
Artist: Meghan Schmiedel
Retail value: US$6,795
The unbelievable consideration to element that Meghan Schmiedel demonstrates with this assertion necklace is unparalleled. Hailing from rural New England, Schmiedel attracts inspiration from her pure environment and explores giant ideas centered across the dichotomy of life and demise. “Whereas my jewellery might be seen as tokens of remembrance, it’s additionally a reminder for the wearer that in life, as positive as new progress comes up from decay, there’s a stability between all issues …” Undoubtedly, this necklace toes the road between grotesque and beautiful—proving that each can concurrently exist in a singular piece of bijou.

Jane Bowden, (front ring) Wrapped — Jane Bowden, (entrance ring) *Wrapped,* 2024, ring in titanium, 18-karat white gold, sterling silver, 2.73-carat heptagon tourmaline, 0.51-carat sq. tourmaline, 1.31-carat whole 4 x sapphires, 0.28-carat Madagascar sapphire, 1 ½ x 1 ⅜ x ⅝ inches (38 x 34 x 15 mm), dimension S, picture: Michael Haines Pictures

Gallery: Zu design, Adelaide, Australia (click on the gallery title to hyperlink to the web site)
Contact: Jane Bowden (click on the gallerist’s title for e mail)
Artist: Jane Bowden
Retail value: Entrance ring, AUS$13,995
Jane Bowden is a process-driven maker. This present sequence of Wrapped rings was made for the exhibition Zu design & Jane Bowden, and it was an opportunity to revisit a design initially impressed by the winding and wrapping of tremendous wire so it may be torch annealed with out melting. The geometric parts containing gem stones are threaded onto a size of titanium wire roughly XXX toes (7 m) lengthy, which types the ring band. Because the titanium is wound round a mandrel, the parts are positioned, and the ring is then completed by binding/wrapping a 0.3 mm titanium wire to carry its last kind.

Kajsa Lindberg, Necklace, Explanations Tomato and Beans — Kajsa Lindberg, *Explanations Tomato and Beans,* 2022, necklace in cardboard, silk thread, roughly 3 ⅛ inches (80 cm) lengthy, picture Sofia Björkman

Gallery: Platina, Stockholm, Sweden (click on the gallery title to hyperlink to the web site)
Contact: Sofia Bjorkman (click on the gallerist’s title for e mail)
Artist: Kajsa Lindberg
Retail value: US$1,000
Effectively-recognizable on a regular basis types are sometimes the start line in Kajsa Lindberg’s work. The inspiration is discovered each in nearly insignificant small objects, in addition to in sturdy and nearly monumental surfaces and shapes. What they’ve in frequent is that we normally hardly discover them or that we take them with no consideration. There are ideas concerning the unstated guidelines of on a regular basis life. The patterns on this necklace are taken from clarification of easy methods to open tomato and bean cans.

Glenda Arentzen, Box Necklace — Glenda Arentzen, *Field Necklace,* 1985, necklace in 14-, 18-, and pure gold, ¾ x ¾ x ³⁄₁₆ inches (19 x 19 x 8 mm) and 15 inches (381 mm) lengthy, picture courtesy of Aaron Faber Gallery

Gallery: Aaron Faber Gallery, New York, NY, US (click on the gallery title to hyperlink to the web site)
Contact: Patricia Kiley Faber (click on the gallerist’s title for e mail)
Artist: Glenda Arentzen
Retail value: $12,500
Glenda Arentzen’s gold Field Necklace is a museum-quality tour-de-force of portray in treasured metallic in three-dimensional collage kind, circa 1985. Every “field” measures ¾ x ¾ x 3/16 inches (mm); the necklace is 15 inches (mm) lengthy. Every collage field is assembled with textured strips of 14-karat yellow gold, 14-karat rose gold, 18-karat white gold, and 24-karat pure gold, framed by 14-karat yellow polished gold “containers.” Arentzen makes use of supplies, for example working in wax to create textured surfaces, and conventional fabrication methods together.

Sofia Björkman, Field — Sofia Björkman, *Subject,* 2024, brooch in PLA, acrylic paint, silver, stainless-steel, 6 ¼ x 5 ⅛ x ¾ inches (160 x 130 x 20 mm), 17g, picture: artist

Gallery: Galerie Noel Guyomarc’h, bijoux et objets contemporains, Montreal, Canada (click on the gallery title to hyperlink to the web site)
Contact: Noel Guyomarc’h (click on the gallerist’s title for e mail)
Artist: Sofia Björkman
Retail value: CAN$940
The works within the Landscapes sequence, by Sofia Björkman, made utilizing the 3D pencil approach, are like three-dimensional moveable work. Modern jewellery, a novel artwork kind, can simply be moved from one context to a different, and the mobility and the flexibleness amplify its potential to make an affect and evoke various reactions.

Veronika Fabian, Lobster 3 — Veronika Fabian, *Lobster 3,* 2024, necklace in brass, spring metal, 5 ⅞ x 11 x 1 ⅛ inches (150 x 280 x 30 mm), picture courtesy of 4 Gallery

Gallery: 4 Gallery, Gothenburg, Sweden (click on the gallery title to hyperlink to the web site)
Contact: Karin Roy Andersson (click on the gallerist’s title for e mail)
Artist: Veronika Fabian
Retail value: €1,800
This sequence of bijou by Veronika Fabian is made from flattened chains that create tremendously enlarged jewellery clasps. Clasps play an necessary half in jewellery. They maintain the piece collectively, connect it to a physique, make it wearable. However typically it’s only the operate that’s observed, whereas the clasp itself is hidden. Fabian’s items give them their rightful place within the highlight. They encourage respect and radiate weight—standing that additionally rubs off on the wearer. Fabian has a background as a threat analyst within the monetary trade, and her work touches on problems with capitalism and its affect on on a regular basis life and id.

Zach Mellman-Carsey, Kriah Brooch Series (#3 — Zach Mellman-Carsey, *Kriah Brooch Sequence (#3),* 2018, sterling silver, cubic zirconia, 1 ½ x 1 ½ x ¾ inches (38 x 38 x 19 mm), picture: artist

Gallery: Baltimore Jewellery Heart, Baltimore, MD, US (click on the title to hyperlink to the web site)
Contact: Allison Gulick (click on the gallerist’s title for e mail)
Artist: Zach Mellman-Carsey
Retail value: US$500
Zach Mellman-Carsey, lately in residence on the BJC, is an artist presently primarily based out of Lancaster, PA. In his studio observe, he creates wearable tremendous and conceptual jewellery and sculptures. He obtained his MFA from Indiana College, in Bloomington, IN, US. With this sequence, Mellman-Carsey is creating wearable brooches that discover the custom of Kriah. Kriah, the Hebrew phrase for “tearing,” is a practice to mark the demise of a cherished one and to announce a interval of grieving. The custom requires those that are grieving to tear, rip, or reduce their very own clothes as a tangible expression of disappointment, anger, and loss.

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