On Supply – Artwork Jewellery Discussion board

March 2026, Half 2

Proper now, with the way in which the world feels, we might all use a deal with. What a pleasure to get a terrific piece of artwork jewellery for ourselves whereas celebrating and supporting artists and the galleries who present them!

Artwork Jewellery Discussion board’s worldwide gallery supporters rejoice and exhibit artwork jewellery. Our bi-monthly On Supply collection permits this intensive community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’ll actually discover a incredible piece you merely can’t stay with out! (Contact the gallery immediately for inquiries.)

Niki Khojandi, (Zardosi) Golden Collar, 2024, necklace in silk, cotton, gold embroidery thread, sequins, string, photo courtesy of WAM — Niki Khojandi, *(Zardosi) Golden Collar,* 2024, necklace in silk, cotton, gold embroidery thread, sequins, string, picture courtesy of WAM

Gallery: Wearable Artwork Museum (click on the gallery title to hyperlink to its web site)
Contact: Lisa M. Berman (click on the director’s title for electronic mail)
Artist: Niki Khojandi
Retail worth: US$4,800

This collar (an accompanying gown is offered as effectively) was featured within the museum exhibition Fashioning Energy/Vogue Peace in 2025 on the Woodrow Wilson Museum, in Washington, DC, because the solely ensemble to signify the artist’s nation of Iran. (There’s a printed catalog.) The collar was impressed by the artwork and structure of historic Persia. Niki Khojandi makes use of her cultural heritage as a solution to course of Iran’ s historical past by utilizing conventional embroidery strategies to create a up to date narrative. Khojandi was a vogue design pupil at Parsons, in NYC, when COVID arrived and he or she was compelled to return residence. She creates extraordinary artwork in textiles from her bed room studio underneath extreme situations.

Lena Olson, Duo, 2013, brooch in ebony, steel, 2 ½ x ⅝ x ⅝ inches (62 x 17 x 17 mm), photo: Four — Lena Olson, *Duo,* 2013, brooch in ebony, metal, 2 ½ x ⅝ x ⅝ inches (62 x 17 x 17 mm), picture: 4

Gallery: 4 Gallery, Umeå, Sweden (click on the gallery title to hyperlink to its web site)
Contact: Karin Roy Andersson (click on the gallerist’s title for electronic mail)
Artist: Lena Olson
Retail worth: US$400

Lena Olson has labored with wooden for a few years. Her intensive information of the fabric permits her to create gentle, tactile shapes out of the onerous and infrequently willful materials. The wooden challenges the artist each technically and intellectually, and the jewellery expresses concord and craft ability.

Itto Mishima, Overlook “Receipt,” 2024, brooch in silver 950, stainless steel, sulfide finish, 1 ⅝ x 4 inches (40 x 100 mm), photo: artist — Itto Mishima, *Overlook “Receipt,”* 2024, brooch in silver 950, chrome steel, sulfide end, 1 ⅝ x 4 inches (40 x 100 mm), picture: artist

Gallery: Galerie Noel Guyomarc’h, bijoux et objets contemporains, Montreal, QC, Canada (click on the gallery title to hyperlink to its web site)
Contact: Noel Guyomarc’h (click on the gallerist’s title for electronic mail)
Artist: Itto Mishima
Retail worth: €1,700

In on a regular basis life, we eat and discard what we now not want. Objects corresponding to receipts, banknotes, and empty cans could appear insignificant, however they bear the traces of actions and experiences. As soon as used, they’re thrown away. Itto Mishima is thinking about private reminiscences and recorded moments inscribed in these discarded “paper helps” and supplies. These fragments are remodeled into modern jewellery, drawing on particulars such because the creases, textures, and imprints left on receipts or crumpled cans.

Lydia Martin, Open Smushed Soft Triangle Studs, 2022, earrings in sterling silver, lacquer, each ⅞ x ⅞ x ⅝ inches (22 x 22 x 16 mm), photo: J Diamond — Lydia Martin, *Open Smushed Delicate Triangle Studs,* 2022, earrings in sterling silver, lacquer, every ⅞ x ⅞ x ⅝ inches (22 x 22 x 16 mm), picture: J Diamond

Gallery: Baltimore Jewellery Middle, Baltimore, MD, US (click on the gallery title to hyperlink to its web site)
Contact: J Diamond (click on the title for electronic mail)
Artist: Lydia Martin
Retail worth: US$120

Lydia Martin is a up to date jeweler dwelling, working, and educating in Little Rock, AR, US. Her work, constructed upon the foundations of technical ability, is an exploration of fabric ability, floor, line, and motion. By using conventional metalsmithing strategies, she creates items that develop into an investigation of intentions and penalties. She has exhibited each nationally and internationally and can be represented by Jewelers’Werk Galerie, in Washington, DC. Presently, she is the Windgate Visiting Assistant Professor of Artwork in Steel at UA Little Rock, the place she heads the jewellery and metalsmithing program.

Angela Giuliani, JEWEL-tide Earrings, 2025, in opalized timber, oxidized sterling silver, ⅝ x ¼ x 2 inches (18 x 5 x 51 mm) long including hook, photo: Jane Bowden — Angela Giuliani, *JEWEL-tide Earrings,* 2025, in opalized timber, oxidized sterling silver, ⅝ x ¼ x 2 inches (18 x 5 x 51 mm) lengthy together with hook, picture: Jane Bowden

Gallery: Zu design, Adelaide, NSW, Australia
Contact: Jane (click on the gallerist’s title for electronic mail)
Artist: Angela Giuliani
Retail worth: AUS$1,700

A part of the JEWEL-tide collection, these earrings characteristic slices of opalized timber framed in oxidized sterling silver. The lengthy, slender types draw out the stone’s layered tones—gentle greens, browns, and mineral blues—every one studying like a small panorama. Easy, sculptural items with a quiet presence.

Ildikó Dánfalvi, I Really Wanted…, from the Mirroring of Traces series, 2024, necklace in steel, lacquer, Plexiglas (with guilloché), 19 ⅝ x 3 ½ x ⅝ inches (500 x 90 x 15 mm), photo: courtesy of the artist and Galerie Door — Ildikó Dánfalvi, *I Actually Wished…,* from the *Mirroring of Traces* collection, 2024, necklace in metal, lacquer, Plexiglas (with guilloché), 19 ⅝ x 3 ½ x ⅝ inches (500 x 90 x 15 mm), picture: courtesy of the artist and Galerie Door

Gallery: Galerie Door, Nijmegem, Netherlands (click on the gallery title to hyperlink to its web site)
Contact: Doreen Timmers (click on the gallerist’s title for electronic mail)
Artist: Ildikó Dánfalvi
Retail worth: 995€

Ildikó Dánfalvi was a Meisterschülerin in Burg Giebichenstein’s jewellery division with Prof. Hans Stofer in 2020–2021. This extraordinary artist from Hungary employs an exceptionally wide selection of supplies, strategies, and types. In her wearable artistic endeavors, you may learn tales about previous and current, about custom and individuality, about magnificence and safety. All hyperlinks are handcrafted, as is the guilloché on Plexiglas, mixed with a adorned classic object. The necklace is now on show at Galerie Door’s Mirror Mirror… exhibition.

Gretchen Raber, Build Not Destroy, 2025, pendant in sterling silver, black onyx, 3 x 1 inches (76 x 25 mm), cable wire 15 inches (381 mm) long, photo courtesy of InterFusion Art — Gretchen Raber, *Construct Not Destroy,* 2025, pendant in sterling silver, black onyx, 3 x 1 inches (76 x 25 mm), cable wire 15 inches (381 mm) lengthy, picture courtesy of InterFusion Artwork

Gallery: InterFusion Artwork, Santa Fe, NM, US (click on the gallery title to hyperlink to its web site)
Contact: The Group (click on the crew title for electronic mail)
Artist: Gretchen Raber
Retail worth: US$2,200.00

The Construct Not Destroy pendant is a glossy architectural piece crafted in sterling silver with a daring black onyx accent that provides it actual presence. Designed by metalsmith Gretchen Raber, it carries her signature mix of unpolluted strains and significant phrases, so it appears like wearable artwork with a goal. The distinction of shining steel and deep stone turns “construct not destroy” right into a day by day reminder to speculate your power in repairing, rising, and supporting. It’s excellent if you would like minimal, trendy jewellery that quietly declares what you consider in.

Natalie Lowe, Ashtray Brooch, 2019, in brass, silver, gold, steel pin, 3 x 3 x 1 inches (76 x 76 x 25 mm), photo courtesy of Gravers Lane Gallery — Natalie Lowe, *Ashtray Brooch,* 2019, in brass, silver, gold, metal pin, 3 x 3 x 1 inches (76 x 76 x 25 mm), picture courtesy of Gravers Lane Gallery

Gallery: Gravers Lane Gallery, Philadelphia, PA, US (click on the gallery title to hyperlink to its web site)
Contact: Bruce Hoffman (click on the gallerist’s title for electronic mail)
Artist: Natalie Lowe
Retail worth: US$440

This brooch facilities the remnants of smoking, letting you put on the tokens of your dangerous behavior. In an act of self shaming, you get to hold with you the bodily proof of your dangerous behavior.

Benedict Haener, Sugar Free Apple, 2024, pendant in glass, resin, diamonds, photo courtesy of the artist — Benedict Haener, *Sugar Free Apple,* 2024, pendant in glass, resin, diamonds, picture courtesy of the artist

Gallery: Thereza Pedrosa Gallery, Asolo, Italy (click on the gallery title to hyperlink to its web site)
Contact: Thereza Pedrosa (click on the gallerist’s title for electronic mail)
Artist: Benedict Haener
Retail worth: €430

Benedict Haener’s Sugar Free Apple pendant transforms an on a regular basis image right into a quietly subversive piece of up to date jewellery. Referencing the acquainted promise of “sugar free,” Haener performs with concepts of need, consumption, and the shiny language of promoting—inviting us to query what we’re really craving. The apple, loaded with cultural meanings from temptation to well being, turns into each playful and unsettling in his palms. With a pointy eye for idea and kind, Haener creates work that sits between object and commentary, allure and critique. Worn near the physique, this pendant turns into a private assertion—candy, ironic, and unmistakably present.

Andrea Daly, Apple & Skull, 2025, ring in sterling silver, 24-karat gold leaf, enamel, peridot, ¾ x ¾ inch (20 x 20 mm), size: P½, ¾ x 1 ⅛ inches (20 x 30 mm), size: R¼, photo: Michael Couper — Andrea Daly, *Apple & Cranium,* 2025, ring in sterling silver, pure gold leaf, enamel, peridot, ¾ x ¾ inch (20 x 20 mm), measurement: P½, ¾ x 1 ⅛ inches (20 x 30 mm), measurement: R¼, picture: Michael Couper

Gallery: Fingers Gallery, Auckland, New Zealand (click on the gallery title to hyperlink to its web site)
Contact: Lisa Higgins (click on the title for electronic mail)
Artist: Andrea Daly
Retail worth: Every NZ$1,200

Andrea Daly has been concerned in artwork schooling since 1990 as a visitor lecturer at a number of New Zealand instructional establishments, a lecturer at Manukau Institute of Know-how within the Visible Arts Diploma 1995–2004, Hungry Creek Artwork and Craft Faculty 2008–2019, and is now educating at Whitecliffe of their bachelor of bijou design and expertise program. She has taught throughout numerous topics—drawing, jewellery design, contextual research, skilled research—and was head of the division 2018–2019. She was a accomplice in Fingers Jewelry Gallery 1991–2017. Daly continues to exhibit nationally and internationally and was chosen in 2019 for Schmuck in Munich. Her work is held in quite a few private and non-private collections. She at the moment lives and works in Auckland, New Zealand.

Alexandra Lindqvist, Barefoot in the Glade, 2023, necklace in wool, cotton, hemp, repurposed thread, silver, repurposed leather, 2 x 11 ¾ x 1 inches (52 x 300 x 25 mm), photo: artist — Alexandra Lindqvist, *Barefoot within the Glade,* 2023, necklace in wool, cotton, hemp, repurposed thread, silver, repurposed leather-based, 2 x 11 ¾ x 1 inches (52 x 300 x 25 mm), picture: artist

Gallery: Pistachios Up to date Artwork Jewellery, Chicago, IL, US (click on the gallery title to hyperlink to its web site)
Contact: Megan Nash (click on the title for electronic mail)
Artist: Alexandra Lindqvist
Retail worth: €1,365

This outstanding necklace by Alexandra Lindqvist, titled Barefoot In The Glade, “stay[s] within the house between contact and emotion, in what can’t be spoken however will be felt by way of texture, kind, and shade,” states the artist. “Every materials carries its personal voice: the heat of fiber, the cool reflection of silver, and the grain of wooden formed by time. By making, I give presence to silence. My jewellery turns into a tangible language for the unseen and unheard; a solution to specific what may need remained hidden if not formed by the hand.” This necklace is featured in Issues Unsaid, a collaborative exhibition between Pistachios and Valuable Collective that was on view as a part of Munich’s jewellery week.

Erica Bello, Periplaneta Americana, 2025, earrings in oxidized silver, diamond, 1 x ½ x ¼ inch (25 x 13 x 6 mm), photo: artist — Erica Bello, *Periplaneta Americana,* 2025, earrings in oxidized silver, diamond, 1 x ½ x ¼ inch (25 x 13 x 6 mm), picture: artist

Gallery: Heidi Lowe Gallery, Lewes, DE, US (click on the gallery title to hyperlink to its web site)
Contact: Kassadi Williams (click on the title for electronic mail)
Artist: Erica Bello
Retail worth: US$315

Erica Bello’s earrings are included within the annual Earrings Galore juried exhibition, a wealthy and numerous array of earrings made by 60 rising and established studio jewelers. The exhibition is meant to create extra entry for the general public to interact with artwork jewellery, domesticate connections with the neighborhood, and supply alternatives for individuals so as to add to their jewellery assortment.

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