On Supply – Artwork Jewellery Discussion board

November 2024, Half 2

Proper now, all of us might use a deal with. It feels good to get a terrific piece of artwork jewellery for ourselves whereas celebrating and supporting artists and the galleries who present them!

Artwork Jewellery Discussion board’s worldwide gallery supporters have fun and exhibit artwork jewellery. Our bi-monthly On Supply sequence permits this in depth community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’re certain to discover a improbable piece you merely can’t dwell with out! (Please contact the gallery immediately for inquiries.)

Manuel Vilhena, Untitled, 2010, ring in juniper wood, 2 ⅜ x 1 ⅝ x 2 ½ inches (60 x 42 x 62 mm), photo courtesy of Galeria Reverso — Manuel Vilhena, Untitled, 2010, ring in juniper wooden, 2 ⅜ x 1 ⅝ x 2 ½ inches (60 x 42 x 62 mm), photograph courtesy of Galeria Reverso

Gallery: Galeria Reverso, Lisbon, Portugal (click on the gallery title to hyperlink to its web site)
Contact: Paula Crespo (click on the gallerist’s title for electronic mail)
Artist: Manuel Vilhena
Retail value: €500
One other juniper wooden ring! The wooden comes from the Austrian excessive mountains. The ring itself goals at depicting a part of the Andromeda constellation and questioning our place on this cosmos. A reminder.

Jenny Jansson, 2024, necklace in silver, nylon thread, pendant measures 2 ¾ x 2 ¾ x 1 ¾ inches (70 x 70 x 45 mm), length adjustable, photo: artist — Jenny Jansson, 2024, necklace in silver, nylon thread, pendant measures 2 ¾ x 2 ¾ x 1 ¾ inches (70 x 70 x 45 mm), size adjustable, photograph: artist

Gallery: 4 Gallery, Gothenburg, Sweden (click on the gallery title to hyperlink to its web site)
Contact: Karin Roy Andersson (click on the gallerist’s title for electronic mail)
Artist: Jenny Jansson
Retail value: €390
In her jewellery items Jenny Jansson tells a narrative of a romanticized view of Swedish traditions and tradition—however one thing is just a bit bit off. Photographs of conventional tradition are paired with flower wreaths and buttercups. Lately the controversy round immigration has introduced up the subject of what it takes to get to name oneself Swedish. Do it’s important to like pickled herring, know the right way to assemble flat-pack furnishings, or dance across the Midsummer pole? Traditions can have an essential position in creating inclusivity inside a group, tradition, and custom, however can be used as a device for exclusion and alienation.

A vintage coral, onyx, turquoise and sterling silver ring, by Jesse Monongya (Navajo/Hopi), AZ, USA (1952–2024), 1977, size 06, photo courtesy of Mahnaz Collection — A classic coral, onyx, turquoise and sterling silver ring, by Jesse Monongya (Navajo/Hopi), AZ, USA (1952–2024), 1977, measurement 06, photograph courtesy of Mahnaz Assortment

Gallery: Mahnaz Assortment, New York, NY, US (click on the gallery title to hyperlink to its web site)
Contact: Bella Neyman (click on the title for electronic mail)
Artist: Jesse Monongya (Navajo/Hopi)
Retail value: US$6,800
Made by the late Jesse Monongya (Navajo/Hopi) (1952–2024), one of the vital outstanding Native American jewelers, early in his profession. The son of early trendy artist jeweler Preston Monongye, Jesse made work distinguished by his mastery of inlay. He created bracelets, necklaces, pendants, bolo ties, and earrings inlaid with the best coral, turquoise, Acoma jet, sugilite, lapis, ivory, and extra. He loved utilizing diamonds and created beautiful shows of shade. Animals impressed him, and the bear was his closest jewellery companion. Monongya is acknowledged for the celestial evening skies he inlaid, crammed with flying comets and views of Monument Valley. He mentioned he was impressed by the dreamlike tales that his grandmother advised him as a younger little one. This ring isn’t any exception, with the daring, graphic picture on its face, persevering with down either side of the shank. Monongya’s much-awarded work may be discovered within the Heard Museum, MOMA, the Cooper Hewitt, the Smithsonian, and plenty of different establishments. An identical ring is featured in Jesse Monongya: Opal Bears and Lapis Skies, by Lois Sherr Dubin (2002), on web page 134.

matt lambert, Let Go of the Bird and Whisper to the Flowers_4, 2024, brooch in wood, brass, cold enamel, steel, makassar pearl, 5 ⅞ x 3 ⅛ x 2 inches (150 x 80 x 50 mm), photo: artist — matt lambert, *Let Go of the Fowl and Whisper to the Flowers_4,* 2024, brooch in wooden, brass, chilly enamel, metal, makassar pearl, 5 ⅞ x 3 ⅛ x 2 inches (150 x 80 x 50 mm), photograph: artist

Gallery: Platina, Stockholm, Sweden (click on the gallery title to hyperlink to its web site)
Contact: Sofia Björkman (click on the gallerist’s title for electronic mail)
Artist: matt lambert
Retail value: US$900
On this new physique of labor, matt lambert investigates animacy, the connection of the human hand to the nonhuman in follow, and asks: “What if we simply let go of the chicken and bounce into the bushes?” That assertion views inventive follow as a course of for the animation of the summary, to make bodily factors for embodied dialogue. It takes idea and follow collectively, to type praxis. The brooch with a hand holding flowers may be seen as a connection between the thought and follow, the spoken phrase and the made object, mouth at hand.

Chelsea Nanfelt Rowe, It Isn’t a Terrible Life…, 2024, brooch in glass, sterling silver, aluminum, faux pearls, cotton, 4 x 1 ⅝ x 4 inches (100 x 40 x 100 mm), photo courtesy of the artist — Chelsea Nanfelt Rowe, *It Isn’t a Horrible Life…,* 2024, brooch in glass, sterling silver, aluminum, fake pearls, cotton, 4 x 1 ⅝ x 4 inches (100 x 40 x 100 mm), photograph courtesy of the artist

Gallery: Baltimore Jewellery Heart, Baltimore, MD (click on the gallery title to hyperlink to its web site)
Contact: Allison Gulick (click on the title for electronic mail)
Artist: Chelsea Nanfelt Rowe
Retail value: US$500
Chelsea Nanfelt Rowe, a US-based craft artist and jeweler, earned her MFA from Virginia Commonwealth College in 2024. She examines how supplies replicate human nature, uncovering the tales and personalities we venture onto on a regular basis objects and detritus. Nanfelt Rowe is an RJM Artist Mission and Moral Metalsmiths Training Committee member. Her latest exhibitions embody the RJM Artist Mission on the Metallic Museum (Memphis, TN, US), and Refined (Nacogdoches, TX, US). She has acquired grants such because the SNAG Academic Endowment Scholarship and the VCU Graduate Analysis Grant. Her article “A New Ethics of Supplies: Collective Materials Affect” was additionally not too long ago printed in Metalsmith journal.

Laurel Fulton, Necklace, in sterling silver, acrylic, approximately 18 inches (457 mm) long, pendant 2 ¾ x 1 ¼ inches (70 x 32 mm), photo: Pistachios — Laurel Fulton, *Necklace,* in sterling silver, acrylic, roughly 18 inches (457 mm) lengthy, pendant 2 ¾ x 1 ¼ inches (70 x 32 mm), photograph: Pistachios

Gallery: Pistachios Up to date Artwork Jewellery, Chicago, IL, US (click on the gallery title to hyperlink to its web site)
Contact: The Pistachios Crew (click on the title for electronic mail)
Artist: Laurel Fulton
Retail value: US$495
Laurel Fulton’s work has a musical sensibility, resembling devices or different objects which have purposeful, movable elements. Conceptually, the artist is exploring this concept of (non)performance, and using shiny sterling silver and acrylic to create a physique of labor that feels each acquainted and peculiar on the similar time.

Everett Hoffman, Smile Signet Rings, sterling silver, sizes 6–8.75, photo courtesy of the artist — Everett Hoffman, *Smile Signet Rings,* sterling silver, sizes 6–8.75, photograph courtesy of the artist

Gallery: Gravers Lane Gallery, Philadelphia, PA, US (click on the gallery title to hyperlink to its web site)
Contact: Chloe Le Pichon (click on the title for electronic mail)
Artist: Everett Hoffman
Retail value: Every US$410
Everett Hoffman made these Smile Signet Rings particularly for Gravers Lane Gallery’s exhibition Severe Enjoyable, curated by @nightshift.studio. These carved “chonky” silver rings are superbly executed, weighty, and naively cute—spot-on for the Severe Enjoyable theme. Come and take a look at them on @graverslanegallery. Hoffman at the moment teaches Jewellery and Metalsmithing at RISD and Tyler College of Artwork and Structure. He was a finalist for the 2024 Younger Artist Award.

Pawel Kaczynski, Bracelet, 2018, in steel mesh, fabric, oxidized sterling silver, magnetic clasp, 3 x 7 ½ inches (76 x 191 mm), photo courtesy of Aaron Faber Gallery — Pawel Kaczynski, *Bracelet,* 2018, in metal mesh, material, oxidized sterling silver, magnetic clasp, 3 x 7 ½ inches (76 x 191 mm), photograph courtesy of Aaron Faber Gallery

Gallery: Aaron Faber Gallery, New York, NY, US (click on the gallery title to hyperlink to its web site)
Contact: Patricia Kiley Faber (click on the gallerist’s title for electronic mail)
Artist: Pawel Kaczynski
Retail value: US$950
Pawel Kaczynski is a Polish artist and jeweler whose progressive work with material and metallic is noteworthy. He graduated from the Academy of Nice Arts in Łódź, Poland, with a specialization in material and vogue and jewellery, and has been designing jewellery since 1990. He has been a member of the Polish Sculptors Affiliation since 1992, and, since 1995, a member of the Goldsmithing Artists’ Affiliation. His work explores new types of expression in jewellery, and he’s greatest recognized for his work in metal, silver, and gold. He’s additionally the co-author of the inventive enterprise known as “Grupa Sześć” (Group Six), which popularizes the concept of distinctive jewellery.

Blanche Tilden, Hosier, 2023, neckpiece in borosilicate glass, anodized titanium, oxidized sterling silver, 20 ½ inches (520 mm) long, glass section 11 ⅜ x 2 x ¼ inches (290 x 50 x 8 mm), photo: Fred Kroh — Blanche Tilden, *Hosier,* 2023, neckpiece in borosilicate glass, anodized titanium, oxidized sterling silver, 20 ½ inches (520 mm) lengthy, glass part 11 ⅜ x 2 x ¼ inches (290 x 50 x 8 mm), photograph: Fred Kroh

Gallery: Zu design, Adelaide, Australia (click on the gallery title to hyperlink to its web site)
Contact: Jane Bowden (click on the gallerist’s title for electronic mail)
Artist: Blanche Tilden
Retail value: AUS$3,200
Hosier neckpiece is at Zu design for Seven Colors. A number of-exposure shade pictures by Marcus Scholz are beginning factors for Blanche Tilden’s distinctive jewellery. Made with clear and coloured borosilicate glass, silver, and anodized titanium, this sequence explores hyperlinks between jewellery, images, structure, and the physique. Eminently wearable, each bit suggests a second of calm, in distinction to the fixed hustle of the city panorama. Tilden can be giving an artist speak about her work, “In Dialog,” with Rebecca Evans, curator of Ornamental Arts and Design, AGSA, Tuesday, October 29, 12:30 p.m., Radford Auditorium. More information.

Aurélie Guillaume, Trésor, 2022, ring in enamel on copper, sterling silver, 14-karat gold, cubic zirconia, 1 ¼ x 1 ⅛ x 1 ⅛ inches (33 x 28 x 28 mm), size 7.25, photo: Anthony McLean — Aurélie Guillaume, *Trésor,* 2022, ring in enamel on copper, sterling silver, 14-karat gold, cubic zirconia, 1 ¼ x 1 ⅛ x 1 ⅛ inches (33 x 28 x 28 mm), measurement 7.25, photograph: Anthony McLean

Gallery: Galerie Noel Guyomarc’h, bijoux et objets contemporains, Montreal, Canada (click on the gallery title to hyperlink to its web site)
Contact: Noel Guyomarc’h (click on the gallerist’s title for electronic mail)
Artist: Aurélie Guillaume
Retail value: CAN$1,975
Aurélie Guillaume’s creations invite us into her playful and poetic world. The Trésor, because the piece is named, is to hold it.

Verena Sieber-Fuchs, Brauntuch, 2024, shawl (object) in black and brown industrial sequins with iron square for hanging, approximately 47 ¼ x 19 ⅝ x ⅜ inches (120 x 50 x 1 cm), photo: Sebastian Sieber — Verena Sieber-Fuchs, *Brauntuch,* 2024, scarf (object) in black and brown industrial sequins with iron sq. for hanging, roughly 47 ¼ x 19 ⅝ x ⅜ inches (120 x 50 x 1 cm), photograph: Sebastian Sieber

Gallery: Galeria Tereza Seabra, Lisbon, Portugal (click on the gallery title to hyperlink to its web site)
Contact: Tereza Seabra (click on the gallerist’s title for electronic mail)
Artist: Verena Sieber-Fuchs
Retail value: €8,000, plus delivery
Verena Sieber-Fuchs is an artist from Switzerland, primarily based in Zurich. She is a grasp of crocheting her on a regular basis life. She is a livid collector of the whole lot that surrounds her, from drugs blister packs to orange paper, stamps, beads, and many others. All the things is ritualistically stored with care to talk about pleasure, sorrows, or politics. It’s a recreation with all types of supplies and above all with no valuable ones to make them valuable. This piece is a part of her solo exhibition at Galeria Tereza Seabra, The Yr of the Revolution, which runs till November 23, 2024.

We welcome your feedback on our publishing, and can publish letters that have interaction with our articles in a considerate and well mannered method. Please submit letters to the editor electronically; accomplish that right here.

© 2024 Artwork Jewellery Discussion board. All rights reserved. Content material might not be reproduced in complete or partly with out permission. For reprint permission, contact data (at) artjewelryforum (dot) org