On Supply – Artwork Jewellery Discussion board

February 2025, Half 2

Greater than ever, all of us might use a deal with! What an uplifting feeling to get a terrific piece of artwork jewellery for your self whereas celebrating and supporting artists and the galleries who present them!

Artwork Jewellery Discussion board’s worldwide gallery supporters have fun and exhibit artwork jewellery. Our bi-monthly On Supply sequence permits this intensive community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’re sure to discover a unbelievable piece you merely can’t dwell with out! (Please contact the gallery instantly for inquiries.)

Catherine Buddle, Silver Anemone with Ni, 2024, neckpiece in hand-crocheted silk/silver passementerie thread C1890, antique silver sequins, silk cord pendant, 2 ¾ x 2 x 2 ¾ inches (70 x 50 x 70 mm), photo: Jane Bowden — Catherine Buddle, *Silver Anemone with Ni,* 2024, neckpiece in hand-crocheted silk/silver passementerie thread C1890, vintage silver sequins, silk wire pendant, 2 ¾ x 2 x 2 ¾ inches (70 x 50 x 70 mm), picture: Jane Bowden

Gallery: Zu design, Adelaide, Australia (click on the gallery title to hyperlink to its web site)
Contact: Jane Bowden (click on the gallerist’s title for e mail)
Artist: Catherine Buddle
Retail value: AUS$2,400
“I selected Catherine Buddle’s Silver Anemone with Ni neckpiece this month as she is among the artists in Radical Textiles,” states Zu design’s gallerist, Jane Bowden. The present is at the moment on the Artwork Gallery of South Australia till March 30, 2025. Buddle collects vintage threads and makes use of a really fantastic 0.4-mm crochet hook to hand-crochet her kinds. The silver sequins on this explicit piece are crocheted into place as the shape grows. The completed piece has a stunning shimmer because the sequins transfer and mirror mild.

J Taran Diamond, Wet-a-Bed, 2024, brooch in recycled sterling silver, freshwater pearls, powder coat, stainless steel, silk, 2 x 6 x ¾ inches (51 x 152 x 19 mm), photo courtesy of the artist — J Taran Diamond, *Moist-a-Mattress,* 2024, brooch in recycled sterling silver, freshwater pearls, powder coat, stainless-steel, silk, 2 x 6 x ¾ inches (51 x 152 x 19 mm), picture courtesy of the artist

Gallery: Baltimore Jewellery Middle, Baltimore, MD, US (click on the gallery title to hyperlink to its web site)
Contact: Allison Gulick (click on the title for e mail)
Artist: J Taran Diamond
Retail value: US$920
J Taran Diamond is a metalsmith, craft educator, and internationally revealed scholar with regards to jewellery, and primarily based in Baltimore, MD, US, the place she is at the moment a educating fellow and studio supervisor. We frequently think about our identities and our bodies as fastened, last variations of ourselves. In actuality, although, we’re repeatedly shedding previous features of ourselves and incorporating new ones. Moist-a-Mattress is a mirrored image on this steady shift between states. The removing of a floor reveals a brand new floor beneath it; this new floor shouldn’t be meaningfully extra true to the item, just one that’s subsequent for the item.

Sofia Bankeström, Fly, 2018, brooch in juniper wood, silver, 3 ¾ x ¾ x ¾ inches (95 x 20 x 20 mm), photo: Four — Sofia Bankeström, *Fly,* 2018, brooch in juniper wooden, silver, 3 ¾ x ¾ x ¾ inches (95 x 20 x 20 mm), picture: 4

Gallery: 4 Gallery, Umeå, Sweden (click on the gallery title to hyperlink to its web site)
Contact: Karin Roy Andersson (click on the gallerist’s title for e mail)
Artist: Sofia Bankeström
Retail value: €250
Wooden is a cloth that’s each lifeless and alive on the identical time. Regardless that the tree has stopped rising, it continues to alter by Sofia Bankeström’s processing, and is affected by circumstances similar to humidity and light-weight. The dynamics of the fabric mirror the fixed transformation in nature and in our personal lives.

Petra Class, Emerald Earrings in emerald, 18-karat gold, 22-karat gold, approximately 1 x ½ inch (25 x 13 mm), photo: Pistachios — Petra Class, *Emerald Earrings* in emerald, 18-karat gold, 22-karat gold, roughly 1 x ½ inch (25 x 13 mm), picture: Pistachios

Gallery: Pistachios Up to date Artwork Jewellery, Chicago, IL, US (click on the gallery title to hyperlink to its web site)
Contact: The Pistachios Crew (click on the title for e mail)
Artist: Petra Class
Retail value: US$4,645
Gorgeous ethically sourced emeralds are set in 22-karat gold and collaged collectively to create a traditional pair of earrings which are timeless in design. With 18-karat gold publish backs, this pair by Petra Class is your subsequent heirloom piece. Class’s designs discover coloration and texture, mixing European artisanal custom with California’s natural, nature-inspired ethos.

Natalie Lowe, House Dream I, brooch in copper, spray paint, steel pin, 2 ¾ x 2 ¼ inches (70 x 57 mm), photo courtesy of GLG — Natalie Lowe, *Home Dream I,* brooch in copper, spray paint, metal pin, 2 ¾ x 2 ¼ inches (70 x 57 mm), picture courtesy of GLG

Gallery: Gravers Lane Gallery, Philadelphia, PA, US (click on the gallery title to hyperlink to its web site)
Contact: Chloe Le Pichon (click on the gallerist’s title for e mail)
Artist: Natalie Lowe
Retail value: US$990
A flying suburban home picked up by a gust of wind, with an upside-down picket fence, as if wings, trailing together with it … this evocative piece suggests plenty of imaginative narratives. This light-weight brooch can be perched on its custom-made wall stand, to embellish the home in addition to adorn the physique. Natalie Lowe’s work contemplates longing, privateness, intimacy, and interiority. Over the course of her profession as an artist, she has received a number of awards in juried exhibitions, has exhibited work nationally, and has been the recipient of a number of grants and fellowships. She is at the moment a visiting educating professor of metals & jewellery and foundations at Ball State College.

Felieke van der Leest, Peek-a-Puma, 2014, ear clips in plastic toy animals, 14-karat gold, each 2 ¾ x 2 x ⅝ inches (70 x 50 x 15 mm), edition of 4, photo: artist — Felieke van der Leest, *Peek-a-Puma,* 2014, ear clips in plastic toy animals, 14-karat gold, every 2 ¾ x 2 x ⅝ inches (70 x 50 x 15 mm), version of 4, picture: artist

Gallery: Platina, Stockholm, Sweden (click on the gallery title to hyperlink to its web site)
Contact: Sofia Bjorkman (click on the gallerist’s title for e mail)
Artist: Felieke van der Leest
Retail value: US$2,800
The title of this humorous pair of ear clips is Peek-a-Puma. They’re made from plastic toy pumas, gold, and textile. Throughout her profession, Felieke van der Leest has developed a private model involving points such because the surroundings, animal care, and social conduct, at all times with a humorous however critical twist. She is a jewellery artist from the Netherlands, primarily based in Norway since 2008. In 1996, she graduated from Gerrit Rietveld Academie Jewelry Design, in Amsterdam. Her work may be discovered in lots of personal and public collections world wide.

Catarina Silva, Herbarium, 2024, necklace in glass beads, plastic flowers, paint, 9 x 9 x ¼ inches (230 x 230 x 5 mm), photo: artist IG: @galeria_tereza_seabra — Catarina Silva, *Herbarium,* 2024, necklace in glass beads, plastic flowers, paint, 9 x 9 x ¼ inches (230 x 230 x 5 mm), picture: artist
IG: @galeria_tereza_seabra

Gallery: Galeria Tereza Seabra, Lisbon, Portugal (click on the gallery title to hyperlink to its web site)
Contact: Tereza Seabra (click on the gallerist’s title for e mail)
Artist: Catarina Silva
Retail value: €1,600, plus transport
Catarina Silva presents a brand new romantic physique of labor with intricate beading, weaving, and painted by hand flowers impressed by Emily Dickinson’s Herbarium poetry:
“The Solar—simply touched the Morning—
The Morning—Completely satisfied factor—
Supposed that He had come to dwell—
And Life could be all Spring!

She felt herself supremer—A Raised—Ethereal Factor!
Henceforth—for Her—What Vacation!
In the meantime—Her wheeling King—
Trailed—sluggish—alongside the Orchards—
His haughty—spangled Hems—
Leaving a brand new necessity!
The need of Diadems!

The morning—fluttered—staggered—
Felt feebly—for Her Crown—
Her unanointed brow—
Henceforth—Her solely One!”

Giovanni Corvaja, Earrings, 1999, in 18-karat gold, niello, 1 ⅛ x 1 ⅛ x ¾ inches (30 x 30 x 20 mm), photo courtesy of Salotto SPJ — Giovanni Corvaja, *Earrings,* 1999, in 18-karat gold, niello, 1 ⅛ x 1 ⅛ x ¾ inches (30 x 30 x 20 mm), picture courtesy of Salotto SPJ

Gallery: Salotto SPJ, Milan, Italy (click on the gallery title to hyperlink to its web site)
Contact: Josefine Spjeldnaes (click on the gallerist’s title for e mail)
Artist: Giovanni Corvaja
Retail value: €41,000, plus VAT
These gold earrings showcase the celebrated technical and poetic mastery of famend goldsmith Giovanni Corvaja. Composed of a whole bunch of tiny squares of delicate gold wire, every one meticulously soldered into place inside a stable body, the pendant’s design is an intricate internet of evenly spaced traces that fill the whole kind. Using niello drops accentuates the notion of transparency and quantity. This piece exemplifies Corvaja’s modern method to working with gold, reworking the fabric into a panoramic murals that blurs the road between construction and fluidity. Corvaja’s work is represented in prestigious museums and collections globally.

Kira Yurina, Objewelry_acryl18545, 2020, brooch in colored acrylic, teak, 2 ¼ x 3 ⅜ x ¾ inches (57 x 85 x 20 mm), photo: Galeria Reverso — Kira Yurina, *Objewelry_acryl18545,* 2020, brooch in coloured acrylic, teak, 2 ¼ x 3 ⅜ x ¾ inches (57 x 85 x 20 mm), picture: Galeria Reverso

Gallery: Galeria Reverso, Lisbon, Portugal (click on the gallery title to hyperlink to its web site)
Contact: Paula Crespo (click on the gallerist’s title for e mail)
Artist: Kira Yurina
Retail value: €580
Kira Yurina is a Japanese artist who has developed her work between wall objects and jewellery that she describes not as equipment, however as small installations that improve emotions. To specific her curiosity from this attitude, Yurina created the time period “objewelry,” which encompasses the obscure existence of a boundary between creative objects and jewellery. This brooch highlights her meticulous craftsmanship, which skillfully incorporates supplies similar to teak and acrylic.

Aaron Brown, Ruru, 2024, (left) necklace in honey agate, 3 ½ x 1 ⅝ x ⅝ inches (90 x 40 x 15 mm), (right) necklace in carnelian, photo: Michael Couper — Aaron Brown, *Ruru,* 2024, (left) necklace in honey agate, 3 ½ x 1 ⅝ x ⅝ inches (90 x 40 x 15 mm), (proper) necklace in carnelian, picture: Michael Couper

Gallery: Fingers Gallery, Auckland, New Zealand (click on the gallery title to hyperlink to its web site)
Contact: Lisa Higgins (click on the title for e mail)
Artist: Aaron Brown
Retail value: NZ$890–NZ$980
Aaron Brown makes work that displays his deep love of nature—birds, leaf kinds, bugs, and nature-inspired summary patterns. He enjoys the problem of representational or lifelike carving and the objective of capturing a small slice of the topic’s character in stone. “Though I take pleasure in the entire pure world, wildlife from house is at all times particular,” states Brown. “After I carve species native to New Zealand I wish to make an extra connection by utilizing stone from NZ: Pounamu, NZ Agate, Greywacke, and so forth. Making native species out of native stone simply matches.” Native to NZ, the morepork owl is understood for its haunting, melancholic name. This sound offers it the Māori title “ruru.”

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