On Provide – Artwork Jewellery Discussion board

March 2026, Half 2

Proper now, with the best way the world feels, we might all use a deal with. What a pleasure to get a terrific piece of artwork jewellery for ourselves whereas celebrating and supporting artists and the galleries who present them!

Artwork Jewellery Discussion board’s worldwide gallery supporters have a good time and exhibit artwork jewellery. Our bi-monthly On Provide collection permits this intensive community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’ll actually discover a improbable piece you merely can’t dwell with out! (Contact the gallery straight for inquiries.)

Niki Khojandi, (Zardosi) Golden Collar, 2024, necklace in silk, cotton, gold embroidery thread, sequins, string, photo courtesy of WAM — Niki Khojandi, *(Zardosi) Golden Collar,* 2024, necklace in silk, cotton, gold embroidery thread, sequins, string, photograph courtesy of WAM

Gallery: Wearable Artwork Museum (click on the gallery title to hyperlink to its web site)
Contact: Lisa M. Berman (click on the director’s title for e-mail)
Artist: Niki Khojandi
Retail worth: US$4,800

This collar (an accompanying costume is accessible as effectively) was featured within the museum exhibition Fashioning Energy/Style Peace in 2025 on the Woodrow Wilson Museum, in Washington, DC, because the solely ensemble to symbolize the artist’s nation of Iran. (There’s a printed catalog.) The collar was impressed by the artwork and structure of historical Persia. Niki Khojandi makes use of her cultural heritage as a strategy to course of Iran’ s historical past by utilizing conventional embroidery strategies to create a recent narrative. Khojandi was a style design pupil at Parsons, in NYC, when COVID arrived and he or she was pressured to return house. She creates extraordinary artwork in textiles from her bed room studio underneath extreme circumstances.

Lena Olson, Duo, 2013, brooch in ebony, steel, 2 ½ x ⅝ x ⅝ inches (62 x 17 x 17 mm), photo: Four — Lena Olson, *Duo,* 2013, brooch in ebony, metal, 2 ½ x ⅝ x ⅝ inches (62 x 17 x 17 mm), photograph: 4

Gallery: 4 Gallery, Umeå, Sweden (click on the gallery title to hyperlink to its web site)
Contact: Karin Roy Andersson (click on the gallerist’s title for e-mail)
Artist: Lena Olson
Retail worth: US$400

Lena Olson has labored with wooden for a few years. Her intensive information of the fabric permits her to create gentle, tactile shapes out of the exhausting and sometimes willful materials. The wooden challenges the artist each technically and intellectually, and the jewellery expresses concord and craft talent.

Itto Mishima, Overlook “Receipt,” 2024, brooch in silver 950, stainless steel, sulfide finish, 1 ⅝ x 4 inches (40 x 100 mm), photo: artist — Itto Mishima, *Overlook “Receipt,”* 2024, brooch in silver 950, stainless-steel, sulfide end, 1 ⅝ x 4 inches (40 x 100 mm), photograph: artist

Gallery: Galerie Noel Guyomarc’h, bijoux et objets contemporains, Montreal, QC, Canada (click on the gallery title to hyperlink to its web site)
Contact: Noel Guyomarc’h (click on the gallerist’s title for e-mail)
Artist: Itto Mishima
Retail worth: €1,700

In on a regular basis life, we devour and discard what we not want. Objects corresponding to receipts, banknotes, and empty cans could appear insignificant, however they bear the traces of actions and experiences. As soon as used, they’re thrown away. Itto Mishima is thinking about private reminiscences and recorded moments inscribed in these discarded “paper helps” and supplies. These fragments are remodeled into up to date jewellery, drawing on particulars such because the creases, textures, and imprints left on receipts or crumpled cans.

Lydia Martin, Open Smushed Soft Triangle Studs, 2022, earrings in sterling silver, lacquer, each ⅞ x ⅞ x ⅝ inches (22 x 22 x 16 mm), photo: J Diamond — Lydia Martin, *Open Smushed Delicate Triangle Studs,* 2022, earrings in sterling silver, lacquer, every ⅞ x ⅞ x ⅝ inches (22 x 22 x 16 mm), photograph: J Diamond

Gallery: Baltimore Jewellery Middle, Baltimore, MD, US (click on the gallery title to hyperlink to its web site)
Contact: J Diamond (click on the title for e-mail)
Artist: Lydia Martin
Retail worth: US$120

Lydia Martin is a recent jeweler residing, working, and educating in Little Rock, AR, US. Her work, constructed upon the foundations of technical talent, is an exploration of fabric talent, floor, line, and motion. By the usage of conventional metalsmithing strategies, she creates items that develop into an investigation of intentions and penalties. She has exhibited each nationally and internationally and can also be represented by Jewelers’Werk Galerie, in Washington, DC. At present, she is the Windgate Visiting Assistant Professor of Artwork in Steel at UA Little Rock, the place she heads the jewellery and metalsmithing program.

Angela Giuliani, JEWEL-tide Earrings, 2025, in opalized timber, oxidized sterling silver, ⅝ x ¼ x 2 inches (18 x 5 x 51 mm) long including hook, photo: Jane Bowden — Angela Giuliani, *JEWEL-tide Earrings,* 2025, in opalized timber, oxidized sterling silver, ⅝ x ¼ x 2 inches (18 x 5 x 51 mm) lengthy together with hook, photograph: Jane Bowden

Gallery: Zu design, Adelaide, NSW, Australia
Contact: Jane (click on the gallerist’s title for e-mail)
Artist: Angela Giuliani
Retail worth: AUS$1,700

A part of the JEWEL-tide collection, these earrings function slices of opalized timber framed in oxidized sterling silver. The lengthy, slim varieties draw out the stone’s layered tones—gentle greens, browns, and mineral blues—each studying like a small panorama. Easy, sculptural items with a quiet presence.

Ildikó Dánfalvi, I Really Wanted…, from the Mirroring of Traces series, 2024, necklace in steel, lacquer, Plexiglas (with guilloché), 19 ⅝ x 3 ½ x ⅝ inches (500 x 90 x 15 mm), photo: courtesy of the artist and Galerie Door — Ildikó Dánfalvi, *I Actually Needed…,* from the *Mirroring of Traces* collection, 2024, necklace in metal, lacquer, Plexiglas (with guilloché), 19 ⅝ x 3 ½ x ⅝ inches (500 x 90 x 15 mm), photograph: courtesy of the artist and Galerie Door

Gallery: Galerie Door, Nijmegem, Netherlands (click on the gallery title to hyperlink to its web site)
Contact: Doreen Timmers (click on the gallerist’s title for e-mail)
Artist: Ildikó Dánfalvi
Retail worth: 995€

Ildikó Dánfalvi was a Meisterschülerin in Burg Giebichenstein’s jewellery division with Prof. Hans Stofer in 2020–2021. This extraordinary artist from Hungary employs an exceptionally big selection of supplies, strategies, and varieties. In her wearable artistic endeavors, you may learn tales about previous and current, about custom and individuality, about magnificence and safety. All hyperlinks are handcrafted, as is the guilloché on Plexiglas, mixed with a embellished classic object. The necklace is now on show at Galerie Door’s Mirror Mirror… exhibition.

Gretchen Raber, Build Not Destroy, 2025, pendant in sterling silver, black onyx, 3 x 1 inches (76 x 25 mm), cable wire 15 inches (381 mm) long, photo courtesy of InterFusion Art — Gretchen Raber, *Construct Not Destroy,* 2025, pendant in sterling silver, black onyx, 3 x 1 inches (76 x 25 mm), cable wire 15 inches (381 mm) lengthy, photograph courtesy of InterFusion Artwork

Gallery: InterFusion Artwork, Santa Fe, NM, US (click on the gallery title to hyperlink to its web site)
Contact: The Group (click on the crew title for e-mail)
Artist: Gretchen Raber
Retail worth: US$2,200.00

The Construct Not Destroy pendant is a glossy architectural piece crafted in sterling silver with a daring black onyx accent that provides it actual presence. Designed by metalsmith Gretchen Raber, it carries her signature mix of unpolluted traces and significant phrases, so it looks like wearable artwork with a objective. The distinction of shining metallic and deep stone turns “construct not destroy” right into a day by day reminder to take a position your vitality in repairing, rising, and supporting. It’s excellent if you would like minimal, trendy jewellery that quietly declares what you consider in.

Natalie Lowe, Ashtray Brooch, 2019, in brass, silver, gold, steel pin, 3 x 3 x 1 inches (76 x 76 x 25 mm), photo courtesy of Gravers Lane Gallery — Natalie Lowe, *Ashtray Brooch,* 2019, in brass, silver, gold, metal pin, 3 x 3 x 1 inches (76 x 76 x 25 mm), photograph courtesy of Gravers Lane Gallery

Gallery: Gravers Lane Gallery, Philadelphia, PA, US (click on the gallery title to hyperlink to its web site)
Contact: Bruce Hoffman (click on the gallerist’s title for e-mail)
Artist: Natalie Lowe
Retail worth: US$440

This brooch facilities the remnants of smoking, letting you put on the tokens of your unhealthy behavior. In an act of self shaming, you get to hold with you the bodily proof of your unhealthy behavior.

Benedict Haener, Sugar Free Apple, 2024, pendant in glass, resin, diamonds, photo courtesy of the artist — Benedict Haener, *Sugar Free Apple,* 2024, pendant in glass, resin, diamonds, photograph courtesy of the artist

Gallery: Thereza Pedrosa Gallery, Asolo, Italy (click on the gallery title to hyperlink to its web site)
Contact: Thereza Pedrosa (click on the gallerist’s title for e-mail)
Artist: Benedict Haener
Retail worth: €430

Benedict Haener’s Sugar Free Apple pendant transforms an on a regular basis image right into a quietly subversive piece of latest jewellery. Referencing the acquainted promise of “sugar free,” Haener performs with concepts of want, consumption, and the shiny language of selling—inviting us to query what we’re really craving. The apple, loaded with cultural meanings from temptation to well being, turns into each playful and unsettling in his palms. With a pointy eye for idea and kind, Haener creates work that sits between object and commentary, appeal and critique. Worn near the physique, this pendant turns into a private assertion—candy, ironic, and unmistakably present.

Andrea Daly, Apple & Skull, 2025, ring in sterling silver, 24-karat gold leaf, enamel, peridot, ¾ x ¾ inch (20 x 20 mm), size: P½, ¾ x 1 ⅛ inches (20 x 30 mm), size: R¼, photo: Michael Couper — Andrea Daly, *Apple & Cranium,* 2025, ring in sterling silver, pure gold leaf, enamel, peridot, ¾ x ¾ inch (20 x 20 mm), measurement: P½, ¾ x 1 ⅛ inches (20 x 30 mm), measurement: R¼, photograph: Michael Couper

Gallery: Fingers Gallery, Auckland, New Zealand (click on the gallery title to hyperlink to its web site)
Contact: Lisa Higgins (click on the title for e-mail)
Artist: Andrea Daly
Retail worth: Every NZ$1,200

Andrea Daly has been concerned in artwork training since 1990 as a visitor lecturer at a number of New Zealand instructional establishments, a lecturer at Manukau Institute of Expertise within the Visible Arts Diploma 1995–2004, Hungry Creek Artwork and Craft Faculty 2008–2019, and is now educating at Whitecliffe of their bachelor of bijou design and expertise program. She has taught throughout varied topics—drawing, jewellery design, contextual research, skilled research—and was head of the division 2018–2019. She was a accomplice in Fingers Jewelry Gallery 1991–2017. Daly continues to exhibit nationally and internationally and was chosen in 2019 for Schmuck in Munich. Her work is held in a variety of private and non-private collections. She at present lives and works in Auckland, New Zealand.

Alexandra Lindqvist, Barefoot in the Glade, 2023, necklace in wool, cotton, hemp, repurposed thread, silver, repurposed leather, 2 x 11 ¾ x 1 inches (52 x 300 x 25 mm), photo: artist — Alexandra Lindqvist, *Barefoot within the Glade,* 2023, necklace in wool, cotton, hemp, repurposed thread, silver, repurposed leather-based, 2 x 11 ¾ x 1 inches (52 x 300 x 25 mm), photograph: artist

Gallery: Pistachios Modern Artwork Jewellery, Chicago, IL, US (click on the gallery title to hyperlink to its web site)
Contact: Megan Nash (click on the title for e-mail)
Artist: Alexandra Lindqvist
Retail worth: €1,365

This exceptional necklace by Alexandra Lindqvist, titled Barefoot In The Glade, “dwell[s] within the house between contact and emotion, in what can’t be spoken however may be felt by way of texture, kind, and shade,” states the artist. “Every materials carries its personal voice: the heat of fiber, the cool reflection of silver, and the grain of wooden formed by time. By making, I give presence to silence. My jewellery turns into a tangible language for the unseen and unheard; a strategy to specific what may need remained hidden if not formed by the hand.” This necklace is featured in Issues Unsaid, a collaborative exhibition between Pistachios and Valuable Collective that was on view as a part of Munich’s jewellery week.

Erica Bello, Periplaneta Americana, 2025, earrings in oxidized silver, diamond, 1 x ½ x ¼ inch (25 x 13 x 6 mm), photo: artist — Erica Bello, *Periplaneta Americana,* 2025, earrings in oxidized silver, diamond, 1 x ½ x ¼ inch (25 x 13 x 6 mm), photograph: artist

Gallery: Heidi Lowe Gallery, Lewes, DE, US (click on the gallery title to hyperlink to its web site)
Contact: Kassadi Williams (click on the title for e-mail)
Artist: Erica Bello
Retail worth: US$315

Erica Bello’s earrings are included within the annual Earrings Galore juried exhibition, a wealthy and various array of earrings made by 60 rising and established studio jewelers. The exhibition is meant to create extra entry for the general public to interact with artwork jewellery, domesticate connections with the group, and supply alternatives for individuals so as to add to their jewellery assortment.

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