On Provide – Artwork Jewellery Discussion board

Could 2026, Half 1 Half 2

Proper now, when the world feels topsy-turvy, all of us might use a deal with. It feels good to get a terrific piece of artwork jewellery for ourselves whereas celebrating and supporting artists and the galleries who present them!

Artwork Jewellery Discussion board’s worldwide gallery supporters have fun and exhibit artwork jewellery. Our bi-monthly On Provide sequence permits this in depth community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’re certain to discover a unbelievable piece you merely can’t reside with out! (Please contact the gallery immediately for inquiries.)

Betsy Hershberg, Spring Garden, 2026, necklace in abacus bead knitting (artist's own original technique), crochet and off-loom bead weaving, Tencel fiber, hand-worked art glass beads, Japanese glass seed beads, 9 x 7 ½ x ½ inches (229 x 191 x 13 mm), photo courtesy of Gravers Lane Gallery — Betsy Hershberg, *Spring Backyard,* 2026, necklace in abacus bead knitting (artist’s personal unique method), crochet and off-loom bead weaving, Tencel fiber, hand-worked artwork glass beads, Japanese glass seed beads, 9 x 7 ½ x ½ inches (229 x 191 x 13 mm), photograph courtesy of Gravers Lane Gallery

Gallery: Gravers Lane Gallery, Philadelphia, PA, US (click on the gallery identify to hyperlink to its web site)
Contact: Mia Chen (click on the identify for electronic mail)
Artist: Betsy Hershberg
Retail value: US$940

This piece is two-in-one as a result of it’s reversible! Betsy Hershberg’s work showcases and celebrates the flexibility of hand knitting. Each bit options hand-knitting strategies at its core. She makes use of conventional plain or bead-knitted stitch-making, in addition to a singular bead-knitting strategy of her personal invention, which she calls abacus bead knitting. She additionally employs off-loom bead weaving, embroidery, or different strategies of floor embellishment to boost the textural and architectural number of the work. Most frequently comprised of advantageous fibers and small beads, Hershberg’s work has substance with out weight, making an announcement whereas remaining comfy and straightforward to put on. All work is one-of-a-kind. See each side of the piece right here.

Märta Mattsson, Necklace, in cicada wings, resin, glitter, oxidized sterling silver, pendant approximately 7 x 4 ½ inches (178 x 114 mm), chain 17 inches (432 mm) long, photo: Pistachios — Märta Mattsson, *Necklace,* in cicada wings, resin, glitter, oxidized sterling silver, pendant roughly 7 x 4 ½ inches (178 x 114 mm), chain 17 inches (432 mm) lengthy, photograph: Pistachios

Gallery: Pistachios Modern Artwork Jewellery, Chicago, IL, US (click on the gallery identify to hyperlink to its web site)
Contact: Meg Nash (click on the identify for electronic mail)
Artist: Märta Mattsson
Retail value: US$2,850

Märta Mattson’s work evokes a way of awe and marvel, as cicada wings are given a brand new life with glitter and resin. “My jewellery offers with the strain that lies between attraction and repulsion,” she says. “I take seemingly inappropriate supplies, making bizarre and acquainted objects appear extraordinary and unfamiliar.” This jaw-dropping assertion necklace will likely be featured in Pistachios’s summer time exhibition, Mystic Meadows.

Andy Lowrie, Disc & Coil Earrings, 2024, in sterling silver, each 1 ¼ x ⅝ inches (32 x 16 mm), photo: artist — Andy Lowrie, *Disc & Coil Earrings,* 2024, in sterling silver, every 1 ¼ x ⅝ inches (32 x 16 mm), photograph: artist

Gallery: Baltimore Jewellery Heart, Baltimore, MD, US (click on the gallery identify to hyperlink to its web site)
Contact: J Diamond (click on the identify for electronic mail)
Artist: Andy Lowrie
Retail value: US$125

Andy Lowrie is a jewellery artist who makes wearable, sculptural, and useful objects, in addition to works on paper. He’s an Australian maker residing and dealing in the US. His work attracts on the ability of a wearable object to behave as an extension of a maker (his personal) and wearer’s intentions and wishes. He’s pushed by materials and course of and makes use of narratives of queerness, household, labor, and environmental disaster in his work.

Agathe Saint Girons, Drive Me Crazy, 2024, ring in anodized titanium, photo: artist — Agathe Saint Girons, *Drive Me Loopy* (two views), 2024, ring in anodized titanium, photograph: artist

Gallery: Wearable Artwork Museum, US (click on the gallery identify to hyperlink to its web site)
Contact: Lisa M. Berman (click on the director’s identify for electronic mail)
Artist: Agathe Saint Girons
Retail value: US$3,500

Agathe Saint Girons has been a constantly eclectic drive in jewellery for over 35 years. From her studio in Paris, she works in quite a lot of mediums: from metallic (notably titanium), sterling silver, aluminum, glass, discovered objects, and her vivid creativeness—influenced by her wondrous humorousness. This sculptural object/ring, Drive Me Loopy, was within the exhibition Dinner Is Served, proven in Paris at Elsa Vanier Gallery and in NYC at MAD museum and NYCJW24. * Ships after November 15, 2026.

Catarina Silva, Where Are Thou? #1, 2026, necklace in silver, jade, plastic beads, silk thread, 12 ⅝ x 12 ⅝ x ¼ inches (320 x 320 x 5 mm), photo courtesy of Four Gallery — Catarina Silva, *The place Are Thou? #1,* 2026, necklace in silver, jade, plastic beads, silk thread, 12 ⅝ x 12 ⅝ x ¼ inches (320 x 320 x 5 mm), photograph courtesy of 4 Gallery

Gallery: 4 Gallery, Umeå, Sweden (click on the gallery identify to hyperlink to its web site)
Contact: Karin Roy Andersson (click on the gallerist’s identify for electronic mail)
Artist: Catarina Silva
Retail value: 2,000€

Catarina Silva brings us to a dreamlike and surreal dimension. Her items usually assemble surprising supplies into amulets that hover between the archaic and the modern. Love tokens, glass beads, and on a regular basis symbols are recomposed into objects that recall the rhythms of historic chants, the repetitions of spells, and the intimacy of secret choices.

Felicia Mülbaier, Flügelschlag (Fluttering Wings), 2019, brooch in carved lapis lazuli, 14-karat gold, 4 ⅝ x 2 ⅞ x 1 inches (118 x 74 x 27 mm), photo: artist — Felicia Mülbaier, *Flügelschlag (Fluttering Wings),* 2019, brooch in carved lapis lazuli, 14-karat gold, 4 ⅝ x 2 ⅞ x 1 inches (118 x 74 x 27 mm), photograph: artist

Gallery: Galerie Noel Guyomarc’h, bijoux et objets contemporains, Montreal, QC, Canada (click on the gallery identify to hyperlink to its web site)
Contact: Noel Guyomarc’h (click on the gallerist’s identify for electronic mail)
Artist: Felicia Mülbaier
Retail value: CAN$3,950

Felicia Mülbaier meticulously sculpts lapis lazuli. She shapes the fabric to supply us poetic, vibrant, and imaginative works. Entitled Fluttering Wings, this brooch is a testomony to precisely that.

Jane Bowden, Circle and Square, 2025, stacking rings in (front) round Cowell jade, 18-karat yellow gold, size T1/2, 39 x 28 mm, top 20 mm in diameter, (back) square Cowell jade, 18-karat white gold, size S, 40 x 27 mm, top 17.5 x 17.5 mm, photo: artist — Jane Bowden, *Circle* and *Sq.,* 2025, stacking rings in (entrance) spherical Cowell jade, 18-karat yellow gold, measurement T1/2, 39 x 28 mm, prime 20 mm in diameter, (again) sq. Cowell jade, 18-karat white gold, measurement S, 40 x 27 mm, prime 17.5 x 17.5 mm, photograph: artist

Gallery: Zu design, Adelaide, NSW, Australia (click on the gallery identify to hyperlink to its web site)
Contact: Jane (click on the gallerist’s identify for electronic mail)
Artist: Jane Bowden
Retail value: (Entrance) AUS$3,040, (again) AUS$3,610

These stacking rings by Jane Bowden discover stability via distinction—weight and lightness, geometry and contact. Composed of distinct, interchangeable parts, every holds a special formal language: a sharply faceted, architectural block in dialogue with a softened, round kind. Worn alone, every is resolved; stacked, they change into a small, evolving construction—quietly architectural, tactile, and attentive to the hand that composes them.

Kate Cusack, Red/Black Loci Necklace, 2026, necklace in hand-shaped zippers, approximately 20 inches (508 mm) long, photo courtesy of InterFusion Art — Kate Cusack, *Pink/Black Loci Necklace,* 2026, necklace in hand-shaped zippers, roughly 20 inches (508 mm) lengthy, photograph courtesy of InterFusion Artwork

Gallery: InterFusion Artwork, Santa Fe, NM, US (click on the gallery identify to hyperlink to its web site)
Contact: The Staff (click on for electronic mail)
Artist: Kate Cusack
Retail value: US$1,200

Kate Cusack’s Pink/Black Loci Necklace is a hanging assertion piece, hand-crafted from zippers that intertwine into daring, sculptural kinds with vivid red-and-black distinction. This ingenious design creates an surprising graphic rhythm that feels playful and collectible. Primarily based in Brooklyn, Cusack is famend for her zipper jewellery and wearable artwork.

Nicolas Christol, Instable (Unstable), 2026, ring in silver, rock crystal, gallium, photo: artist — Nicolas Christol, *Instable (Unstable),* 2026, ring in silver, rock crystal, gallium, photograph: artist

Gallery: Espace Borax, Vevey, Switzerland (click on the gallery identify to hyperlink to its web site)
Contact: Nicolas Christol (click on the gallerist’s identify for electronic mail)
Artist: Nicolas Christol
Retail value: 850€

Gallium rests inside a hole cabochon of frosted rock crystal, its presence revealed when the quartz is moist. Strong beneath 30 levels Celsius, it turns liquid with heat, shifting like a residing inclusion. Not like mercury, gallium isn’t poisonous to people, but it aggressively weakens metals comparable to aluminum. It’s utilized in electronics and sure protection purposes, comparable to nuclear weapons. Right here, it behaves as each materials and metaphor, probably interacting with the encompassing silver. It is usually a small wink to Peter Skubic and Peter Bauhuis, who explored using this metallic.

Morgan Hill, Condiment Whore, 2025, necklace in holly, paint, steel, plastic, each 1 ½ x 1 x ¼ inches (38 x 25 x 6 mm) and 16–20 inches (406–508 mm) long, photo: artist — Morgan Hill, *Condiment Whore,* 2025, necklace in holly, paint, metal, plastic, every 1 ½ x 1 x ¼ inches (38 x 25 x 6 mm) and 16–20 inches (406–508 mm) lengthy, photograph: artist

Gallery: Heidi Lowe Gallery, Lewes, DE, US (click on the gallery identify to hyperlink to its web site)
Contact: Kassadi Williams (click on for electronic mail)
Artist: Morgan Hill
Retail value: US$490

Morgan Hill is a sculptor and jewellery designer whose work attracts on a variety of aesthetic and conceptual influences, from 90s popular culture, campy cinema, and costume design to her Southern, Christian upbringing and experiences as the one feminine youngster in an prolonged household of farmers in Arkansas. Her longing to interrupt the silence surrounding culturally censured subjects drives her to create work on themes of dying, abuse, despair, and suicide, in addition to their counterparts of rebirth, therapeutic, and empowerment. On the lighter facet, her jewellery model, Dangerous Habits by Morgan Hill, celebrates the pleasure of extra and indulged wishes.

Giorgio Vigna, Sasso 8091, 2025, in gilded copper and silver granules, magnet, unique piece, photo courtesy of Galerie MiniMasterpiece — Giorgio Vigna, *Sasso 8091,* 2025, in gilded copper and silver granules, magnet, distinctive piece, photograph courtesy of Galerie MiniMasterpiece

Gallery: Galerie MiniMasterpiece, Paris, France (click on the gallery identify to hyperlink to its web site)
Contact: Esther de Beaucé (click on the gallerist’s identify for electronic mail)
Artist: Giorgio Vigna
Retail value: 2,500€ (excluding VAT)

Giorgio Vigna was born in Verona in 1955. His work evokes the interaction of earth and water, hearth and wind, mixing the pure and the bogus, the standard and the valuable. Over time, his magnetic brooches have change into an iconic piece of knickknack. A novel method and a particular design language making them signature items.

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